De jonge prinses Tiana leeft in de roemruchte Jazz Periode in New Orleans. Het meisje heeft de taak om een kikker te kussen die hierna in een prins zou moeten veranderen. Tiana wordt bijgestaan door een Cajun vlieg met liefdesverdriet en een trompet spelende alligator.
Nee, helaas is De prinses en de kikker nog niet beschikbaar op Netflix in Nederland.
| Writing | Ron Clements | Screenplay |
| Sound | Randy Newman | Original Music Composer |
| Directing | Ron Clements | Director |
| Directing | John Musker | Director |
| Writing | John Musker | Screenplay |
| Production | Craig Sost | Associate Producer |
| Writing | Nicole Mitchell | Storyboard |
| Directing | Jennifer Yuan | Layout |
| Art | Leonard Robledo | Background Designer |
| Crew | Sylvia Filcak | Compositors |
| Crew | Maria Gonzalez | Compositors |
| Art | Dan Read | Background Designer |
| Directing | James P. Alles | Layout |
| Crew | Claire Williams | Compositors |
| Visual Effects | Lorelay Bove | Visual Development |
| Production | Monica Lago-Kaytis | Production Manager |
| Production | Michele Mazzano | Production Supervisor |
| Crew | Brent W. Hall | Post Production Supervisor |
| Visual Effects | Chris Appelhans | Visual Development |
| Directing | Peter J. Deluca | Layout |
| Visual Effects | Armand Baltazar | Visual Development |
| Sound | Randy Newman | Songs |
| Writing | Rob Edwards | Screenplay |
| Directing | Jason Hand | Layout |
| Directing | Allen Tam | Layout |
| Editing | Jeff Draheim | Editor |
| Directing | Alfred Cruz | Layout |
| Directing | Chung Sup Yoon | Layout |
| Art | Doug Ball | Background Designer |
| Art | Ian Gooding | Art Direction |
| Production | Bérénice Robinson | Executive In Charge Of Post Production |
| Visual Effects | Sunny Apinchapong | Visual Development |
| Visual Effects | Doug Walker | Visual Development |
| Visual Effects | Stevie Wermers-Skelton | Visual Development |
| Directing | Lam Hoang | Layout |
| Directing | Doug Walker | Layout |
| Art | Sai Ping Lok | Background Designer |
| Writing | Ron Clements | Story |
| Crew | Chris Montan | Executive Music Producer |
| Writing | Jason Oremland | Story |
| Production | Curtis A. Koller | Casting |
| Production | Mark Fincannon | Casting |
| Crew | Randy Haycock | Supervising Animator |
| Art | Gregory Miller | Background Designer |
| Writing | Greg Erb | Story |
| Sound | Odin Benitez | Sound Designer |
| Directing | Jean-Christophe Poulain | Layout |
| Crew | Bruce W. Smith | Supervising Animator |
| Crew | Mike Surrey | Supervising Animator |
| Art | Kelly McGraw | Background Designer |
| Production | John Lasseter | Executive Producer |
| Crew | Kimberly W. Keech | Technical Supervisor |
| Art | Sunny Apinchapong | Background Designer |
| Directing | Ashley Lenz | Layout |
| Directing | Robert St. Pierre | Layout |
| Art | James Aaron Finch | Production Design |
| Production | Jen Rudin | Casting |
| Crew | Nik Ranieri | Supervising Animator |
| Sound | Odin Benitez | Supervising Sound Editor |
| Visual Effects | Jim Martin | Visual Development |
| Crew | Andreas Deja | Supervising Animator |
| Production | Peter Del Vecho | Producer |
| Visual Effects | Kyle Odermatt | Visual Effects Supervisor |
| Visual Effects | Sai Ping Lok | Visual Development |
| Visual Effects | Douglas Rogers | Visual Development |
| Art | James Gallego | Background Designer |
| Art | Ann Lee | Background Designer |
| Writing | John Musker | Story |
| Sound | Tom MacDougall | Music Supervisor |
| Visual Effects | Kelly McGraw | Visual Development |
| Directing | Julio Leon | Layout |
| Visual Effects | Ed Li | Visual Development |
| Visual Effects | Sue C. Nichols | Visual Development |
| Crew | Eric Goldberg | Supervising Animator |
| Directing | Benoît Le Pennec | Layout |
| Visual Effects | Lisa Keene | Visual Development |
| Directing | Daniel Hu | Layout |
| Crew | Mark Henn | Supervising Animator |
| Art | Jerry Loveland | Background Designer |
| Production | Aghi Koh | Executive Producer |
| Directing | Rasoul Azadani | Layout |
| Visual Effects | Craig Elliott | Visual Development |
| Visual Effects | James Aaron Finch | Visual Development |
| Directing | Yong Zhong | Layout |
| Crew | Duncan Marjoribanks | Supervising Animator |
| Art | Donna Prince | Background Designer |
| Sound | Dean A. Zupancic | Sound Re-Recording Mixer |
| Crew | Ruben A. Aquino | Supervising Animator |
| Art | Michael Humphries | Background Designer |
| Art | Lisa Keene | Background Designer |
| Crew | Anthony DeRosa | Supervising Animator |
| Art | Wei M. Zhao | Background Designer |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Visual Effects | Kevin Gollaher | Character Designer |
| Visual Effects | Tom Ellery | Character Designer |
| Visual Effects | Rick Maki | Character Designer |
| Writing | E.D. Baker | Novel |
| Visual Effects | Eric Goldberg | Character Designer |
| Writing | Don Hall | Story Supervisor |
| Visual Effects | Bill Schwab | Character Designer |
| Visual Effects | Dale Baer | Lead Animator |
| Visual Effects | Jin Kim | Animation |
| Production | Lisa Marie Webster | Production Manager |
