Steve Everett, een ex-alcoholistische, vrouwen versierende reporter krijgt een verhaal onder ogen over een gevangene die om middernacht ter dood gebracht zal worden voor de moord op een zwangere vrouw. Steve ziet meteen dat een getuige gelogen heeft over wat hij heeft gezien, en denkt dat de gevangene onschuldig is.
Nee, helaas is True Crime nog niet beschikbaar op Netflix in Nederland.
| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Production | Richard D. Zanuck | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Camera | Jack N. Green | Director of Photography |
| Writing | Andrew Klavan | Novel |
| Camera | Sam Emerson | Still Photographer |
| Art | Richard C. Goddard | Set Decoration |
| Production | Phyllis Huffman | Casting |
| Art | Henry Bumstead | Production Design |
| Production | Lili Fini Zanuck | Producer |
| Costume & Make-Up | Deborah Hopper | Costume Supervisor |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Tom Rooker | Executive Producer |
| Editing | Joel Cox | Editor |
| Writing | Larry Gross | Screenplay |
| Writing | Paul Brickman | Screenplay |
| Writing | Stephen Schiff | Screenplay |
| Crew | Craig Hosking | Pilot |
| Production | Art Levinson | Unit Production Manager |
| Directing | Kerry Lyn McKissick | Script Supervisor |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Sound | Donald Harris | Music Editor |
| Production | Olivia Harris | Casting Associate |
| Production | Kokayi Ampah | Location Manager |
| Sound | Doug Jackson | Sound Effects Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Costume & Make-Up | Patricia DeHaney | Key Hair Stylist |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Sound | Scott D. Jackson | Foley Editor |
| Sound | Mike Dobie | Sound Effects Editor |
| Sound | Donald Flick | Sound Effects Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Crew | John Frazier | Special Effects Coordinator |
| Sound | Victoria Martin | Foley |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Costume & Make-Up | Sybil Gray | Set Costumer |
| Sound | Stephen Janisz | ADR Editor |
| Camera | Michael Santy | Additional Camera |
| Camera | Charles Saldaña | Key Grip |
| Sound | Denise Horta | ADR Editor |
| Sound | Karen Spangenberg | Supervising Dialogue Editor |
| Sound | David Horton Sr. | Sound Effects Editor |
| Sound | Bub Asman | Supervising Sound Editor |
| Art | Clarence Lynn Price | Construction Coordinator |
| Crew | Mitchell B. Boyce | Cableman |
| Sound | Matthew Harrison | Foley Editor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Gary Krivacek | Sound Effects Editor |
| Camera | Stewart Barbee | Additional Camera |
| Crew | Marco Barla | Unit Publicist |
| Sound | David Horton Jr. | Foley Editor |
| Sound | Jason King | Sound Effects Editor |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Sound | James Matheny | Dialogue Editor |
| Lighting | Kevin A. Thompson | Chief Lighting Technician |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Sound | Flash Deros | Boom Operator |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Art | Michael Sexton | Property Master |
| Sound | Karen G. Wilson | Dialogue Editor |
| Camera | Maurice Freeman | Additional Camera |
| Camera | Charles W. Wayt | Dolly Grip |
| Editing | Mo Henry | Negative Cutter |
| Costume & Make-Up | James Lee McCoy | Makeup Artist |
| Sound | Adam Johnston | Sound Effects Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Crew | Andy Gill | Stunt Driver |
| Crew | Debbie Evans | Stunt Driver |
| Crew | Steve Kelso | Stunts |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | LaFaye Baker | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Larry Holt | Stunts |
