Twee broertjes zijn getuige van een gruwelijke daad. Door toeval is de oudste van de twee broertjes, Mark, op de hoogte van een dodelijk geheim. Hij wordt achterna gezeten door de FBI en de maffia. Mark besluit om hulp te zoeken bij een advocaat. Hij vindt advocaat Reggie Love die ervan overtuigd is dat Mark iets achter houdt.
Nee, helaas is The Client nog niet beschikbaar op Netflix in Nederland.
| Production | Arnon Milchan | Producer |
| Production | Steven Reuther | Producer |
| Writing | Akiva Goldsman | Screenplay |
| Writing | Robert Getchell | Screenplay |
| Directing | Joel Schumacher | Director |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Crew | Leroy Reed | Transportation Captain |
| Directing | Nancy Hopton | Script Supervisor |
| Costume & Make-Up | Rita Parillo | Hairstylist |
| Art | Kevin Cross | Set Designer |
| Art | Stephanie Waldron | Greensman |
| Sound | Mary Jo Lang | Foley Mixer |
| Crew | Larry Kaplan | Unit Publicist |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Camera | Bob Gorelick | Steadicam Operator |
| Sound | Christina Tucker | ADR Mixer |
| Sound | John Roesch | Foley |
| Sound | Gary Mundheim | Sound Editor |
| Camera | Demmie Todd | Still Photographer |
| Production | Emily Schweber | Casting Associate |
| Sound | Chuck Neely | Sound Editor |
| Production | Nicole Furia | Production Accountant |
| Costume & Make-Up | Rhona Meyers | Assistant Costume Designer |
| Art | Julia G. Hickman | Art Department Coordinator |
| Production | Mary McLaglen | Unit Production Manager |
| Art | Marco Rubeo | Set Designer |
| Costume & Make-Up | David Forrest | Key Makeup Artist |
| Production | Scott Elias | Location Manager |
| Art | Steven Curtis Husch | Leadman |
| Sound | Jerry Edemann | Assistant Sound Editor |
| Sound | Andrea Horta | ADR Editor |
| Sound | Hilda Hodges | Foley Artist |
| Sound | Petur Hliddal | Sound Mixer |
| Directing | Yudi Bennett | First Assistant Director |
| Crew | Tim Monich | Dialect Coach |
| Art | Chris Ubick | Assistant Property Master |
| Camera | John Janusek | Key Grip |
| Art | Richard Blankenship | Construction Coordinator |
| Costume & Make-Up | Marie-Ange Ripka | Key Hair Stylist |
| Art | James C. Feng | Assistant Art Director |
| Sound | John Richards | Scoring Mixer |
| Editing | Pattye Rogers | Assistant Editor |
| Sound | Carl Fischer | Boom Operator |
| Sound | Larry Singer | ADR Supervisor |
| Lighting | Richard Smock | Rigging Gaffer |
| Directing | Daniel Silverberg | Second Assistant Director |
| Sound | Ellen Segal | Music Editor |
| Sound | Angie Luckey | Assistant Sound Editor |
| Editing | Bob Kaiser | Color Timer |
| Costume & Make-Up | Lydia Milars | Makeup Artist |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Writing | John Grisham | Novel |
| Art | P. Michael Johnston | Art Direction |
| Art | Bruno Rubeo | Production Design |
| Art | Anne D. McCulley | Set Decoration |
| Sound | Howard Shore | Original Music Composer |
| Production | Mali Finn | Casting |
| Art | James F. Truesdale | Art Direction |
| Production | Guy Ferland | Associate Producer |
| Production | Mary McLaglen | Co-Producer |
| Costume & Make-Up | Ingrid Ferrin | Costume Design |
| Crew | Mark De Alessandro | Stunts |
| Editing | Robert Brown | Editor |
| Crew | Rick Barker | Stunt Coordinator |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Donald J. Malouf | Supervising Sound Editor |
| Sound | Nils C. Jensen | Sound Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Crew | Glory Fioramonti | Stunt Coordinator |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Sound | Louis L. Edemann | Sound Editor |
| Sound | Larry Carow | Sound Editor |
| Sound | Leonard T. Geschke | Sound Editor |
| Crew | Lori Lynn Ross | Stunts |
| Crew | Henry Kingi | Stunts |
