New York. Hi-tech superconcern waar Ben Kingsley de scepter zwaait en dat vooral gespecialiseerd is in het conserveren van dieren die dreigen uit te sterven. Zeer veel geld verdienen ze met een virtuele safari, waarbij tegen betaling, mensen via een hi-tech computer terug naar de pre-historie afgeschoten worden, alwaar ze op levensgrote in het wild levende levensechte dieren, waaronder dinosaurussen, jagen. Een en ander gebeurt onder strikte regels. Zo hebben de deelnemers speciale kleding, apart wapentuig en mogen ze absoluut niet van de baan afstappen waar ze oplopen en waar vandaan ze jagen. Zoiets zou verschrikkelijke gevolgen kunnen hebben..
Nee, helaas is A Sound of Thunder nog niet beschikbaar op Netflix in Nederland.
| Production | Breck Eisner | Executive Producer |
| Art | Richard Roberts | Set Decoration |
| Sound | Nick Glennie-Smith | Original Music Composer |
| Camera | Peter Hyams | Director of Photography |
| Production | Anja Dihrberg | Casting |
| Production | Guy J. Louthan | Line Producer |
| Costume & Make-Up | Esther Walz | Costume Design |
| Production | Moshe Diamant | Producer |
| Art | Keith Pain | Art Direction |
| Directing | Peter Hyams | Director |
| Editing | Sylvie Landra | Editor |
| Production | Yoram Barzilai | Line Producer |
| Production | Romana Cisarova | Executive Producer |
| Production | Jörg Westerkamp | Executive Producer |
| Writing | Ray Bradbury | Author |
| Production | William J. Immerman | Executive Producer |
| Art | Richard Holland | Production Design |
| Production | Rick Nathanson | Executive Producer |
| Costume & Make-Up | Sakina Msa | Costume Design |
| Production | Elie Samaha | Executive Producer |
| Production | Jessica Horváthová | Casting |
| Production | Karen Elise Baldwin | Producer |
| Writing | Joshua Oppenheimer | Screenplay |
| Visual Effects | Christian McIntire | Visual Effects Supervisor |
| Production | John Hardy | Executive Producer |
| Writing | Gregory Poirier | Screenplay |
| Writing | Thomas Dean Donnelly | Screenplay |
| Production | Steve Cantor | Associate Producer |
| Production | Andrew Stevens | Executive Producer |
| Production | Frank Hübner | Co-Producer |
| Production | Jan Fantl | Co-Producer |
| Production | Howard Baldwin | Executive Producer |
| Production | Sue Jones | Casting |
| Production | Ondřej Sláma | Unit Production Manager |
| Art | Jean-Francois Mignault | Conceptual Design |
| Sound | Robin Pohle | Sound Effects Editor |
| Crew | David J. Witters | CGI Supervisor |
| Crew | Casey Allen | Compositor |
| Visual Effects | Bastian Schreitling | Visual Effects Coordinator |
| Crew | Petr Drozda | Stunt Coordinator |
| Production | Reinhild Gräber | Production Supervisor |
| Crew | Neil Toddy Todd | Special Effects |
| Visual Effects | Gayle Busby | Visual Effects Producer |
| Crew | Ernestine Kahn | Dialect Coach |
| Production | Veronika Horka | Production Coordinator |
| Sound | Peter Baldock | Supervising Sound Editor |
| Crew | Soline Guyonneau | Visual Effects Editor |
| Visual Effects | Dietrich Hasse | Animation Supervisor |
| Crew | Jay Randall | Sequence Supervisor |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Camera | Murray Close | Still Photographer |
| Production | Jiri Krejcir | Location Manager |
| Sound | Mark Berrow | Musician |
| Art | Martina Ter-Akopowá | Props |
| Crew | Igor Chevalier | Visual Effects Art Director |
| Production | Petr Šplíchal | Unit Manager |
| Directing | Charlie Watson | First Assistant Director |
| Directing | Catherine Allinson | Script Supervisor |
| Art | Desmond Crowe | Set Designer |
| Editing | Gregory Creaser | Digital Intermediate |
| Crew | Steffen M. Wild | Digital Effects Supervisor |
| Production | Jack W. Haddox | Post Production Accountant |
| Camera | Stephen S. Campanelli | Camera Operator |
| Lighting | Václav Čermák | Rigging Gaffer |
| Art | Klara Holubova | Art Department Coordinator |
| Sound | Benjamin Krüger | Boom Operator |
| Crew | Rudolf Bok | Stunts |
| Lighting | Kriz David | Electrician |
| Lighting | Andy Arnautov | Gaffer |
| Editing | Nadia Naimi | First Assistant Editor |
| Crew | Tim Grover | Post Production Supervisor |
| Art | Slavek Vankat | Art Department Assistant |
| Sound | Craig Clark | ADR Supervisor |
| Editing | Harry Muller | Color Timer |
| Crew | Adam W. Rosen | Legal Services |
| Sound | Dominik Schleier | Dialogue Editor |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Camera | James Lewis | Underwater Camera |
| Sound | Gerard McCann | Music Editor |
| Sound | Nick Baldock | Assistant Sound Editor |
| Visual Effects | Arndt Baumueller | Visual Effects |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Sound | Manfred Banach | Sound Mixer |
| Sound | Michael Hinreiner | Sound Re-Recording Mixer |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Camera | Helge Felgendreher | Key Grip |
| Crew | Eva Dvorakova | Set Medic |
| Costume & Make-Up | Linda Mooney | Hairstylist |
| Crew | Scott Dougherty | Executive Visual Effects Producer |
| Crew | Dianne Mapp-Cheek | Production Controller |
| Sound | Noemi Hampel | Foley Editor |
| Camera | Mario Matic | Grip |
| Costume & Make-Up | Till Fuhrmann | Assistant Costume Designer |
| Costume & Make-Up | Ivana Němcová | Hair Assistant |
| Directing | Raza Mallal | Second Unit Director |
| Art | David E. Scott | Graphic Designer |
| Directing | Martina Götthansova | Third Assistant Director |
| Visual Effects | Bonnie Lemon | Visual Effects Production Manager |
| Visual Effects | Ulysses Argetta | Digital Compositor |
| Production | Andreas Illenseer | Head of Production |
| Art | Chris John Jones | Creative Director |
| Crew | Duncan Capp | Special Effects Technician |
| Camera | Robert-James Bova | Best Boy Grip |
| Production | Mike Bocek | Key Set Production Assistant |
| Directing | Adrian Toynton | Second Assistant Director |
| Visual Effects | Kino Scialabba | Matte Painter |
| Art | Igor Chevalier | Conceptual Illustrator |
| Sound | Colin Rogers | ADR Mixer |
| Editing | Ross Porter-Ward | Assistant Editor |
| Production | Tracy Fedak | Second Assistant Accountant |
| Editing | Diane Macke | Project Manager |
| Visual Effects | Dragos Jieanu | CG Artist |
| Visual Effects | Ryan Lastimosa | VFX Artist |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Production | Vanessa Bolton | Accountant |
| Visual Effects | Robert D. Crotty | Digital Effects Producer |
| Visual Effects | Marlan Harris | Rotoscoping Artist |
| Camera | Ian Coffey | Clapper Loader |
| Production | Lenka Kadlecova | Production Assistant |
| Art | James Doh | Storyboard Artist |
| Crew | Blanka Jarošová | Stunt Double |
| Camera | Sven Fink | Focus Puller |
| Costume & Make-Up | Katrin Hoffmann | Key Costumer |
| Camera | Graham Hall | Assistant Camera |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Camera | Emiliano Topai | Second Assistant Camera |
| Sound | Oliver Barth | ADR Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Nick Glennie-Smith | Conductor |
| Production | Guy J. Louthan | Production Executive |
| Directing | Miroslav Fozo | Second Second Assistant Director |
| Art | Dylan Cole | Concept Artist |
| Sound | Anja Bause | Foley Recordist |
