1914: Milo Tatch denkt dat hij de locatie heeft gevonden van het legandarische Verloren Continent. Een excentrieke miljonair geeft Milo een crew zodat hij zijn theorie kan testen. Wanneer ze Atlantis vinden blijkt dat de cultuur langzaam uitsterft omdat de bewoners hun oude geschriften, waarin hun mysterieuze krachtbron wordt beschreven, niet meer kunnen lezen. De nieuwste Disney, die dit keer wat serieuzer is dan normaal.
Nee, helaas is Atlantis: De Verzonken Stad nog niet beschikbaar op Netflix in Nederland.
| Directing | Gary Trousdale | Director |
| Editing | Ellen Keneshea | Editor |
| Directing | Kirk Wise | Director |
| Writing | Gary Trousdale | Story |
| Writing | Tab Murphy | Story |
| Writing | Joss Whedon | Story |
| Writing | Tab Murphy | Screenplay |
| Writing | Bryce Zabel | Story |
| Writing | Kirk Wise | Story |
| Writing | Jackie Zabel | Story |
| Visual Effects | Thomas Baker | Visual Effects |
| Visual Effects | Dan Lund | Visual Effects |
| Visual Effects | David 'Joey' Mildenberger | Visual Effects |
| Visual Effects | Maria Gonzalez | Color Designer |
| Visual Effects | Marlon West | Visual Effects Supervisor |
| Visual Effects | Matsune Suzuki | Visual Effects |
| Visual Effects | Rick Maki | Visual Development |
| Production | Don Hahn | Producer |
| Production | Kendra Haaland | Associate Producer |
| Production | Mary Hidalgo | Casting |
| Sound | John K. Carr | Supervising Sound Editor |
| Editing | Terry Claborn | Color Timer |
| Production | Matthew Jon Beck | Casting Associate |
| Production | Andrea McCarthy Paul | Production Accountant |
| Crew | Don Henry | Projection |
| Art | Kent Melton | Sculptor |
| Crew | Sue Bea Montgomery | Post-Production Manager |
| Art | David Goetz | Art Direction |
| Art | Ricardo F. Delgado | Production Design |
| Camera | Cos Aelenei | Still Photographer |
| Crew | Jonathan Allen | Additional Music |
| Visual Effects | Boyd Lacosse | Special Effects Supervisor |
| Crew | Lori Korngiebel | Post Production Supervisor |
| Crew | Kiran Bhakta Joshi | CGI Supervisor |
| Lighting | Pei Dieleman | Lighting Artist |
| Crew | Susan Hegarty | Dialect Coach |
| Editing | Carol Folgate | First Assistant Editor |
| Art | Matt Codd | Production Design |
| Production | Kirsten Bulmer | Production Coordinator |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Crew | Anthony DeRosa | Supervising Animator |
| Art | Mike Mignola | Production Design |
| Crew | Earl Coffman | Compositors |
| Directing | Lam Hoang | Layout |
| Art | Joyce Alexander | Painter |
| Camera | Al Vasquez | Camera Operator |
| Sound | David Olson | Music Editor |
| Production | Ruth Lambert | Casting |
| Sound | Ken Fischer | Sound Effects Editor |
| Art | Jim Martin | Production Design |
| Sound | James Newton Howard | Original Music Composer |
| Crew | Jim Varney | In Memory Of |
| Editing | John K. Carr | Associate Editor |
| Sound | Rob Nokes | Sound Effects Designer |
| Production | Lesley Addario Bentivegna | Assistant Production Manager |
| Editing | Rich Mackay | Negative Cutter |
| Sound | Tom Boyd | Musician |
| Sound | Jim Weidman | Supervising Music Editor |
| Sound | Michael Silvers | ADR Editor |
| Sound | Marcie Romano | Assistant Sound Editor |
| Visual Effects | Anne Marie Bardwell | Character Designer |
| Sound | Jeff Atmajian | Orchestrator |
| Sound | Pete Anthony | Conductor |
| Sound | Mary Helen Leasman | Foley Editor |
| Art | John Brian King | Title Designer |
| Writing | David Reynolds | Other |
| Sound | Juan Peralta | Sound Mix Technician |
| Editing | Mary Blee | Assistant Editor |
| Crew | Kathleen Violet Grey | Administrative Assistant |
| Production | Froydis Boe | Production Assistant |
| Visual Effects | Virgilio John Aquino | Additional Visual Effects |
| Production | Katie Hooten | Post Production Coordinator |
| Crew | Vince Caro | Additional Dialogue |
| Sound | Tony Eckert | Foley Mixer |
| Sound | Dennie Thorpe | Foley Artist |
| Visual Effects | Ed Ghertner | Layout Supervisor |
| Writing | Dean DeBlois | Story Artist |
| Sound | Frank 'Pepe' Merel | Foley Recordist |
| Production | Charles 'Chip' Church | Production Secretary |
| Sound | Gary Rydstrom | Sound Designer |
| Sound | Gary Rydstrom | Sound Re-Recording Mixer |
| Writing | Plato | Original Concept |
| Art | Chris Ure | Storyboard Artist |
| Camera | Tom Smith | Camera Operator |
| Lighting | Li-Ming 'Lawrence' Lee | Lighting Artist |
| Production | Coralie Cudot-Lissillour | Production Manager |
| Sound | Shannon Mills | Assistant Sound Designer |
| Sound | Hanna Makowska | Sound Engineer |
| Sound | Argiris Kandilis | Sound Mixer |
| Visual Effects | Jean Gillmore | Character Designer |
| Visual Effects | Anne Marie Bardwell | Visual Development |
| Sound | Michael Silvers | Supervising Sound Editor |
| Art | Angelika Katz | Painter |
| Visual Effects | Angela Diamos | Visual Effects Coordinator |
| Crew | Glenn C. Bell | Creative Consultant |
| Crew | Massimiliano Gasparri | Technical Supervisor |
| Visual Effects | Cathy McGowan Leahy | Visual Effects Compositor |
| Crew | Cathy E. Blanco | Production Artist |
| Visual Effects | William Recinos | Animation Fix Coordinator |
| Visual Effects | Dougg Williams | Animation |
| Visual Effects | William T. Carpenter | Visual Development |
| Production | Frank William Knittel | Finance |
| Visual Effects | Thomas C. Meyer | Visual Effects Assistant Editor |
