Amerika, de jaren '30. tijdens de depressie is het werk van de vrachtwagenchauffeurs gevaarlijker en zwaarder dan ooit. Ze worden onderbetaald en de staat biedt hen weinig bescherming. Alle arbeiders snakken naar betere werkomstandigheden en er volgen protestmarsen. Ene James R. Hoffa ontpopt zich als hun leider. Als redenaar en gehaaide onderhandelaar, slaagt hij erin meer dan twee miljoen leden te werven voor de vakbond 'Brotherhood of Teamsters'...
Nee, helaas is Hoffa nog niet beschikbaar op Netflix in Nederland.
| Directing | Danny DeVito | Director |
| Writing | David Mamet | Screenplay |
| Production | Caldecot Chubb | Producer |
| Production | Danny DeVito | Producer |
| Production | Joseph Isgro | Executive Producer |
| Production | Edward R. Pressman | Producer |
| Sound | David Newman | Original Music Composer |
| Camera | Stephen H. Burum | Director of Photography |
| Editing | Lynzee Klingman | Editor |
| Editing | Ronald Roose | Editor |
| Crew | G.A. Aguilar | Stunts |
| Crew | Simone Boisseree | Stunts |
| Crew | Paul E. Short | Stunts |
| Crew | Steven Lambert | Stunts |
| Production | David Rubin | Casting |
| Production | Debra Zane | Casting |
| Art | Ida Random | Production Design |
| Art | Gary Wissner | Art Direction |
| Art | Brian Savegar | Set Decoration |
| Costume & Make-Up | Deborah L. Scott | Costume Design |
| Costume & Make-Up | David Le Vey | Assistant Costume Designer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Costume & Make-Up | Darryl M. Athons | Costume Supervisor |
| Costume & Make-Up | Kendall Errair | Costume Supervisor |
| Costume & Make-Up | Mari Grimaud | Costume Supervisor |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Crew | John Frazier | Special Effects Coordinator |
| Costume & Make-Up | Yolanda Toussieng | Hair Department Head |
| Costume & Make-Up | Ve Neill | Makeup Department Head |
| Costume & Make-Up | Greg Cannom | Makeup Designer |
| Camera | Dustin Blauvelt | Camera Operator |
| Camera | Jon Kranhouse | Camera Operator |
| Camera | Stan McClain | Camera Operator |
| Camera | Alan S. Blauvelt | First Assistant Camera |
| Camera | Larry McConkey | Steadicam Operator |
| Camera | François Duhamel | Still Photographer |
| Camera | Kristin R. Glover | Additional Camera |
| Camera | William Jay Gahret | Additional Camera |
| Camera | George Kohut | Additional Camera |
| Camera | Bruce MacCallum | Additional Camera |
| Lighting | Dick Oakes | Rigging Gaffer |
| Lighting | David Jarrell | Rigging Gaffer |
| Lighting | James B. Crawford | Rigging Gaffer |
| Production | Wm. Barclay Malcolm | Associate Producer |
| Production | David Mamet | Associate Producer |
| Production | Harold Schneider | Co-Producer |
| Sound | Alexandra Root | Assistant Sound Editor |
| Art | Paul Allen | Leadman |
| Camera | John S. Robertson | Grip |
| Crew | Bob Orrison | Stunts |
| Art | Emily Ferry | Property Master |
| Sound | Nicholas Korda | ADR Supervisor |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Thomas Causey | Sound Mixer |
| Sound | Zane D. Bruce | Foley Artist |
| Sound | Joseph T. Sabella | Foley Artist |
| Sound | Norto Sepulveda | ADR Editor |
| Sound | Jeff Gomillion | ADR Mixer |
| Crew | John Hackett | Stunts |
| Crew | Donna Evans | Stunts |
| Crew | Jimmy N. Roberts | Stunts |
| Crew | George Fisher | Stunts |
