Marty McFly reist terug naar 1955 met een tot tijdmachine omgebouwde DeLorean van Doc Emmett Brown. Hij zorgt er per ongeluk voor dat zijn moeder verliefd op hem wordt in plaats van op zijn vader.
Nee, helaas is Back to the Future nog niet beschikbaar op Netflix in Nederland.
| Directing | Robert Zemeckis | Director |
| Production | Bob Gale | Producer |
| Production | Neil Canton | Producer |
| Camera | Dean Cundey | Director of Photography |
| Sound | Alan Silvestri | Original Music Composer |
| Editing | Harry Keramidas | Editor |
| Editing | Arthur Schmidt | Editor |
| Art | Lawrence G. Paull | Production Design |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Production | Judy Taylor | Casting |
| Crew | Bob Yerkes | Stunts |
| Crew | Per Welinder | Stunts |
| Crew | John-Clay Scott | Stunts |
| Crew | Robert Schmelzer | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Spiro Razatos | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | Max Kleven | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Richard E. Butler | Stunts |
| Writing | Robert Zemeckis | Writer |
| Writing | Bob Gale | Writer |
| Production | Kathleen Kennedy | Executive Producer |
| Production | Frank Marshall | Executive Producer |
| Production | Steven Spielberg | Executive Producer |
| Art | Todd Hallowell | Art Direction |
| Art | Hal Gausman | Set Decoration |
| Costume & Make-Up | Deborah L. Scott | Costume Design |
| Costume & Make-Up | Dorothy Byrne | Hairstylist |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Sound | John A. Larsen | Sound Editor |
| Sound | Bones Howe | Music Supervisor |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Camera | Raymond Stella | Camera Operator |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Production | Jack Grossberg | Unit Production Manager |
| Production | Dennis E. Jones | Unit Production Manager |
| Crew | Arthur F. Repola | Post Production Supervisor |
| Costume & Make-Up | Brian Callahan | Costume Supervisor |
| Costume & Make-Up | Robert Iannaccone | Costume Supervisor |
| Costume & Make-Up | Julie Starr Dresner | Set Costumer |
| Crew | Walter Scott | Stunt Coordinator |
| Art | Drew Struzan | Other |
| Sound | Huey Lewis | Songs |
| Sound | Alan L. Nineberg | ADR Editor |
| Directing | Pamela M. Eilerson | Second Assistant Director |
| Art | Ernest Depew | Construction Coordinator |
| Art | Tim Stadler | Painter |
| Art | Dick Lasley | Production Illustrator |
| Art | Cameron Birnie | Set Designer |
| Camera | Ronald Woodward | Key Grip |
| Camera | Dic Alexander | Grip |
| Crew | Brad Jeffries | Choreographer |
| Crew | Ramon Pahoyo | Craft Service |
| Crew | Gregory Dultz | Driver |
| Crew | Bonne Radford | Production Controller |
| Art | John Zemansky | Property Master |
| Crew | Al Gaynor | Scenic Artist |
| Crew | John Feinblatt | Transportation Coordinator |
| Crew | Marsha Robertson | Unit Publicist |
| Directing | David McGiffert | First Assistant Director |
| Editing | Terry Hager | Color Timer |
| Lighting | Albert Hood | Electrician |
| Production | Paul Pav | Location Manager |
| Production | Leanne Moore | Production Accountant |
| Production | Laurie Vermont | Production Coordinator |
| Sound | Earl Sampson | Boom Operator |
| Sound | Lawrence Jordan | Assistant Sound Editor |
| Sound | John Roesch | Foley |
| Sound | Kenneth Karman | Music Editor |
| Sound | James B. Campbell | Orchestrator |
| Sound | William B. Kaplan | Production Sound Mixer |
| Sound | Takeo Ogawa | Sound Designer |
| Visual Effects | Charlie Mullen | Animation Supervisor |
| Visual Effects | Kevin Pike | Special Effects Supervisor |
| Visual Effects | Ellen Lichtwardt Goodchild | Visual Effects |
| Costume & Make-Up | Haleen K. Holt | Costume Illustrator |
| Costume & Make-Up | Julie Starr Dresner | Key Costumer |
| Directing | Frank Marshall | Second Unit Director |
| Art | Joe Pfaltzgraf | Assistant Property Master |
| Art | Nina Saxon | Title Designer |
| Sound | Sonny Pettijohn | Apprentice Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | Greg Orloff | Foley Mixer |
| Sound | Larry Singer | Supervising ADR Editor |
| Sound | Darcy Vebber | Utility Sound |
| Crew | Charles Croughwell | Stunt Double |
| Crew | Eric Stoltz | Stunt Driver |
| Camera | Ray Gilberti | Assistant Camera |
| Camera | Dan Cooper | Best Boy Grip |
| Camera | Richard Babin | Dolly Grip |
| Camera | Steve Tate | Second Assistant Camera |
| Editing | Michael Moore | Assistant Editor |
| Editing | Donah Bassett | Negative Cutter |
| Sound | Alan Silvestri | Conductor |
| Production | Robert R. Draney | Assistant Accountant |
| Lighting | Thomas Marshall | Assistant Chief Lighting Technician |
| Production | Rob Stevens | Assistant Production Coordinator |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Production | Warren Franklin | General Manager |
| Crew | Steven Spielberg | Presenter |
| Crew | Ted Moehnke | Pyrotechnician |
| Visual Effects | Donna K. Baker | Rotoscoping Artist |
| Crew | Alexander Xavier Ponce-Bonano | Scientific Consultant |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | Phillip Norwood | Visual Effects Art Director |
