Los Angeles 1991. Driehonderdduizend buitenaardse arbeiders zijn in de stad neergestreken. De autochtonen laten zich liever niet in met deze nieuwkomers. Deze zijn hoogbegaafd en bestand tegen alle voor de mens schadelijke chemische stoffen, maar gewoon zeewater is hun grootste vijand en dodelijk. Politieagent Matt Sykes stemt er in toe om een buitenaardse man als zijn partner te nemen. Hij wil zo in het milieu van de Aliens infiltreren en de moordenaar van zijn vorige partner vinden.
Nee, helaas is Alien Nation nog niet beschikbaar op Netflix in Nederland.
| Directing | Graham Baker | Director |
| Camera | Adam Greenberg | Director of Photography |
| Writing | Rockne S. O'Bannon | Screenplay |
| Production | Richard Kobritz | Producer |
| Sound | Curt Sobel | Original Music Composer |
| Production | Gale Anne Hurd | Producer |
| Editing | Kent Beyda | Editor |
| Art | Louis S. Fleming | Property Master |
| Crew | Glory Fioramonti | Stunts |
| Sound | Robert Renga | Sound Recordist |
| Crew | Simone Boisseree | Stunts |
| Directing | Conrad E. Palmisano | Second Unit Director |
| Art | Nigel A. Boucher | Leadman |
| Sound | Mark Mangini | Supervising Sound Editor |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Joseph C. Nemec III | Art Direction |
| Production | Karen Rea | Casting |
| Art | John Warnke | Set Designer |
| Art | Jack T. Collis | Production Design |
| Art | Jim Duffy | Set Decoration |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Carlton Kaller | Music Editor |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Camera | Philip Caplan | Camera Operator |
| Sound | Daniel J. Johnson | Music Editor |
| Camera | Jane O'Neal | Still Photographer |
| Lighting | Jono Kouzouyan | Gaffer |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Costume & Make-Up | Michael J. Long | Costume Supervisor |
| Costume & Make-Up | Linda Serijan | Costume Supervisor |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Crew | Sarah Elgart | Choreographer |
| Camera | Mike Benson | Camera Operator |
| Costume & Make-Up | Janice Alexander | Hairstylist |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Costume & Make-Up | Katalin Elek | Makeup Artist |
| Crew | Dick Ziker | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Debbie Evans | Stunts |
| Sound | Wayne Allwine | Sound Editor |
| Crew | Crit Killen | Propmaker |
| Directing | Newt Arnold | First Assistant Director |
| Sound | Steve Bowerman | Boom Operator |
| Sound | Peter Tomaszewicz | Foley Editor |
| Directing | Herb Adelman | First Assistant Director |
| Sound | Christopher Flick | Foley Editor |
| Art | Steve Fegley | Construction Foreman |
| Sound | Jerry Trent | Foley Artist |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Gordon Webb | Boom Operator |
| Sound | Michael J. Benavente | Sound Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Costume & Make-Up | Dan Bronson | Costumer |
| Lighting | Donald Dahlquist | Best Boy Electric |
| Sound | Warren Hamilton Jr. | Sound Editor |
| Production | Franklyn Warren | Extras Casting |
| Production | Doreen Lane | Casting Assistant |
| Sound | Solange S. Schwalbe | Sound Editor |
| Sound | Donlee Jorgensen | Sound Editor |
| Camera | Frank M. Holgate | Second Unit Director of Photography |
| Production | Bill Borden | Production Executive |
| Sound | David MacMillan | Sound Mixer |
| Sound | Colin C. Mouat | Sound Editor |
| Camera | Vance Piper | First Assistant Camera |
| Crew | John Robles | Special Effects |
| Camera | Gene Kearney | Key Grip |
| Crew | Alan Rifkin | Special Effects |
| Crew | Bill Davis | Armorer |
| Camera | David Christie | Best Boy Grip |
| Production | Janis Benjamin Collister | Production Coordinator |
| Camera | Donald L. Hartley | Dolly Grip |
| Crew | Jeffrey Machit | Special Effects |
| Lighting | John Pierce | Best Boy Electric |
| Sound | Charles M. Wilborn | Sound Mixer |
| Crew | Richard Lopez | Special Effects |
| Crew | Michael P. Stipe | Special Effects |
| Sound | David Spence | Sound Editor |
| Sound | Lucy Coldsnow-Smith | Sound Editor |
| Visual Effects | Monty Shook | Visual Effects Designer |
| Camera | Bob Muñoz | Best Boy Grip |
| Camera | Alicia Craft | Second Assistant Camera |
| Art | Ernest Farino | Title Designer |
| Directing | Anne Warner | Script Supervisor |
| Editing | Lorraine Salk | Assistant Editor |
| Editing | Jean Morrisey | Assistant Editor |
| Editing | Phil Downey | Color Timer |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Don Brochu | Additional Editor |
| Editing | Tracy Granger | Assistant Editor |
| Crew | George Fisher | Stunts |
| Crew | Erik Cord | Stunts |
