Een 43-jarige huisvrouw en moeder die op het punt staat te scheiden van haar man, bezoekt een schoolreünie waar zij plotseling flauwvalt. Dan gaat zij terug naar de tijd waar ze nog een schoolmeisje was, en dit geeft haar de kans om bepaalde dingen in het verleden te kunnen veranderen.
Nee, helaas is Peggy Sue Got Married nog niet beschikbaar op Netflix in Nederland.
| Editing | Barry Malkin | Editor |
| Production | Paul R. Gurian | Producer |
| Camera | Jordan Cronenweth | Director of Photography |
| Sound | John Barry | Original Music Composer |
| Production | Barrie M. Osborne | Executive Producer |
| Directing | Francis Ford Coppola | Director |
| Production | Francis Ford Coppola | Producer |
| Camera | Bob Gilles | Camera Intern |
| Writing | Arlene Sarner | Writer |
| Writing | Jerry Leichtling | Writer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Art | Dean Tavoularis | Production Design |
| Costume & Make-Up | Theadora Van Runkle | Costume Designer |
| Camera | John Toll | Camera Operator |
| Sound | Carl Fischer | Boom Operator |
| Production | Pennie DuPont | Casting |
| Sound | Thomas A. Gulino | Sound Editor |
| Production | Barrie M. Osborne | Unit Production Manager |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Camera | Bing Sokolsky | First Assistant Camera |
| Camera | Jane O'Neal | Still Photographer |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Sound | Louis Bertini | Sound Editor |
| Sound | Darrell Hanzalik | ADR Editor |
| Sound | George Craig | Music Editor |
| Camera | Gregg Guellow | Best Boy Grip |
| Camera | Billy Beaird | Dolly Grip |
| Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
| Crew | Steve Holladay | Stunts |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Bitty O'Sullivan-Smith | Sound Editor |
| Art | Alex Tavoularis | Art Direction |
| Lighting | Rick Martens | Gaffer |
| Camera | Cary Griffith | Key Grip |
| Crew | Lawrence J. Cavanaugh | Special Effects Coordinator |
| Art | Douglas T. Madison | Property Master |
| Directing | Doug Claybourne | First Assistant Director |
| Directing | Mark Radcliffe | Second Assistant Director |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Dorian Harris | ADR Editor |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Lighting | Jack Kirk | Best Boy Electric |
| Costume & Make-Up | Frank Griffin | Makeup Artist |
| Costume & Make-Up | John Rizzo | Makeup Artist |
| Art | James J. Murakami | Assistant Art Director |
| Art | Marvin March | Set Decoration |
| Sound | D. G. Fisher | Boom Operator |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Editing | Debra Bard | Assistant Editor |
| Editing | Dennis Brookins | Negative Cutter |
| Camera | Jeff Cronenweth | Second Assistant Camera |
| Sound | Neil L. Kaufman | Sound Editor |
| Sound | Elisha Birnbaum | Foley Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | John J. Rutchland III | Construction Foreman |
| Production | Eileen McGuire | Assistant Accountant |
| Production | Sam Mercer | Location Manager |
| Crew | Toni Basil | Choreographer |
| Art | Gary Fettis | Assistant Property Master |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Directing | Carey Dietrich | Second Second Assistant Director |
| Production | Lisbeth Wynn-Owen | Production Coordinator |
| Production | George Parra | Production Assistant |
| Crew | Daniel R. Suhart | Dialogue Coach |
| Art | Paul Myerberg | Leadman |
| Production | Elizabeth Yanoska | Production Accountant |
| Crew | Kerry Orent | Post Production Supervisor |
| Crew | James Davis | Transportation Coordinator |
