In een wereld waar de dinosauriërs nooit zijn uitgestorven leeft Arlo, een 70 meter hoge tiener-Apatosaurus met een groot hart. Nadat een traumatische gebeurtenis onrust veroorzaakt in Arlo's rustige gemeenschap, gaat Arlo eropuit om de vrede te herstellen. Onderweg krijgt hij onverwachts gezelschap van een mens: het jongetje genaamd Spot.
Nee, helaas is The Good Dinosaur nog niet beschikbaar op Netflix in Nederland.
| Writing | Bob Peterson | Story |
| Production | Denise Ream | Producer |
| Directing | Peter Sohn | Director |
| Writing | Erik Benson | Story |
| Sound | Jeff Danna | Original Music Composer |
| Sound | Mychael Danna | Original Music Composer |
| Writing | Kelsey Mann | Story |
| Writing | Meg LeFauve | Story |
| Writing | Peter Sohn | Story |
| Writing | Meg LeFauve | Screenplay |
| Crew | Anthony J. Greenberg | Second Film Editor |
| Visual Effects | Steven Clay Hunter | Animation |
| Production | Lee Unkrich | Executive Producer |
| Art | James S. Baker | Additional Storyboarding |
| Editing | Gillian Libbert | Editorial Manager |
| Production | John Lasseter | Executive Producer |
| Production | Natalie Lyon | Casting Director |
| Editing | Cathleen Carmean | Editorial Manager |
| Crew | Paul Cichocki | Post Production Supervisor |
| Sound | Kenny Pickett | Assistant Sound Editor |
| Art | Huy K. Nguyen | Art Direction |
| Writing | Sally Garbarini | Story Manager |
| Directing | Crosby Clyse | Script Supervisor |
| Camera | Sharon Calahan | Director of Photography |
| Art | Harley Jessup | Production Design |
| Camera | Mahyar Abousaeedi | Director of Photography |
| Directing | Arjun Rihan | Layout |
| Crew | Michael Venturini | Supervising Animator |
| Art | David Munier | Set Supervisor |
| Art | Noah Klocek | Art Direction |
| Production | Andrew Stanton | Executive Producer |
| Editing | C.J. Hsu | First Assistant Editor |
| Art | Megan Bartel | Art Department Manager |
| Directing | Colin Bohrer | Layout |
| Sound | Erich Stratmann | Music Editor |
| Visual Effects | Jon Reisch | Effects Supervisor |
| Visual Effects | Matthew Webb | Visual Effects |
| Crew | Laura Finell | Production Office Assistant |
| Editing | Stephen Schaffer | Editor |
| Production | Ann Brilz | Production Manager |
| Crew | Darla K. Anderson | Thanks |
| Production | Mary Alice Drumm | Associate Producer |
| Editing | Katie Schaefer | Assistant Editor |
| Lighting | Tim Best | Lighting Supervisor |
| Editing | Thomas Gonzales | Assistant Editor |
| Sound | Shannon Mills | Supervising Sound Editor |
| Sound | Nicholas Dodd | Orchestrator |
| Writing | Kelsey Mann | Story Supervisor |
| Production | Kevin Reher | Casting Director |
| Editing | Christopher Zuber | Assistant Editor |
| Lighting | Jonathan Pytko | Lighting Supervisor |
| Crew | Tim Power | Production Office Assistant |
| Art | Matt Nolte | Art Direction |
| Visual Effects | Esdras Varagnolo | Compositing Lead |
| Crew | Cynthia Slavens | Post Production Supervisor |
| Crew | Josh Cooley | Thanks |
| Art | Bryn Imagire | Art Direction |
| Sound | Craig Berkey | Sound Designer |
| Crew | Chris Montan | Executive Music Producer |
| Crew | Michael Fong | Thanks |
| Visual Effects | Shannon Ryan | Animation Manager |
| Lighting | Sarah Jo Helton | Lighting Manager |
| Lighting | Jesus Martinez | Lighting Manager |
| Visual Effects | Bob Whitehill | Stereoscopic Supervisor |
| Sound | Tom MacDougall | Music Supervisor |
| Sound | Nicholas Dodd | Conductor |
| Editing | Steve Bloom | Additional Editorial Assistant |
| Sound | Josh Gold | Sound Effects Editor |
