De oorlogsveteraan Travis Bickle werkt als taxichauffeur. Hij is een eenzame man die geobsedeerd is door pornografie en geweld. Zijn leven gaat steeds verder neerwaarts, en hij verliest zichzelf langzaam in zijn paranoia.
Nee, helaas is Taxi Driver nog niet beschikbaar op Netflix in Nederland.
| Production | Julia Phillips | Producer |
| Production | Michael Phillips | Producer |
| Camera | Michael Chapman | Director of Photography |
| Sound | Bernard Herrmann | Original Music Composer |
| Production | Juliet Taylor | Casting |
| Editing | Tom Rolf | Editor |
| Editing | Melvin Shapiro | Editor |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Sound | Gordon Davidson | Sound Effects Editor |
| Sound | James Fritch | Sound Effects Editor |
| Sound | Sam Gemette | Sound Effects Editor |
| Sound | David Horton Sr. | Sound Effects Editor |
| Art | Charles Rosen | Art Direction |
| Art | Herbert F. Mulligan | Set Decoration |
| Costume & Make-Up | Ruth Morley | Costume Design |
| Writing | Paul Schrader | Screenplay |
| Crew | Connie Foster | Stand In |
| Crew | David Daniel | Stunts |
| Costume & Make-Up | Mona Orr | Hairdresser |
| Costume & Make-Up | Dick Smith | Special Effects Makeup Artist |
| Directing | Robert P. Cohen | Assistant Director Trainee |
| Directing | William Eustace | Second Assistant Director |
| Directing | Ralph S. Singleton | Second Assistant Director |
| Art | David Goodnoff | Assistant Property Master |
| Art | David Nichols | Other |
| Sound | Les Lazarowitz | Sound Mixer |
| Sound | Roger Pietschmann | Sound Recordist |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Sound | Robert Rogow | Boom Operator |
| Sound | Tex Rudloff | Sound Supervisor |
| Sound | Frank E. Warner | Sound Effects Editor |
| Sound | Mel Zelniker | ADR Recordist |
| Camera | Alec Hirschfeld | Assistant Camera |
| Camera | Bill Johnson | Assistant Camera |
| Lighting | Richard Quinlan | Gaffer |
| Camera | Ed Quinn | Grip |
| Camera | Steve Schapiro | Additional Photography |
| Camera | Robert Ward | Key Grip |
| Lighting | William Ward | Best Boy Electric |
| Camera | Ron Zarilla | Assistant Camera |
| Camera | Michael Zingale | Other |
| Camera | Sandy Brooke | Assistant Camera |
| Camera | Paul Kimatian | Still Photographer |
| Production | Sylvia Fay | Extras Casting |
| Costume & Make-Up | Al Craine | Wardrobe Supervisor |
| Crew | Dan Coplan | Security |
| Sound | Dave Blume | Music Director |
| Sound | Jack Hayes | Conductor |
| Sound | Jack Hayes | Orchestrator |
| Sound | Bernard Herrmann | Music Director |
| Sound | Christopher Palmer | Orchestrator |
| Sound | Uan Rasey | Musician |
| Sound | Emil Richards | Musician |
| Sound | Dan Wallin | Other |
| Sound | Tom Scott | Musician |
| Production | Keith Addis | Producer's Assistant |
| Crew | Pat Dodds | Other |
| Crew | Amy Holden Jones | Other |
| Production | Eugene Iemola | Production Assistant |
| Production | Howard Newman | Publicist |
| Production | Noni Rock | Production Office Coordinator |
| Crew | Renate Rupp | Other |
| Production | Chris Soldo | Production Assistant |
| Production | Gary Springer | Production Assistant |
| Crew | Sandra Weintraub | Creative Consultant |
| Art | Stephen Frankfurt | Title Designer |
| Production | Peter Guber | Executive In Charge Of Production |
| Crew | Harry J. Ufland | Other |
| Crew | Loretta Cubberley | Thanks |
| Crew | Richard Goodwin | Thanks |
| Crew | Jack Hayes | Thanks |
| Crew | Bernard Herrmann | Thanks |
| Crew | Linda Kopcyk | Thanks |
| Crew | Charlie McCarthy | Thanks |
| Crew | Jerry Orange | Thanks |
| Crew | Hank Phillippi | Thanks |
| Costume & Make-Up | Irving Buchman | Makeup Artist |
| Production | Phillip M. Goldfarb | Production Manager |
| Crew | Raymond Hartwick | Transportation Coordinator |
| Crew | Julia Cameron | Thanks |
| Directing | Kay Chapin | Script Supervisor |
| Crew | Cosmo Sorice | Scenic Artist |
| Camera | Fred Schuler | Camera Operator |
| Production | Phillip M. Goldfarb | Associate Producer |
| Crew | Dick Smith | Makeup Effects |
| Directing | Peter R. Scoppa | Assistant Director |
| Crew | Leslie Bloom | Property Master |
| Crew | Tony Parmelee | Special Effects |
| Camera | Carter Stevens | Additional Photography |
| Editing | Marcia Lucas | Supervising Film Editor |
| Editing | George Trirogoff | Assistant Editor |
| Editing | Billy Weber | Assistant Editor |
| Crew | Kris Kristofferson | Thanks |
| Camera | Josh Weiner | Still Photographer |
| Production | Marion Billings | Publicist |
| Art | Dan Perri | Title Designer |
| Sound | Shinichi Yamazaki | Music Editor |
| Directing | Martin Scorsese | Director |
