De film vertelt het klassieke verhaal van een houten pop die tot leven komt, en van zijn pogingen om een echt jongetje te worden. Ondanks de hulp van de Blauwe Fee en de liefde van zijn vader Gepetto raakt Pinocchio van het ene avontuur in het andere terecht.
Nee, helaas is Pinocchio nog niet beschikbaar op Netflix in Nederland.
| Writing | Roberto Benigni | Screenplay |
| Camera | Dante Spinotti | Director of Photography |
| Writing | Vincenzo Cerami | Screenplay |
| Directing | Roberto Benigni | Director |
| Editing | Simona Paggi | Editor |
| Sound | Nicola Piovani | Original Music Composer |
| Sound | Tullio Morganti | Sound |
| Sound | Alessandro Boscolo | Boom Operator |
| Camera | Enrico Lucidi | Additional Director of Photography |
| Visual Effects | Rob Hodgson | Visual Effects Supervisor |
| Camera | Raffaele Massa | First Assistant Camera |
| Costume & Make-Up | Federico Laurenti | Makeup Artist |
| Sound | Mimmo Granata | Sound Editor |
| Sound | Roberto Moroni | Sound Mixer |
| Costume & Make-Up | Alessandra Torella | Assistant Costume Designer |
| Art | Nello Giorgetti | Set Decoration |
| Costume & Make-Up | Maurizio Silvi | Makeup Department Head |
| Production | Nicoletta Braschi | Producer |
| Production | Giorgio Innocenti | Production Manager |
| Sound | Dave Tinsley | Music Editor |
| Camera | Duane Manwiller | Camera Operator |
| Camera | Riccardo Umetelli | First Assistant Camera |
| Camera | Giulio Magnolia | Second Assistant Camera |
| Directing | Barbara Pastrovich | Second Assistant Director |
| Directing | Giorgia Onofri | Script Supervisor |
| Sound | Alessandro Pambianco | Boom Operator |
| Production | Simona Vescovi | Unit Manager |
| Production | Pietro Sassaroli | Unit Manager |
| Costume & Make-Up | Vincenzo Mastrantonio | Makeup Artist |
| Art | Maurizio Sabatini | Production Design |
| Camera | Enrico Lucidi | Camera Operator |
| Camera | Emiliano Topai | Second Assistant Camera |
| Camera | Tommaso Mele | Key Grip |
| Costume & Make-Up | Giusy Bovino | Hair Department Head |
| Camera | Adolfo Bartoli | Second Unit Director of Photography |
| Production | Elda Ferri | Producer |
| Directing | Filippo Fassetta | Second Assistant Director |
| Camera | Sergio Strizzi | Still Photographer |
| Editing | Carlo Simeoni | Assistant Editor |
| Visual Effects | Maurizio Corridori | Special Effects Supervisor |
| Editing | Carlo La Bella | Colorist |
| Editing | Andrea Orsini | Color Grading |
| Camera | Maurizio Maggi | "B" Camera Operator |
| Costume & Make-Up | Fabio Lucchetti | Hairstylist |
| Production | Giulio Cestari | Administration |
| Editing | Pamela Quaglia | Assistant Editor |
| Crew | Michael Saxton | Post Production Supervisor |
| Art | Cosimo Gomez | Assistant Production Design |
| Art | Maurizio di Clemente | Assistant Production Design |
| Production | Gianluigi Braschi | Producer |
| Production | Mario Cotone | Executive Producer |
| Directing | Alberto Mangiante | First Assistant Director |
| Crew | Gino Landi | Choreographer |
| Camera | Enrico Umetelli | Camera Operator |
| Crew | Roberto Dell'Acqua | Master at Arms |
| Sound | Tullio Arcangeli | Foley Artist |
| Art | Claudio Stefani | Property Master |
| Lighting | Carlo Vinciguerra | Gaffer |
| Production | Franco Fantini | Administration |
| Production | Ivana Kastratovic | Production Coordinator |
| Visual Effects | Ferran Domenech | Animation |
| Costume & Make-Up | Danilo Donati | Costume Design |
| Writing | Vincenzo Cerami | Story |
| Art | Danilo Donati | Production Design |
| Writing | Carlo Collodi | Novel |
| Writing | Roberto Benigni | Story |
| Visual Effects | Diane Kingston | Digital Effects Producer |
