Twee verslaggevers, Tracy en Chuck, horen van een collega dat hij iets ontdekt heeft over Futureworld. Voordat hij iets kan zeggen wordt hij vermoord. De verslaggevers bezoeken Futureworld om uit te zoeken wat hun collega te weten was gekomen.
Nee, helaas is Futureworld nog niet beschikbaar op Netflix in Nederland.
| Production | Richard T. Heffron | Producer |
| Editing | James Mitchell | Editor |
| Sound | Fred Karlin | Original Music Composer |
| Directing | Richard T. Heffron | Director |
| Production | Samuel Z. Arkoff | Producer |
| Production | Samuel Z. Arkoff | Executive Producer |
| Crew | Paul Nuckles | Stunt Coordinator |
| Production | Lea Andrews | Location Manager |
| Production | Elliot Schick | Production Supervisor |
| Art | Reggie Foster | Construction Coordinator |
| Crew | Dennis A. Brown | Production Controller |
| Sound | Clint Althouse | Boom Operator |
| Editing | Leo Gomez-Guerra | Assistant Editor |
| Sound | Dan Carlin Sr. | Music Editor |
| Costume & Make-Up | Llandys Williams | Wardrobe Assistant |
| Camera | Jack Johnson | Best Boy Grip |
| Directing | Marshall J. Wolins | Script Supervisor |
| Camera | Lloyd Ahern II | Camera Operator |
| Production | Harry Templeton | Production Executive |
| Camera | Lynn Lockwood | Second Assistant Camera |
| Lighting | Bill Lindner | Best Boy Electric |
| Production | Marty Hornstein | Production Manager |
| Camera | Richard J. Edesa | First Assistant Camera |
| Camera | Steve Wever | Still Photographer |
| Production | Irene Berkman | Production Coordinator |
| Directing | Jan R. Lloyd | Second Assistant Director |
| Editing | Charles Titone | Assistant Editor |
| Visual Effects | Brent Sellstrom | Visual Effects Coordinator |
| Crew | Gary Davis | Stunts |
| Art | Russell Goble | Property Master |
| Camera | Robert C. Jessup | Second Unit Director of Photography |
| Lighting | Lon Massey | Gaffer |
| Camera | John L. Black | Key Grip |
| Crew | James E. Foote | Transportation Captain |
| Crew | Albert Nalpas | Visual Effects Editor |
| Crew | Gary Epper | Stunts |
| Camera | Pete G. Papanickolas | Best Boy Grip |
| Art | George Stokes | Construction Coordinator |
| Art | Mike Garcia | Leadman |
| Lighting | Richard McConihay | Electrician |
| Sound | Bodie Chandler | Music Supervisor |
| Camera | Jack Willoughby | Camera Operator |
| Sound | Charles T. Knight | Sound Mixer |
| Camera | Peter J. Breen | Dolly Grip |
| Crew | Bud Davis | Stunts |
| Directing | Robert J. Koster | First Assistant Director |
| Art | Eric W. Orbom | Set Designer |
| Art | Kenneth Crawford | Assistant Property Master |
| Crew | Paul Casella Jr. | Transportation Coordinator |
| Crew | Jack Verbois | Stunts |
| Costume & Make-Up | James M. George | Costume Supervisor |
| Production | Gary Chason | Location Casting |
| Camera | Howard Schwartz | Director of Photography |
| Crew | Nick Dimitri | Stunts |
| Lighting | Bill Neff | Gaffer |
| Art | Trevor Williams | Art Direction |
| Costume & Make-Up | Jo Ann Phillips | Hairstylist |
| Costume & Make-Up | Marvin G. Westmore | Makeup Artist |
| Production | James T. Aubrey | Producer |
| Art | Marvin March | Set Decoration |
| Art | Dennis W. Peeples | Set Decoration |
| Costume & Make-Up | Robert Norin | Makeup Artist |
| Production | Paul N. Lazarus III | Producer |
| Camera | Gene Polito | Director of Photography |
| Costume & Make-Up | Janis Clark | Hairstylist |
| Production | Betty Martin | Casting |
| Writing | George Schenck | Writer |
| Writing | Mayo Simon | Writer |
