Michael Williams leidt een zwervend bestaan en komt terecht in het stadje Red Rock West. De plaatselijke herbergier Wayne Brown houdt hem per vergissing voor de huurmoordenaar die hij heeft ingehuurd om zijn jonge vrouw Suzanne te vermoorden. Michael heeft het geld dringend nodig en accepteert het aanbod, maar Suzanne biedt hem meer geld om de trekker niet over te halen. Hij vlucht met het geld, maar de situatie wordt pas echt gecompliceerd wanneer de echte huurmoordenaar, Lyle, verschijnt en het geld opeist.
Nee, helaas is Red Rock West nog niet beschikbaar op Netflix in Nederland.
| Sound | William Olvis | Original Music Composer |
| Production | Steve Golin | Producer |
| Editing | Scott Chestnut | Editor |
| Production | Michael Kuhn | Executive Producer |
| Writing | Rick Dahl | Screenplay |
| Production | Sigurjón Sighvatsson | Producer |
| Directing | John Dahl | Director |
| Camera | Marc Reshovsky | Director of Photography |
| Writing | John Dahl | Screenplay |
| Production | Jane McGann | Executive Producer |
| Crew | Keith Campbell | Stunts |
| Art | Don Diers | Art Direction |
| Art | Kate J. Sullivan | Set Decoration |
| Costume & Make-Up | John Carl Buechler | Special Effects Makeup Artist |
| Production | Lynn Weimer | Associate Producer |
| Production | Aron Warner | Supervising Producer |
| Costume & Make-Up | Terry Dresbach | Costume Design |
| Art | Robert Pearson | Production Design |
| Production | Rick Dahl | Associate Producer |
| Production | Carol Lewis | Casting |
| Production | Tim Clawson | Executive In Charge Of Production |
| Production | Philip Rose | Production Manager |
| Camera | Karl Owens | First Assistant Camera |
| Lighting | Stephen Rocha | Gaffer |
| Crew | Vincent Landay | Post Production Supervisor |
| Lighting | Peter Pearce | Electrician |
| Lighting | Michael E. Gips | Electrician |
| Lighting | Raymond Gonzales | Electrician |
| Production | Larry Shapiro | Production Coordinator |
| Lighting | Gary W. Shaw | Electrician |
| Crew | John Carl Buechler | Makeup Effects |
| Directing | Nancy Karlin | Script Supervisor |
| Camera | Suzanne Tenner | Still Photographer |
| Sound | Yehuda Maayan | Boom Operator |
| Camera | Jon Massey | Camera Loader |
| Lighting | Dana Arnold | Electrician |
| Camera | Levon Besnelian | Dolly Grip |
| Sound | Mark Weingarten | Sound Mixer |
| Production | Beth DePatie | Production Coordinator |
| Directing | Michael McCue | Second Assistant Director |
| Lighting | Robert Eyslee | Best Boy Electric |
| Directing | Mike Topoozian | First Assistant Director |
| Production | Jeff Caulfield | Assistant Production Coordinator |
| Lighting | Fred Gibson | Electrician |
| Costume & Make-Up | Lori Eskowitz | Costume Supervisor |
| Crew | Rick Barker | Stunts |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Art | Dean Gates | Sculptor |
| Crew | Dale Gibson | Stunts |
| Art | Jonathan R. Hodges | Property Master |
| Camera | Rohn Schmidt | Additional Photography |
| Crew | Dan Bradley | Stunt Coordinator |
| Crew | Charlie Carpenter | Stunts |
| Costume & Make-Up | Patty York | Makeup Artist |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Crew | Don Ruffin | Stunts |
| Camera | Mark Shane Davis | Key Grip |
| Crew | Scott Alan Cook | Stunts |
| Crew | Mark R. Byers | Special Effects |
