Een erotische drama over Elizabeth, een assistente in een kunstgalerij, die betrokken raakt in een affaire met John. Ze weten bijna niets van elkaars leven, en hun relatie begint gecompliceerd te worden.
Nee, helaas is Nine 1/2 Weeks nog niet beschikbaar op Netflix in Nederland.
Camera | Peter Biziou | Director of Photography |
Production | Mark Damon | Producer |
Writing | Zalman King | Screenplay |
Production | Zalman King | Producer |
Writing | Sarah Kernochan | Screenplay |
Editing | Mark Winitsky | Editor |
Editing | Ed Hansen | Editor |
Writing | Patricia Louisianna Knop | Screenplay |
Production | Frank Konigsberg | Executive Producer |
Production | Keith Barish | Executive Producer |
Production | Sidney Kimmel | Producer |
Production | Antony Rufus-Isaacs | Producer |
Editing | Caroline Biggerstaff | Editor |
Directing | Adrian Lyne | Director |
Editing | Tom Rolf | Editor |
Directing | Kyle McCarthy | Second Assistant Director |
Crew | Peter Bucossi | Stunts |
Sound | Michael Hoenig | Additional Soundtrack |
Production | Roger Paradiso | Production Manager |
Crew | Webster Whinery | Stunts |
Directing | Benjamin Rosenberg | First Assistant Director |
Production | Robert E. Relyea | Executive In Charge Of Production |
Sound | Becky Mancuso-Winding | Music Supervisor |
Production | Lynn Stalmaster | Casting |
Production | Steven Reuther | Associate Producer |
Production | Nan Dutton | Casting |
Crew | Shelley Kirkwood | Unit Publicist |
Camera | John Seakwood | Still Photographer |
Sound | Richard Murphy | Boom Operator |
Costume & Make-Up | Marie-Ange Ripka | Hairstylist |
Costume & Make-Up | Aude Bronson-Howard | Assistant Costume Designer |
Camera | Craig Haagensen | Camera Operator |
Costume & Make-Up | Barbara Hause | Wardrobe Supervisor |
Sound | Craig S. Jaeger | Sound Editor |
Lighting | Jonathan Lumley | Chief Lighting Technician |
Directing | Adrienne Hamalian-Mangine | Script Supervisor |
Costume & Make-Up | David Forrest | Makeup Artist |
Production | Randall Badger | Location Manager |
Production | Ooty Moorehead | Production Office Coordinator |
Sound | Mark P. Stoeckinger | Sound Editor |
Editing | Donah Bassett | Negative Cutter |
Sound | Michael Hoskinson | Sound Editor |
Sound | James Christopher | Sound Editor |
Art | Christian Kelly | Set Decoration |
Art | Karen Kates | Assistant Property Master |
Sound | Tom Carlin | Music Editor |
Sound | Glenn T. Morgan | Assistant Sound Editor |
Sound | William L. McCaughey | Sound Re-Recording Mixer |
Editing | Vicki Hiatt | First Assistant Editor |
Sound | Jay M. Harding | Sound Re-Recording Mixer |
Camera | Mitch Lillain | Key Grip |
Art | Chris Gardyasz | Set Dresser |
Crew | Frank Ferrara | Stunt Coordinator |
Camera | Richard C. Kerekes | Dolly Grip |
Editing | Kim Secrist | Additional Editing |
Sound | Aaron Rochin | Sound Re-Recording Mixer |
Sound | Gaylon J. Horton | Music Coordinator |
Art | Ron Stone | Property Master |
Art | Mark Peltzer | Assistant Property Master |
Sound | Emile Razpopov | Supervising Sound Editor |
Sound | James Matheny | Sound Editor |
Sound | Burton Weinstein | Sound Editor |
Art | John M. Dwyer | Set Dresser |
Production | Clayton Townsend | Location Manager |
Sound | Elliot Lurie | Music Coordinator |
Camera | Barry Wetcher | Still Photographer |
Sound | Bill Daly | Sound Mixer |
Sound | Ray O'Reilly | Sound Re-Recording Mixer |
Sound | Dessie Markovsky | Supervising Sound Editor |
Crew | Sydney Pollack | Other |
Sound | Jack Nitzsche | Original Music Composer |
Costume & Make-Up | Bobbie Read | Costume Design |
Art | Linda Conaway-Parsloe | Art Direction |
Art | Ken Davis | Production Design |
Art | Dan Perri | Title Designer |
Writing | Elizabeth McNeill | Novel |