Twee broertjes zijn getuige van een gruwelijke daad. Door toeval is de oudste van de twee broertjes, Mark, op de hoogte van een dodelijk geheim. Hij wordt achterna gezeten door de FBI en de maffia. Mark besluit om hulp te zoeken bij een advocaat. Hij vindt advocaat Reggie Love die ervan overtuigd is dat Mark iets achter houdt.
Nee, helaas is The Client nog niet beschikbaar op Netflix in Nederland.
| Directing | Joel Schumacher | Director |
| Writing | Akiva Goldsman | Screenplay |
| Writing | Robert Getchell | Screenplay |
| Production | Arnon Milchan | Producer |
| Production | Steven Reuther | Producer |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Production | Mary McLaglen | Unit Production Manager |
| Directing | Daniel Silverberg | Second Assistant Director |
| Directing | Yudi Bennett | First Assistant Director |
| Art | James C. Feng | Assistant Art Director |
| Art | Marco Rubeo | Set Designer |
| Art | Kevin Cross | Set Designer |
| Art | Steven Curtis Husch | Leadman |
| Art | Stephanie Waldron | Greensman |
| Art | Julia G. Hickman | Art Department Coordinator |
| Camera | Demmie Todd | Still Photographer |
| Camera | Bob Gorelick | Steadicam Operator |
| Production | Emily Schweber | Casting Associate |
| Sound | Ellen Segal | Music Editor |
| Sound | Chuck Neely | Sound Editor |
| Sound | Gary Mundheim | Sound Editor |
| Sound | Angie Luckey | Assistant Sound Editor |
| Sound | Jerry Edemann | Assistant Sound Editor |
| Sound | Larry Singer | ADR Supervisor |
| Sound | Andrea Horta | ADR Editor |
| Sound | Christina Tucker | ADR Mixer |
| Sound | John Roesch | Foley |
| Sound | Hilda Hodges | Foley Artist |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | John Richards | Scoring Mixer |
| Crew | Tim Monich | Dialect Coach |
| Crew | Leroy Reed | Transportation Captain |
| Art | Richard Blankenship | Construction Coordinator |
| Editing | Bob Kaiser | Color Timer |
| Editing | Pattye Rogers | Assistant Editor |
| Art | Chris Ubick | Assistant Property Master |
| Directing | Nancy Hopton | Script Supervisor |
| Crew | Larry Kaplan | Unit Publicist |
| Production | Nicole Furia | Production Accountant |
| Sound | Petur Hliddal | Sound Mixer |
| Sound | Carl Fischer | Boom Operator |
| Lighting | Richard Smock | Rigging Gaffer |
| Camera | John Janusek | Key Grip |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Costume & Make-Up | Rhona Meyers | Assistant Costume Designer |
| Costume & Make-Up | David Forrest | Key Makeup Artist |
| Costume & Make-Up | Lydia Milars | Makeup Artist |
| Costume & Make-Up | Marie-Ange Ripka | Key Hair Stylist |
| Costume & Make-Up | Rita Parillo | Hairstylist |
| Production | Scott Elias | Location Manager |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Sound | Howard Shore | Original Music Composer |
| Writing | John Grisham | Novel |
| Art | Bruno Rubeo | Production Design |
| Production | Mali Finn | Casting |
| Production | Guy Ferland | Associate Producer |
| Production | Mary McLaglen | Co-Producer |
| Art | P. Michael Johnston | Art Direction |
| Art | James F. Truesdale | Art Direction |
| Art | Anne D. McCulley | Set Decoration |
| Costume & Make-Up | Ingrid Ferrin | Costume Design |
| Crew | Mark De Alessandro | Stunts |
| Editing | Robert Brown | Editor |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Donald J. Malouf | Supervising Sound Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Leonard T. Geschke | Sound Editor |
| Sound | Louis L. Edemann | Sound Editor |
| Sound | Larry Carow | Sound Editor |
| Sound | Nils C. Jensen | Sound Editor |
| Crew | Rick Barker | Stunt Coordinator |
| Crew | Glory Fioramonti | Stunt Coordinator |
| Crew | Henry Kingi | Stunts |
| Crew | Lori Lynn Ross | Stunts |
