Dr. Kellog (Hopkins) is, jawel de uitvinder van de gelijknamige cornflakes. Hij is een man die geobsedeerd blijkt met hygiëne. In een obscuur Engels dorpje bouwde hij een sanatorium voor rasechte gezondheidsfreaks. Een getrouwd stel, Eleanor (Fonda) en William (Broderick) Lightbody, besluit zich in te schrijven voor een kuur. William lijdt aan indigestie en wordt door Kellog aangeraden één van zijn therapieën te volgen. Die bestaat uit lavementen, elektrische baden, klisteerspuiten, algehele onthouding en meer lavementen. Ondertussen geeft hij zich over aan enkele slippertjes met Ida Muntz (Boyle).
Nee, helaas is The Road to Wellville nog niet beschikbaar op Netflix in Nederland.
| Editing | Gerry Hambling | Editor |
| Writing | Alan Parker | Screenplay |
| Directing | Alan Parker | Director |
| Production | Marc Abraham | Executive Producer |
| Production | Robert F. Colesberry | Producer |
| Camera | Peter Biziou | Director of Photography |
| Production | Armyan Bernstein | Producer |
| Production | Tom Rosenberg | Executive Producer |
| Sound | Rachel Portman | Original Music Composer |
| Writing | T. Coraghessan Boyle | Novel |
| Production | Alan Parker | Producer |
| Directing | Trey Batchelor | Second Second Assistant Director |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Production | Lisa Moran | Associate Producer |
| Production | Juliet Taylor | Casting |
| Art | Brian Morris | Production Design |
| Production | Howard Feuer | Casting |
| Art | John Willett | Art Direction |
| Art | Claudette Didul | Set Decoration |
| Costume & Make-Up | Penny Rose | Costume Design |
| Crew | Alan E. Lorimer | Special Effects Coordinator |
| Art | Mark Fabert | Construction Foreman |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Art | E.W. Bradford | Construction Coordinator |
| Art | Jerry G. Henery | Construction Foreman |
| Art | Polar Bear Shaw | Leadman |
| Sound | Ellen Heuer | Foley Artist |
| Sound | Constance A. Kazmer | Dialogue Editor |
| Sound | Carolyn Tapp | Foley Recordist |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Walter Newman | Sound Editor |
| Editing | Mike Milliken | Color Timer |
| Sound | Marilyn Graf | Foley Mixer |
| Sound | Kevin Bartnof | Foley Artist |
| Sound | Donald J. Malouf | Sound Editor |
| Editing | Bob Hart | Negative Cutter |
| Sound | Stephanie Flack | Dialogue Editor |
| Crew | Rachel Aberly | Unit Publicist |
| Sound | Denise Horta | ADR Editor |
| Sound | Dean Drabin | ADR Mixer |
| Sound | Ron Grafton | Foley Recordist |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Sound | Albert Gasser | Sound Editor |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Lighting | Dennis J. Lootens | Rigging Gaffer |
| Sound | Ann Hadsell | ADR Recordist |
| Sound | John Roesch | Foley Artist |
| Sound | Hilda Hodges | Foley Artist |
| Sound | Jayme S. Parker | Sound Editor |
| Crew | Tyler C. Daum | Driver |
| Production | Barbara Harris | ADR Voice Casting |
| Crew | Denise Fholer | Stunts |
| Crew | Diane Dalmonte | Stunts |
| Crew | Frank Ferrara | Stunts |
| Crew | Robert Jauregui | Stunts |
| Directing | Peter Kohn | First Assistant Director |
| Crew | Gary Combs | Stunt Coordinator |
| Directing | Molly M. Mayeux | Second Assistant Director |
| Crew | Nick Stamper | Stunts |
| Crew | Joe Dunne | Stunts |
| Crew | John Robotham | Stunt Coordinator |
| Crew | Greg Brickman | Stunts |
| Crew | Jennifer Lamb | Stunts |
| Lighting | Peter Bloor | Gaffer |
| Crew | Dean Mumford | Stunts |
| Production | James Bigwood | Unit Production Manager |
| Production | Chris Coles | Unit Production Manager |
| Crew | John Copeman | Stunts |
| Crew | Gary Price | Stunts |
| Crew | Don Hewitt Sr. | Stunts |
| Crew | John Stoneham Jr. | Stunts |
| Crew | John Stoneham Sr. | Stunts |
| Camera | Bill Coe | First Assistant Camera |
| Crew | Alenka Pavlin | Cableman |
| Art | Paul Cheponis | Assistant Set Decoration |
| Camera | Merrick Morton | Still Photographer |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Terry Rodman | Supervising Sound Editor |
| Art | David Eckert | Assistant Art Director |
| Camera | Mark Duncan | Camera Loader |
| Directing | Dianne Dreyer | Script Supervisor |
| Costume & Make-Up | Martin Samuel | Hairstylist |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Scott D. Jackson | Foley Supervisor |
| Camera | Mike Roberts | Camera Operator |
| Production | Judith Bouley | Local Casting |
| Production | Ingrid Johanson | Production Coordinator |
| Costume & Make-Up | Alonzo Wilson | Costumer |
| Camera | Paddy Kiely | Second Assistant Camera |
| Editing | John Marston | Assistant Editor |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Costume & Make-Up | Angela Billows | Assistant Costume Designer |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Costume & Make-Up | Kirsten Hecktermann | Assistant Costume Designer |
| Editing | David Feldman | Assistant Editor |
| Art | Karin Wiesel | Assistant Set Decoration |
| Costume & Make-Up | John Hay | Wardrobe Supervisor |
| Crew | Mary Montiforte | Production Controller |
| Editing | Carolyne Chauncey | First Assistant Editor |
| Costume & Make-Up | Marina Marit | Costumer |
| Sound | David Wolowic | First Assistant Sound Editor |
| Sound | Nelson Stoll | Sound Mixer |
| Art | Stephanie Wertlake | Art Department Coordinator |
| Camera | Mike Moad | Dolly Grip |
| Sound | Scott Kinzey | Boom Operator |
