Eind 1870 leeft de high society van New York in een eigen wereld vol feestjes en strak gedirigeerde etiquette. In deze welgestelde kringen verloven de knappe, jonge advocaat Newland Archer (Daniel Day-Lewis) en de mooie May (Winona Ryder) zich. Dan ontmoet hij de nicht van May, de verleidelijke gravin Ellen Olenska (Michelle Pfeiffer). Newland moet kiezen tussen May en de wereld die hij kent, of Ellen en de wereld waar hij van droomt...
Nee, helaas is The Age of Innocence nog niet beschikbaar op Netflix in Nederland.
| Directing | Martin Scorsese | Director |
| Writing | Edith Wharton | Novel |
| Writing | Jay Cocks | Screenplay |
| Writing | Martin Scorsese | Screenplay |
| Production | Barbara De Fina | Producer |
| Sound | Elmer Bernstein | Original Music Composer |
| Camera | Michael Ballhaus | Director of Photography |
| Editing | Thelma Schoonmaker | Editor |
| Production | Joseph P. Reidy | Associate Producer |
| Production | Bruce S. Pustin | Co-Producer |
| Art | Elaine Bass | Title Designer |
| Art | Saul Bass | Title Designer |
| Production | Bruce S. Pustin | Unit Production Manager |
| Directing | Joseph P. Reidy | First Assistant Director |
| Directing | Joseph R. Burns | Second Assistant Director |
| Art | Speed Hopkins | Art Direction |
| Art | Dan Davis | Assistant Art Director |
| Art | Robert Preziola | Assistant Art Director |
| Art | Carl Sprague | Assistant Art Director |
| Art | Robert J. Franco | Set Decoration |
| Art | Amy Marshall | Set Decoration |
| Art | Dave Weinman | Lead Set Dresser |
| Directing | Kay Chapin | Script Supervisor |
| Camera | David M. Dunlap | Camera Operator |
| Camera | Florian Ballhaus | First Assistant Camera |
| Camera | Bobby Mancuso | Second Assistant Camera |
| Camera | Larry McConkey | Steadicam Operator |
| Camera | Anastas N. Michos | Steadicam Operator |
| Production | Patricia Anne Doherty | Assistant Production Manager |
| Production | Patricia Anne Doherty | Location Manager |
| Costume & Make-Up | George Potts | Assistant Costume Designer |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Sound | T.J. O'Mara | Boom Operator |
| Costume & Make-Up | Deirdre N. Williams | Wardrobe Supervisor |
| Costume & Make-Up | Hartsell Taylor | Wardrobe Supervisor |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Costume & Make-Up | Manlio Rocchetti | Special Effects Makeup Artist |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Costume & Make-Up | Michael Kriston | Hairstylist |
| Costume & Make-Up | Peter Owen | Wigmaker |
| Lighting | Ray Quinlan | Chief Lighting Technician |
| Lighting | Jim Manzione | Assistant Chief Lighting Technician |
| Camera | Dennis Gamiello | Key Grip |
| Directing | Susan E. Fiore | Second Second Assistant Director |
| Art | James Mazzola | Property Master |
| Camera | Phillip V. Caruso | Still Photographer |
| Costume & Make-Up | Ronnie Specter | Makeup Artist |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Art | Dante Ferretti | Production Design |
| Costume & Make-Up | Gabriella Pescucci | Costume Design |
| Production | Ellen Lewis | Casting |
