Mac Mckussic is een drugdealer die het rechte pad op wil. Zijn oude vriend Nick Frescia is nu een agent die als job heeft op Mckussic op te pakken. Mac voelt zich aangetrokken tot Jo Ann, een eigenaresse van een restaurant. Nick probeert haar te benaderen om zo meer over Mac's drugdeal-praktijken te weten te komen. Ook Nick valt voor de charmes van Jo Ann.
Nee, helaas is Tequila Sunrise nog niet beschikbaar op Netflix in Nederland.
| Writing | Robert Towne | Screenplay |
| Directing | Robert Towne | Director |
| Camera | Conrad L. Hall | Director of Photography |
| Sound | Dave Grusin | Original Music Composer |
| Editing | Claire Simpson | Editor |
| Production | Thom Mount | Producer |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Production | Bonnie Timmermann | Casting |
| Crew | Mic Rodgers | Stunt Double |
| Camera | Robert Samuels | Second Assistant Camera |
| Crew | Dick Ziker | Stunts |
| Crew | Dick Warlock | Stunt Double |
| Art | Peter Landsdown Smith | Art Direction |
| Costume & Make-Up | Peter V. Saldutti | Costume Supervisor |
| Art | Richard Sylbert | Production Design |
| Costume & Make-Up | Toni-Ann Walker | Hairstylist |
| Crew | Ron Frazier | Carpenter |
| Costume & Make-Up | Dorothy J. Pearl | Makeup Artist |
| Art | Roger Irvin | Construction Coordinator |
| Directing | Mary A. Kelly | Script Supervisor |
| Art | Rick Simpson | Set Decoration |
| Costume & Make-Up | Ronald I. Caplan | Costume Supervisor |
| Art | Judy Cammer | Set Designer |
| Crew | Michael McDonnell | Stand In |
| Crew | Tim Gilbert | Stunts |
| Sound | Jack Schrader | Foley Editor |
| Sound | Solange S. Schwalbe | Foley Editor |
| Crew | David S. Cass Sr. | Stunt Coordinator |
| Camera | François Duhamel | Still Photographer |
| Camera | Danny Jimenez | Dolly Grip |
| Sound | Randall L. Johnson | Boom Operator |
| Camera | John Toll | Second Unit Director of Photography |
| Camera | Randy Nolen | Steadicam Operator |
| Sound | John Roesch | Foley |
| Sound | William C. Carruth | Supervising ADR Editor |
| Sound | Victoria Sampson | Sound Editor |
| Production | Sharmagne Leland-St. John | Researcher |
| Sound | Richard Oswald | Sound Editor |
| Sound | Kay Rose | Supervising Sound Editor |
| Sound | James Flamberg | Music Editor |
| Sound | Butch Wolf | Foley Editor |
| Sound | Danny Bramson | Music Supervisor |
| Sound | Gordon Davidson | Sound Editor |
| Lighting | Larry Gilhooly | Chief Lighting Technician |
| Camera | Jamie Anderson | Camera Operator |
| Camera | Tom May | Key Grip |
| Camera | Lee Nakahara | Camera Operator |
| Lighting | Patrick Marshall | Rigging Gaffer |
| Sound | James Simcik | ADR Editor |
| Camera | Robert Seaman | Second Unit Director of Photography |
| Sound | Ellen Heuer | Foley |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Chester Slomka | Sound Editor |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Sound | Jayme S. Parker | Sound Editor |
| Sound | James J. Isaacs | Sound Editor |
| Crew | Bobby Bass | Stunt Coordinator |
| Crew | Freddie Hice | Stunts |
| Crew | Jay Cassidy | Post Production Supervisor |
| Crew | Jerry D. Williams | Special Effects |
| Sound | Dan O'Connell | ADR Mixer |
| Production | Tom Shaw | Unit Production Manager |
| Production | Tom Shaw | Executive Producer |
| Crew | Andy Gill | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Gregory J. Barnett | Stunts |
| Art | Dan Perri | Title Designer |
