Begin 19de eeuw. De beruchte Franse schrijver Markies de Sade is opgesloten in Charenton, een instelling voor krankzinnigen. Keizer Napoleon wil verhinderen dat de markies zijn aanstootgevende literatuur kan publiceren, maar die smokkelt zijn manuscripten naar buiten met de hulp van de jonge Madeleine LeClerc, een kamermeisje. Zodra de keizer ontdekt dat de markies nieuwe werken blijft uitgeven, schakelt hij de wrede dokter Royer-Collard in.
Nee, helaas is Quills nog niet beschikbaar op Netflix in Nederland.
| Directing | Philip Kaufman | Director |
| Writing | Doug Wright | Screenplay |
| Production | Julia Chasman | Producer |
| Sound | Stephen Warbeck | Original Music Composer |
| Editing | Peter Boyle | Editor |
| Camera | Rogier Stoffers | Director of Photography |
| Production | Donna Isaacson | Casting |
| Production | Priscilla John | Casting |
| Art | Martin Childs | Production Design |
| Art | Steven Lawrence | Art Direction |
| Art | Mark Raggett | Supervising Art Director |
| Art | Jill Quertier | Set Decoration |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Art | Patricia Johnson | Draughtsman |
| Production | Mark Huffam | Co-Producer |
| Production | Des McAnuff | Executive Producer |
| Production | Sandra Schulberg | Executive Producer |
| Production | Rudolf G. Wiesmeier | Executive Producer |
| Production | Nick Wechsler | Producer |
| Production | Peter Kaufman | Producer |
| Crew | Jim Dowdall | Stunt Coordinator |
| Crew | Andy Bradford | Stunt Coordinator |
| Crew | Nrinder Dhudwar | Stunt Coordinator |
| Crew | Richard Hammatt | Stunt Coordinator |
| Crew | Richard Bradshaw | Stunts |
| Crew | Jazzer Jeyes | Stunts |
| Crew | Sarah Franzl | Stunts |
| Crew | Tracey Eddon | Stunts |
| Directing | Deborah Saban | First Assistant Director |
| Directing | Olivia Lloyd | Second Assistant Director |
| Sound | John Midgley | Sound Mixer |
| Directing | Sally Jones | Script Supervisor |
| Costume & Make-Up | Peter Swords King | Hair Designer |
| Costume & Make-Up | Peter Swords King | Makeup Designer |
| Production | Elaine Burt | Production Coordinator |
| Crew | Neil Finnighan | Stunts |
| Production | Emily Lascelles | Assistant Production Coordinator |
| Editing | Liz Roe | First Assistant Editor |
| Sound | Frank E. Eulner | Supervising Sound Editor |
| Production | Sophie Dasic | Post Production Accountant |
| Art | Frances Bennett | Standby Art Director |
| Art | Gavin Fitch | Assistant Art Director |
| Art | Matthew Gray | Draughtsman |
| Art | Alastair Bullock | Draughtsman |
| Art | Martin Asbury | Storyboard Artist |
| Crew | Brian Bishop | Scenic Artist |
| Crew | Doug Bishop | Scenic Artist |
| Art | Jessie Hepple | Art Department Assistant |
| Art | Katy Harvey | Art Department Assistant |
| Directing | Toby Hefferman | Second Second Assistant Director |
| Directing | Matthew Penry-Davey | Third Assistant Director |
| Directing | Mari Roberts | Third Assistant Director |
| Camera | Jasper Fforde | Focus Puller |
| Crew | Nicholas Du Boulay | Floor Runner |
| Crew | Charles Vaughan | Floor Runner |
| Camera | Sam Barnes | Clapper Loader |
| Camera | Gary Hutchings | Grip |
| Camera | John Ward | Steadicam Operator |
| Camera | Vince McGahon | Steadicam Operator |
| Camera | Sophie Wilson | Camera Trainee |
| Sound | June Prinz | Boom Operator |
| Art | Barry Wilkinson | Property Master |
| Lighting | Kevin Edland | Rigging Gaffer |
| Lighting | Tony Burns | Electrician |
| Lighting | Robert Brock | Electrician |
| Lighting | Dean Wilkinson | Electrician |
| Lighting | Ronnie Phillips | Electrician |
| Lighting | John Turner | Electrician |
| Lighting | Alan Grosch | Genetator Operator |
| Costume & Make-Up | Michael O'Connor | Assistant Costume Designer |
| Costume & Make-Up | Suzi Turnbull | Wardrobe Supervisor |
| Costume & Make-Up | Anthony Brookman | Wardrobe Master |
| Costume & Make-Up | Helen Mattocks | Wardrobe Assistant |
| Costume & Make-Up | Nuala Conway | Key Hair Stylist |
| Costume & Make-Up | Nuala Conway | Key Makeup Artist |
| Costume & Make-Up | Jeremy Woodhead | Makeup & Hair |
| Costume & Make-Up | Kate Lee | Makeup & Hair |
| Costume & Make-Up | Conor O'Sullivan | Prosthetic Supervisor |
| Production | Rachel Neale | Location Manager |
| Directing | Vic Armstrong | Second Unit Director |
| Directing | Richard Styles | Second Unit First Assistant Director |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Sound | Sue Fox | ADR Editor |
| Sound | Bruce Lacey | Dialogue Editor |
| Sound | Robert Shoup | Sound Effects Editor |
| Sound | John Verbeck | Foley Editor |
| Sound | Michael Axinn | Assistant Dialogue Editor |
| Production | Louis Elman | ADR Voice Casting |
| Crew | Stuart Brisdon | Special Effects Coordinator |
| Crew | John Van Der Pool | Special Effects Technician |
| Crew | Mark Haddenham | Special Effects Technician |
| Visual Effects | Tim Field | Visual Effects Supervisor |
| Art | Michael Redding | Construction Coordinator |
| Art | Richard Lyon | Construction Buyer |
| Art | Stephen Eels | Standby Carpenter |
| Art | Ray Campbell | Standby Painter |
| Lighting | Ian Rolfe | Standby Rigger |
| Art | John Blakeley | Sculptor |
| Camera | David Appleby | Still Photographer |
| Crew | Susan d'Arcy | Unit Publicist |
| Crew | Gary Birmingham | Transportation Captain |
