Wayne en Eileen Hayes leven volgens de Amerikaanse droom. Samen hebben ze twee kinderen opgevoed en een succesvol bedrijf opgezet. Maar dan wordt Wayne ontvoerd door Arnold Mack en voor losgeld vastgehouden in een afgelegen woud. Dit zorgt voor grote paniek bij Eileen die probeert met de hulp van de FBI haar man terug te krijgen.
Nee, helaas is The Clearing nog niet beschikbaar op Netflix in Nederland.
| Camera | Denis Lenoir | Director of Photography |
| Writing | Justin Haythe | Screenplay |
| Production | Jonah Smith | Producer |
| Production | Pieter Jan Brugge | Producer |
| Production | Palmer West | Producer |
| Sound | Craig Armstrong | Original Music Composer |
| Directing | Pieter Jan Brugge | Director |
| Crew | Craig Branham | Stunt Double |
| Camera | Lorey Sebastian | Still Photographer |
| Crew | Marc Scott | Transportation Coordinator |
| Directing | John Rusk | First Assistant Director |
| Sound | Douglas Axtell | Sound Mixer |
| Editing | Alexis Seymour | Assistant Editor |
| Production | Dara Weintraub | Unit Production Manager |
| Lighting | Dick Oakes | Gaffer |
| Crew | Susan Van Apeldoorn | Craft Service |
| Directing | Alison C. Rosa | Second Assistant Director |
| Camera | Ted Sapp | Best Boy Grip |
| Camera | J. Wayne Parker | Key Grip |
| Art | Scott A. Stephens | Property Master |
| Crew | Joan Eisenberg | Unit Publicist |
| Camera | Darryl Humber | Dolly Grip |
| Camera | Mark Emery Moore | Steadicam Operator |
| Costume & Make-Up | Virginia G. Hadfield | Hair Department Head |
| Production | Jawal Nga | Associate Producer |
| Production | Kimberly Rach | Production Supervisor |
| Directing | Janna Stern | Script Supervisor |
| Production | Teresa M. Yarbrough | Production Coordinator |
| Costume & Make-Up | Jane Galli | Makeup Department Head |
| Crew | Charles Croughwell | Stunt Coordinator |
| Art | Marthe Pineau | Set Decoration |
| Sound | Lon Bender | Supervising Sound Editor |
| Sound | Neal J. Anderson | Dialogue Editor |
| Sound | Bryan Bowen | Sound Effects Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Editing | Gary Burritt | Negative Cutter |
| Sound | David Stanke | Assistant Sound Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Editing | Michael Hatzer | Color Timer |
| Sound | Tony Lamberti | Sound Re-Recording Mixer |
| Sound | Bob Bowman | First Assistant Sound Editor |
| Sound | Paul Flinchbaugh | Assistant Sound Editor |
| Sound | Todd Niesen | Sound Effects Editor |
| Sound | Karen Vassar Triest | Foley Editor |
| Sound | Roy Prendergast | Music Editor |
| Editing | Richard B. Molina | Assistant Editor |
| Sound | Anna MacKenzie | Supervising Sound Editor |
| Sound | David Kudell | Assistant Sound Editor |
| Sound | Paul Longstaffe | Dialogue Editor |
| Sound | Carey Milbradt | Foley Mixer |
| Sound | Marc Fishman | Sound Re-Recording Mixer |
| Sound | Peter Staubli | Sound Effects Editor |
| Sound | Eliza Paley | Dialogue Editor |
| Sound | Harry Cohen | Sound Effects Editor |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Paul P. Soucek | Sound Effects Editor |
| Sound | Michael Lyle | Foley Artist |
| Production | Caitlin McKenna | ADR Voice Casting |
| Production | Karen Tenkhoff | Executive Producer |
| Writing | Pieter Jan Brugge | Story |
| Costume & Make-Up | Gary Liddiard | Makeup Artist |
| Costume & Make-Up | Stephanie Siemens | Costume Supervisor |
| Art | Paul Huggins | Art Direction |
| Production | Victoria Thomas | Casting |
| Production | Dara Weintraub | Co-Producer |
| Costume & Make-Up | Florence-Isabelle Megginson | Costume Design |
| Editing | Kevin Tent | Editor |
| Art | Chris Gorak | Production Design |
| Writing | Justin Haythe | Story |
