New York. Hi-tech superconcern waar Ben Kingsley de scepter zwaait en dat vooral gespecialiseerd is in het conserveren van dieren die dreigen uit te sterven. Zeer veel geld verdienen ze met een virtuele safari, waarbij tegen betaling, mensen via een hi-tech computer terug naar de pre-historie afgeschoten worden, alwaar ze op levensgrote in het wild levende levensechte dieren, waaronder dinosaurussen, jagen. Een en ander gebeurt onder strikte regels. Zo hebben de deelnemers speciale kleding, apart wapentuig en mogen ze absoluut niet van de baan afstappen waar ze oplopen en waar vandaan ze jagen. Zoiets zou verschrikkelijke gevolgen kunnen hebben..
Nee, helaas is A Sound of Thunder nog niet beschikbaar op Netflix in Nederland.
| Production | Jessica Horváthová | Casting |
| Production | William J. Immerman | Executive Producer |
| Art | Richard Roberts | Set Decoration |
| Art | Keith Pain | Art Direction |
| Camera | Peter Hyams | Director of Photography |
| Costume & Make-Up | Sakina Msa | Costume Design |
| Directing | Peter Hyams | Director |
| Editing | Sylvie Landra | Editor |
| Production | Anja Dihrberg | Casting |
| Sound | Nick Glennie-Smith | Original Music Composer |
| Costume & Make-Up | Esther Walz | Costume Design |
| Production | Karen Elise Baldwin | Producer |
| Writing | Ray Bradbury | Author |
| Production | Moshe Diamant | Producer |
| Production | Breck Eisner | Executive Producer |
| Art | Richard Holland | Production Design |
| Production | Guy J. Louthan | Line Producer |
| Production | Yoram Barzilai | Line Producer |
| Production | Romana Cisarova | Executive Producer |
| Production | Elie Samaha | Executive Producer |
| Production | Jörg Westerkamp | Executive Producer |
| Production | Rick Nathanson | Executive Producer |
| Writing | Joshua Oppenheimer | Screenplay |
| Visual Effects | Christian McIntire | Visual Effects Supervisor |
| Production | John Hardy | Executive Producer |
| Writing | Gregory Poirier | Screenplay |
| Writing | Thomas Dean Donnelly | Screenplay |
| Production | Steve Cantor | Associate Producer |
| Production | Jan Fantl | Co-Producer |
| Production | Andrew Stevens | Executive Producer |
| Production | Frank Hübner | Co-Producer |
| Production | Sue Jones | Casting |
| Production | Howard Baldwin | Executive Producer |
| Visual Effects | Dietrich Hasse | Animation Supervisor |
| Production | Petr Šplíchal | Unit Manager |
| Sound | Dominik Schleier | Dialogue Editor |
| Crew | David J. Witters | CGI Supervisor |
| Crew | Jay Randall | Sequence Supervisor |
| Camera | James Lewis | Underwater Camera |
| Sound | Peter Baldock | Supervising Sound Editor |
| Visual Effects | Arndt Baumueller | Visual Effects |
| Camera | Mario Matic | Grip |
| Costume & Make-Up | Till Fuhrmann | Assistant Costume Designer |
| Art | Slavek Vankat | Art Department Assistant |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Sound | Gerard McCann | Music Editor |
| Crew | Dianne Mapp-Cheek | Production Controller |
| Sound | Nick Baldock | Assistant Sound Editor |
| Lighting | Andy Arnautov | Gaffer |
| Art | Klara Holubova | Art Department Coordinator |
| Sound | Michael Hinreiner | Sound Re-Recording Mixer |
| Editing | Nadia Naimi | First Assistant Editor |
| Crew | Eva Dvorakova | Set Medic |
| Sound | Craig Clark | ADR Supervisor |
| Sound | Manfred Banach | Sound Mixer |
| Crew | Igor Chevalier | Visual Effects Art Director |
| Editing | Harry Muller | Color Timer |
| Sound | Mark Berrow | Musician |
| Crew | Adam W. Rosen | Legal Services |
| Costume & Make-Up | Linda Mooney | Hairstylist |
| Production | Ondřej Sláma | Unit Production Manager |
| Directing | Charlie Watson | First Assistant Director |
| Art | Desmond Crowe | Set Designer |
| Crew | Neil Toddy Todd | Special Effects |
| Crew | Steffen M. Wild | Digital Effects Supervisor |
| Visual Effects | Bastian Schreitling | Visual Effects Coordinator |
| Visual Effects | Gayle Busby | Visual Effects Producer |
| Crew | Tim Grover | Post Production Supervisor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Lighting | Kriz David | Electrician |
| Sound | Noemi Hampel | Foley Editor |
| Lighting | Václav Čermák | Rigging Gaffer |
| Production | Jiri Krejcir | Location Manager |
| Production | Reinhild Gräber | Production Supervisor |
| Art | Jean-Francois Mignault | Conceptual Design |
| Production | Veronika Horka | Production Coordinator |
| Sound | Robin Pohle | Sound Effects Editor |
| Crew | Casey Allen | Compositor |
| Crew | Soline Guyonneau | Visual Effects Editor |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Directing | Catherine Allinson | Script Supervisor |
| Editing | Gregory Creaser | Digital Intermediate |
| Crew | Ernestine Kahn | Dialect Coach |
| Sound | Benjamin Krüger | Boom Operator |
| Crew | Rudolf Bok | Stunts |
| Camera | Helge Felgendreher | Key Grip |
| Production | Jack W. Haddox | Post Production Accountant |
| Art | Martina Ter-Akopowá | Props |
| Crew | Petr Drozda | Stunt Coordinator |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Camera | Murray Close | Still Photographer |
| Costume & Make-Up | Katrin Hoffmann | Key Costumer |
| Art | David E. Scott | Graphic Designer |
| Directing | Adrian Toynton | Second Assistant Director |
| Art | Chris John Jones | Creative Director |
| Art | Igor Chevalier | Conceptual Illustrator |
| Directing | Miroslav Fozo | Second Second Assistant Director |
| Art | Dylan Cole | Concept Artist |
| Costume & Make-Up | Ivana Němcová | Hair Assistant |
| Directing | Raza Mallal | Second Unit Director |
| Directing | Martina Götthansova | Third Assistant Director |
| Camera | Ian Coffey | Clapper Loader |
| Sound | Colin Rogers | ADR Mixer |
| Camera | Graham Hall | Assistant Camera |
| Production | Mike Bocek | Key Set Production Assistant |
| Visual Effects | Ulysses Argetta | Digital Compositor |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Editing | Ross Porter-Ward | Assistant Editor |
| Production | Tracy Fedak | Second Assistant Accountant |
| Camera | Emiliano Topai | Second Assistant Camera |
| Editing | Mo Henry | Negative Cutter |
| Sound | Nick Glennie-Smith | Conductor |
| Visual Effects | Bonnie Lemon | Visual Effects Production Manager |
| Editing | Lisa Tutunjian | Digital Intermediate Editor |
| Editing | Diane Macke | Project Manager |
| Production | Andreas Illenseer | Head of Production |
| Visual Effects | Kino Scialabba | Matte Painter |
| Crew | Duncan Capp | Special Effects Technician |
| Visual Effects | Ryan Lastimosa | VFX Artist |
| Sound | Oliver Barth | ADR Editor |
| Production | Guy J. Louthan | Production Executive |
| Visual Effects | Marlan Harris | Rotoscoping Artist |
| Art | James Doh | Storyboard Artist |
| Sound | Anja Bause | Foley Recordist |
| Production | Vanessa Bolton | Accountant |
| Crew | Blanka Jarošová | Stunt Double |
| Camera | Sven Fink | Focus Puller |
| Visual Effects | Dragos Jieanu | CG Artist |
| Visual Effects | Robert D. Crotty | Digital Effects Producer |
| Camera | Robert-James Bova | Best Boy Grip |
| Production | Lenka Kadlecova | Production Assistant |
| Crew | 熊欣欣 | Stunt Coordinator |
| Visual Effects | Scott Dougherty | Visual Effects Supervisor |
