Tim Avery wordt vader van een baby met bijzondere krachten. De baby heeft de krachten van het "Masker van Loki", een mythologisch object dat de gebruiker transformeert in een getikte vorm veranderende alter-ego.
Nee, helaas is Son of the Mask nog niet beschikbaar op Netflix in Nederland.
Directing | Lawrence Guterman | Director |
Production | Erica Huggins | Producer |
Writing | Lance Khazei | Screenplay |
Camera | Greg Gardiner | Director of Photography |
Sound | Randy Edelman | Original Music Composer |
Editing | Malcolm Campbell | Editor |
Directing | Kristin Witcombe | Script Supervisor |
Camera | Damien Beebe | Camera Operator |
Camera | Tov Belling | First Assistant Camera |
Camera | Matthew Copping | Dolly Grip |
Camera | Toby Copping | Key Grip |
Lighting | Reg Garside | Gaffer |
Camera | Simon Harding | Camera Operator |
Camera | Simon Harding | Steadicam Operator |
Camera | Darrin Keough | Additional Camera |
Camera | David Knight | Steadicam Operator |
Camera | Gerard Maher | Clapper Loader |
Camera | Lee Mariano | Second Assistant "B" Camera |
Camera | Calum McFarlane | "A" Camera Operator |
Camera | Cameron Morley | Second Assistant Camera |
Camera | Jem Rayner | First Assistant Camera |
Camera | Carson Reaves | First Assistant Camera |
Camera | Marc Spicer | Camera Operator |
Camera | Matt Toll | First Assistant "A" Camera |
Camera | Brett Tracey | Clapper Loader |
Camera | John Trapman | Camera Operator |
Camera | Andrew Turman | Second Unit Director of Photography |
Camera | Vince Valitutti | Still Photographer |
Camera | Michael Vivian | Dolly Grip |
Camera | Aron Walker | Dolly Grip |
Camera | Adrien Seffrin | Focus Puller |
Camera | Damian Wyvill | Additional Camera |
Editing | David Birrell | Assistant Editor |
Editing | Jim Passon | Color Timer |
Production | Pat Sito | Production Manager |
Visual Effects | Chuck Duke | Animation |
Art | Dennis Venizelos | Background Designer |
Crew | Howard R. Campbell | Technical Supervisor |
Art | Jennifer Yuan | Background Designer |
Crew | John Dillon | Special Effects |
Production | Roger Mussenden | Casting |
Costume & Make-Up | Mary E. Vogt | Costume Design |
Visual Effects | James E. Price | Visual Effects Supervisor |
Editing | Debra Neil-Fisher | Editor |
Production | Beau Marks | Unit Production Manager |
Production | Jennifer Cornwell | Unit Production Manager |
Directing | Toby Pease | First Assistant Director |
Directing | Naomi Enfield | Second Assistant Director |
Visual Effects | Susan MacLeod | Visual Effects Producer |
Art | Michelle McGahey | Supervising Art Director |
Art | Bill Booth | Supervising Art Director |
Art | Brian Dusting | Art Direction |
Art | Tricia McInally | Art Department Coordinator |
Art | Rebecca Cohen | Set Decoration |
Art | Andrew Short | Set Dresser |
Art | Jo-Ann Beikoff | Set Dresser |
Sound | Paul 'Salty' Brincat | Sound Recordist |
Sound | Gary Dixon | Boom Operator |
Production | Lynell Bangs | Production Accountant |
Crew | Keith Young | Choreographer |
Directing | Giovanni Pacialeo | Second Second Assistant Director |
Art | Brian Dusting | Property Master |
Crew | Martin Allan Kloner | Visual Effects Editor |
Sound | Greg Hedgepath | Supervising Sound Editor |
Sound | David A. Cohen | Supervising Dialogue Editor |
Sound | Ben Wilkins | Sound Editor |
Sound | Frank Smathers | Sound Editor |
Sound | Brian W. Jennings | Sound Editor |
Sound | Mark Larry | Sound Editor |
Sound | Eddie Kim | Sound Editor |
Sound | James Azizi Penny | Sound Editor |
Sound | Michael Edward Johnson | Sound Editor |
Sound | Bobbi Banks | ADR Supervisor |
Sound | Fred Stafford | ADR Editor |
Sound | Thom Brennan | Foley Supervisor |
Sound | Nancy Barker | First Assistant Sound Editor |
Sound | John Roesch | Foley Artist |
Sound | Alyson Dee Moore | Foley Artist |
Sound | Mary Jo Lang | Foley Mixer |
Sound | Scott Morgan | Foley Recordist |
Sound | Ron Bedrosian | ADR Mixer |
Sound | Weldon Brown | ADR Mixer |
Sound | Julio Carmona | ADR Recordist |
Sound | Daryl Lathrop | ADR Recordist |
Production | Barbara Harris | ADR Voice Casting |
Sound | Jon Taylor | Sound Re-Recording Mixer |
Sound | Brad Sherman | Sound Re-Recording Mixer |
Art | Mary-Liz Andrews | Construction Coordinator |
Costume & Make-Up | Chiara Tripodi | Makeup & Hair |
Costume & Make-Up | Toni Ffrench | Makeup & Hair |
Costume & Make-Up | Erica Wells | Makeup & Hair |
Costume & Make-Up | Nadia Cowell | Makeup & Hair |
Visual Effects | Colleen Bachman | Visual Effects Coordinator |
Visual Effects | Edward Hirsh | Visual Effects Supervisor |
Visual Effects | Ned Gorman | Visual Effects Producer |
Visual Effects | Thomas Schelesny | Visual Effects Supervisor |
Visual Effects | Bruce Jones | Visual Effects Producer |
Costume & Make-Up | David Dupuis | Prosthetic Makeup Artist |
Costume & Make-Up | Brian Sipe | Special Effects Makeup Artist |
Crew | Fiona Searson | Unit Publicist |
Directing | James E. Price | Second Unit Director |
Sound | Andrew Silver | Music Editor |
Sound | Ralph Ferraro | Orchestrator |
Sound | Christy Gerhart | Music Coordinator |
Visual Effects | Mark Dornfeld | Visual Effects Supervisor |
Visual Effects | Michele Ferrone | Visual Effects Producer |
Editing | Rick Downey | Negative Cutter |
Sound | Michael Herbick | Sound Re-Recording Mixer |
Editing | John Coniglio | Editor |
Writing | Lance Khazei | Writer |
Production | Kent Alterman | Executive Producer |
Production | Dae Won Cho | Producer |
Production | Toby Emmerich | Executive Producer |
Production | Sean Gorman | Associate Producer |
Production | Stephen Jones | Co-Producer |
Production | Scott Kroopf | Producer |
Production | Beau Marks | Executive Producer |
Production | Mike Richardson | Executive Producer |
Visual Effects | Tom Tataranowicz | Animation Production Assistant |
Production | Michele Weiss | Executive Producer |
Art | Leslie Dilley | Production Design |
Visual Effects | Damien Carr | Visual Effects Coordinator |