In het midden van de 27e eeuw is de Terran Confederation in oorlog met het Kilrathi Keizerrijk. Nadat een Terran-basis vernietigd is, hebben de Kilrathi de beschikking over een NAVCOM-unit met de hyperspace-coördinaten naar Aarde. Versterkingen zullen op z'n vroegst pas 2 uur na de vernietiging van de Aarde kunnen komen, en dus is het aan het vechtschip TCS Tiger Claw om de Kilrathi een paar uurtjes bezig te houden.
Nee, helaas is Wing Commander nog niet beschikbaar op Netflix in Nederland.
| Camera | Thierry Arbogast | Director of Photography |
| Production | Donna Burkons | Producer |
| Production | Joseph Newton Cohen | Producer |
| Sound | Kevin Kiner | Original Music Composer |
| Directing | Christopher Roberts | Director |
| Sound | David Arnold | Original Music Composer |
| Writing | Christopher Roberts | Screenplay |
| Art | Mark Harris | Art Direction |
| Costume & Make-Up | Magali Guidasci | Costume Design |
| Production | Gilly Poole | Casting |
| Art | Peter Lamont | Production Design |
| Art | Richard Roberts | Set Decoration |
| Editing | Peter Davies | Editor |
| Art | Ken Court | Art Direction |
| Production | Suzanne Smith Crowley | Casting |
| Art | James Hambidge | Art Direction |
| Art | Simon Lamont | Art Direction |
| Art | Alan Tomkins | Art Direction |
| Art | Michael Ford | Set Decoration |
| Art | Simon Bowles | Art Direction |
| Editing | Guy Williams | Digital Intermediate |
| Art | Charles Dwight Lee | Supervising Art Director |
| Crew | Graham Johnston | Video Assist Operator |
| Camera | Tom Ryan | First Assistant Camera |
| Visual Effects | Dane Picard | Visual Effects Technical Director |
| Art | Peter Williams | Construction Coordinator |
| Camera | Jean-François Roqueplo | Key Grip |
| Crew | Henry Eshelman | Unit Publicist |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Crew | Mark Lambert | CG Supervisor |
| Crew | Michael McNeill | Sequence Supervisor |
| Art | Barry Wilkinson | Property Master |
| Visual Effects | Harry Wiesenhaan | Special Effects Supervisor |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Camera | Etienne Braun | Still Photographer |
| Sound | Miriam Ludbrook | Foley Editor |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Crew | Edward Wiesenhaan | Special Effects Coordinator |
| Sound | Gerard McCann | ADR Editor |
| Costume & Make-Up | Stephen Rose | Hairstylist |
| Costume & Make-Up | Tiny Nicholls | Wardrobe Supervisor |
| Sound | Barklie K. Griggs | Music Supervisor |
| Production | Meinir Stoutt | Production Manager |
| Lighting | Eric Wobma | Best Boy Electric |
| Crew | Jennifer Wollan | Visual Effects Editor |
| Sound | Peter Baldock | Supervising Sound Editor |
| Costume & Make-Up | Vivian Nowak | Hairstylist |
| Sound | Dina Eaton | Music Editor |
| Visual Effects | David Taritero | Visual Effects Producer |
| Sound | John Hayward | Sound Re-Recording Mixer |
| Directing | Sue Field | Script Supervisor |
| Visual Effects | Thomas Dadras | Visual Effects Supervisor |
| Visual Effects | Seth Lippman | Visual Effects Technical Director |
| Crew | Nik Williams | Animatronics Supervisor |
| Lighting | Claude Hirsch | Gaffer |
| Editing | Wayne Smith | First Assistant Editor |
| Visual Effects | Chris Brown | Visual Effects Supervisor |
| Visual Effects | Scott Peterson | Visual Effects Technical Director |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Camera | Roger Simonsz | Camera Operator |
| Costume & Make-Up | Nicole Young | Assistant Costume Designer |
| Art | Katrina Duce | Art Department Coordinator |
| Crew | Chris Olivia | Sequence Supervisor |
| Visual Effects | David Altenau | Visual Effects Supervisor |
| Sound | Mark Heslop | Sound Editor |
| Visual Effects | Erik Strauss | Visual Effects Producer |
| Visual Effects | Kevin Andrew Smith | Visual Effects Technical Director |
| Sound | Tom Sayers | Foley Editor |
| Sound | Graham V. Hartstone | Sound Re-Recording Mixer |
| Sound | Gillian Dodders | Supervising ADR Editor |
| Sound | Gillian Dodders | Supervising Dialogue Editor |
