Kris Kringle wordt door Macy's warenhuis ingehuurd als kerstman voor het kerstseizoen. Een gewetenloze schurkerige rivaal van Macy's stelt alles in het werk om het zo belangrijke en rijke warenhuis over te nemen. Daarnaast probeert hij ook Kris in diskrediet te brengen.
Nee, helaas is Miracle on 34th Street nog niet beschikbaar op Netflix in Nederland.
| Production | William S. Beasley | Executive Producer |
| Directing | Les Mayfield | Director |
| Production | William Ryan | Executive Producer |
| Sound | Bruce Broughton | Original Music Composer |
| Writing | George Seaton | Screenplay |
| Editing | Raja Gosnell | Editor |
| Writing | John Hughes | Screenplay |
| Production | John Hughes | Producer |
| Camera | Julio Macat | Director of Photography |
| Art | Doug Kraner | Production Design |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Art | James Nedza | Assistant Art Director |
| Costume & Make-Up | Kathy O'Rear | Costume Designer |
| Costume & Make-Up | Dominic Mango | Hairstylist |
| Production | Rich Moskal | Assistant Location Manager |
| Camera | Peter Kuttner | First Assistant Camera |
| Lighting | Tyree Miller II | Electrician |
| Lighting | Roger G. Anderson | Rigging Gaffer |
| Lighting | Peter Donogue | Key Rigging Grip |
| Costume & Make-Up | Jennifer Jobst | Costume Supervisor |
| Editing | Penny Lee Hallin | Assistant Editor |
| Sound | J.R. Grubbs | Assistant Sound Editor |
| Production | William S. Beasley | Unit Production Manager |
| Art | Leslie E. Rollins | Set Decoration |
| Art | Troy Borisy | Set Dresser |
| Camera | George Kohut | Camera Operator |
| Sound | Robert Jackson | Boom Operator |
| Directing | Michele Ziegler | Second Assistant Director |
| Art | William D'Ambra | Property Master |
| Sound | Bruce Broughton | Orchestrator |
| Production | Christine A. Johnston | Production Supervisor |
| Directing | Scott H.C. Delsner | Second Second Assistant Director |
| Crew | John D. Milinac | Special Effects Coordinator |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Art | Carl J. Stensel | Set Designer |
| Directing | Trudy Ramirez | Script Supervisor |
| Camera | Steven Silverstein | Camera Loader |
| Lighting | John P. Friday | Electrician |
| Camera | Fernando M. Briones | Best Boy Grip |
| Costume & Make-Up | Eileen McCahill | Costumer |
| Sound | Karen Harding | Assistant Sound Editor |
| Production | Kimberly Jase | First Assistant Accountant |
| Production | Thomas Bianco | Assistant Accountant |
| Directing | Randy Suhr | First Assistant Director |
| Costume & Make-Up | Bunny Parker | Key Hair Stylist |
| Editing | Fred C. Vitale | First Assistant Editor |
| Sound | Ethan Van der Ryn | Sound Effects Editor |
| Crew | James Hogan | Transportation Captain |
| Editing | Gary Burritt | Negative Cutter |
| Art | Nancy Mickelberry | Set Designer |
| Lighting | Michael Lange | Electrician |
| Camera | Dennis De La Mata | Grip |
| Art | Richard Fernandez | Assistant Art Director |
| Art | John Berger | Set Designer |
| Lighting | Mike Moyer | Gaffer |
| Art | David J. Chamerski | Assistant Property Master |
| Costume & Make-Up | Jamie Sue Weiss | Makeup Artist |
| Art | Steve Arnold | Art Direction |
| Costume & Make-Up | Bruce R. Hogard | Costume Supervisor |
| Production | Patty Willett | Production Coordinator |
| Crew | Armand Paoletti | Transportation Coordinator |
| Lighting | Mark R. Lindberg | Gaffer |
| Sound | Barbara McBane | Dialogue Editor |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Sound | Phil Benson | Assistant Sound Designer |
| Sound | Susan Sanford | Assistant Sound Editor |
| Sound | Tom Barwick | Foley Artist |
| Sound | Dan Garde | Music Editor |
| Crew | Kevin J. Maxwell | Transportation Co-Captain |
| Art | Daniel B. Clancy | Leadman |
| Production | Bob Hudgins | Location Manager |
| Camera | John Waldo | Second Assistant Camera |
| Sound | Claire Sanfilippo | Dialogue Editor |
| Sound | Tim Holland | Sound Effects Editor |
| Production | Allen E. Taylor | Production Accountant |
| Art | Robert J. Carlyle | Construction Coordinator |
| Visual Effects | Gregory L. McMurry | Visual Effects Supervisor |
| Art | Patricia Klawonn | Set Designer |
| Sound | Ron Judkins | Sound Mixer |
| Lighting | Park B. Taylor | Best Boy Electric |
| Costume & Make-Up | Gina Panno | Costumer |
| Lighting | David Conoghan | Rigging Grip |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Sue Fox | ADR Editor |
| Costume & Make-Up | Ben Nye Jr. | Key Makeup Artist |
| Sound | Randy Thom | Sound Mixer |
| Art | Keith P. Cunningham | Art Department Coordinator |
| Editing | Dennis McNeill | Color Timer |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Sound | Clare C. Freeman | Foley Editor |
| Sound | Scott Guitteau | Assistant Sound Editor |
| Crew | Ken Cabrera | Craft Service |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Hugh Waddell | ADR Editor |
| Sound | Tony Eckert | Foley Recordist |
| Production | Laura Tiz | Assistant Accountant |
| Art | Raymond Rarrick | Construction Foreman |
| Sound | Patricia Carlin | Music Editor |
| Crew | Paul Allen | Transportation Coordinator |
| Writing | Valentine Davies | Story |
| Writing | George Seaton | Original Film Writer |
