Het is de perfecte misdaad: open een slot, ga naar binnen en weer naar buiten met 1 miljoen dollar op zak. Geen geweld, geen politie, geen moeite. Wat kan hier nou mis aan gaan? Wat gaat er niet mis! Oscar-winnaars Sean Connery en Dustin Hofmann vormen samen met Metthew Broderick drie generaties van dezelfde boevenfamilie. Ze zijn er vast van overtuigd dat misdaad loont. Maar wat echt loont, is deze drie wereldsterren aan het werk te zien in deze heerlijke misdadige komedie.
Nee, helaas is Family Business nog niet beschikbaar op Netflix in Nederland.
| Writing | Vincent Patrick | Novel |
| Writing | Vincent Patrick | Screenplay |
| Editing | Andrew Mondshein | Editor |
| Production | Lawrence Gordon | Producer |
| Sound | Cy Coleman | Original Music Composer |
| Production | Burtt Harris | Executive Producer |
| Directing | Sidney Lumet | Director |
| Production | Jennifer Ogden | Executive Producer |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Directing | Nathalie Vadim | Second Assistant Director |
| Art | Walter Stocklin | Property Master |
| Sound | Maurice Schell | Supervising Sound Editor |
| Directing | Daniel M. Stillman | Second Second Assistant Director |
| Art | Robert Guerra | Art Direction |
| Art | Gary J. Brink | Set Decoration |
| Lighting | Francis J. McBride | Best Boy Electric |
| Production | Jennifer Ogden | Unit Production Manager |
| Production | Fran Kumin | Casting |
| Art | William F. Reynolds | Leadman |
| Camera | Andrew Priestley | Second Assistant Camera |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Costume & Make-Up | Joe Cranzano | Makeup Artist |
| Costume & Make-Up | Bob Grimaldi | Hairstylist |
| Camera | Tom Priestley Jr. | Camera Operator |
| Lighting | Michael J. Fabiano | Key Rigging Grip |
| Sound | Peter Odabashian | Sound Editor |
| Costume & Make-Up | Ann Roth | Costume Design |
| Production | Judith Lyn Brown | Production Coordinator |
| Crew | Lilith Jacobs | Post Production Supervisor |
| Editing | Richard J. Rossi | Assistant Editor |
| Sound | Richard P. Cirincione | Sound Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | Philip Rosenberg | Production Design |
| Directing | Michael Haley | First Assistant Director |
| Production | Meg Simon | Casting |
| Directing | Mary A. Kelly | Continuity |
| Camera | Norman Buck | Key Grip |
| Sound | Jane McCulley | ADR Editor |
| Camera | Gary Muller | First Assistant Camera |
| Lighting | William Ward | Gaffer |
| Sound | Bruce Kitzmeyer | Sound Editor |
| Sound | James H. Nau | Assistant Sound Editor |
| Sound | Allan Byer | Sound Mixer |
| Camera | James McGrath | Dolly Grip |
| Production | Stephen Danza | Location Manager |
| Camera | John Seakwood | Still Photographer |
| Production | Linda Carolei | Extras Casting |
| Production | Joy Todd | Extras Casting |
| Production | Robert McClung | Location Assistant |
| Crew | Bruce Bahrenburg | Unit Publicist |
| Production | Paul Cremo | Location Assistant |
| Crew | John Leonidas | Transportation Captain |
| Sound | Sonny Kompanek | Orchestrator |
| Production | Dominique Bruballa | Production Accountant |
| Art | Siv Sandstrom | Art Department Coordinator |
