Will is een 48-jarige playboy, die niet gelooft in echte liefde. Als hij de 22-jarige Charlotte tegenkomt, die een levensbedreigend tumor heeft, komt hier echter verandering in. Zij leert hem, wat ware liefde is.
Nee, helaas is Autumn in New York nog niet beschikbaar op Netflix in Nederland.
| Production | Gary Lucchesi | Producer |
| Editing | Ruby Yang | Editor |
| Camera | 顾长卫 | Director of Photography |
| Sound | Gabriel Yared | Original Music Composer |
| Writing | Allison Burnett | Screenplay |
| Production | Tom Rosenberg | Producer |
| Directing | Joan Chen | Director |
| Production | Georgianne Walken | Casting |
| Production | Andre Lamal | Co-Producer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Production | Ted Tannebaum | Executive Producer |
| Sound | Pat Jackson | Supervising Sound Editor |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Camera | Rick Marroquin | Dolly Grip |
| Sound | Marc-Jon Sullivan | Boom Operator |
| Sound | Peter Afterman | Music Supervisor |
| Camera | Richard Guinness Jr. | Key Grip |
| Camera | Rod Calarco | Second Assistant Camera |
| Lighting | Robert Sciretta | Chief Lighting Technician |
| Art | Sarah Frank | Graphic Designer |
| Production | Amy Robinson | Producer |
| Crew | Blaise Corrigan | Stunt Driver |
| Art | Mario Ventenilla | Assistant Art Director |
| Lighting | Billy Kerwick | Key Rigging Grip |
| Crew | Al Cerullo | Pilot |
| Sound | Todd Boekelheide | Sound Re-Recording Mixer |
| Costume & Make-Up | Carol Oditz | Costume Design |
| Art | Jess Gonchor | Art Direction |
| Camera | Andrew D. Schwartz | Still Photographer |
| Art | Catherine Davis | Set Decoration |
| Production | Ron Bozman | Executive Producer |
| Camera | Phil Oetiker | Camera Operator |
| Camera | Andrew Priestley | First Assistant Camera |
| Art | Diana Burton | Property Master |
| Art | Rena DeAngelo | Assistant Property Master |
| Crew | Jodi Michelle Pynn | Stunt Coordinator |
| Sound | Dan Olmsted | Sound Re-Recording Mixer |
| Camera | Stephen Consentino | "B" Camera Operator |
| Crew | Gregg Harris | Cableman |
| Production | Barbara Harris | ADR Voice Casting |
| Production | Sheila Jaffe | Casting |
| Art | Mark Friedberg | Production Design |
| Production | Harvey Waldman | Unit Production Manager |
| Directing | Joseph R. Burns | First Assistant Director |
| Crew | James McQuaide | Post Production Supervisor |
| Directing | Lisa Katcher | Script Supervisor |
| Lighting | Thomas Ford | Assistant Chief Lighting Technician |
| Sound | Chris Newman | Sound Mixer |
| Sound | Eric Thompson | ADR Mixer |
| Production | Winnie Cheng | Post Production Coordinator |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | Karen G. Wilson | Dialogue Editor |
| Crew | Gene O'Neill | Transportation Co-Captain |
| Sound | Daniel Sperry | Dolby Consultant |
| Camera | Glen Engels | Best Boy Grip |
| Editing | Mike Bruining | First Assistant Editor |
| Sound | Margie O'Malley | Foley Artist |
| Art | Nancy Winters | Assistant Art Director |
| Art | Jacqueline Jacobson Scarfo | Assistant Set Decoration |
| Camera | Chris Silano | First Assistant "B" Camera |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Sound | Robert Shoup | Sound Effects Editor |
| Crew | Julie Kuehndorf | Unit Publicist |
| Camera | Stephen Consentino | Steadicam Operator |
| Sound | Kyrsten Mate | Sound Effects Editor |
| Production | Grant Wilfley | Extras Casting |
| Editing | Stephen R. Sheridan | Color Timer |
| Sound | Frank Canonica | Sound Recordist |
| Production | Katharina Eggmann | Casting Assistant |
| Crew | Steven R. Hammond | Transportation Captain |
| Crew | Brian Carmichael | Video Assist Operator |
| Sound | Malcolm Fife | Sound Effects Editor |
| Art | Timothy Metzger | Leadman |
| Sound | Andrew Dorfman | Music Editor |
| Sound | Marnie Moore | Foley Artist |
| Production | Sean Garrett Fogel | Production Coordinator |
