Begin 19de eeuw. De beruchte Franse schrijver Markies de Sade is opgesloten in Charenton, een instelling voor krankzinnigen. Keizer Napoleon wil verhinderen dat de markies zijn aanstootgevende literatuur kan publiceren, maar die smokkelt zijn manuscripten naar buiten met de hulp van de jonge Madeleine LeClerc, een kamermeisje. Zodra de keizer ontdekt dat de markies nieuwe werken blijft uitgeven, schakelt hij de wrede dokter Royer-Collard in.
Nee, helaas is Quills nog niet beschikbaar op Netflix in Nederland.
| Directing | Philip Kaufman | Director |
| Camera | Rogier Stoffers | Director of Photography |
| Production | Julia Chasman | Producer |
| Sound | Stephen Warbeck | Original Music Composer |
| Writing | Doug Wright | Screenplay |
| Editing | Peter Boyle | Editor |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Production | Priscilla John | Casting |
| Art | Mark Raggett | Supervising Art Director |
| Production | Donna Isaacson | Casting |
| Art | Martin Childs | Production Design |
| Art | Steven Lawrence | Art Direction |
| Art | Jill Quertier | Set Decoration |
| Art | Patricia Johnson | Draughtsman |
| Production | Mark Huffam | Co-Producer |
| Production | Des McAnuff | Executive Producer |
| Production | Peter Kaufman | Producer |
| Production | Nick Wechsler | Producer |
| Production | Sandra Schulberg | Executive Producer |
| Production | Rudolf G. Wiesmeier | Executive Producer |
| Crew | Jim Dowdall | Stunt Coordinator |
| Crew | Richard Bradshaw | Stunts |
| Crew | Sarah Franzl | Stunts |
| Directing | Deborah Saban | First Assistant Director |
| Sound | John Midgley | Sound Mixer |
| Crew | Nrinder Dhudwar | Stunt Coordinator |
| Crew | Richard Hammatt | Stunt Coordinator |
| Crew | Jazzer Jeyes | Stunts |
| Crew | Andy Bradford | Stunt Coordinator |
| Crew | Tracey Eddon | Stunts |
| Directing | Olivia Lloyd | Second Assistant Director |
| Art | Frances Bennett | Standby Art Director |
| Crew | Brian Bishop | Scenic Artist |
| Art | Gavin Fitch | Assistant Art Director |
| Art | Jessie Hepple | Art Department Assistant |
| Art | Katy Harvey | Art Department Assistant |
| Production | Elaine Burt | Production Coordinator |
| Crew | Neil Finnighan | Stunts |
| Production | Sophie Dasic | Post Production Accountant |
| Directing | Toby Hefferman | Second Second Assistant Director |
| Crew | Doug Bishop | Scenic Artist |
| Directing | Sally Jones | Script Supervisor |
| Art | Matthew Gray | Draughtsman |
| Directing | Mari Roberts | Third Assistant Director |
| Production | Emily Lascelles | Assistant Production Coordinator |
| Art | Martin Asbury | Storyboard Artist |
| Costume & Make-Up | Michael O'Connor | Assistant Costume Designer |
| Camera | John Ward | Steadicam Operator |
| Art | Alastair Bullock | Draughtsman |
| Costume & Make-Up | Peter Swords King | Makeup Designer |
| Sound | June Prinz | Boom Operator |
| Costume & Make-Up | Peter Swords King | Hair Designer |
| Editing | Liz Roe | First Assistant Editor |
| Sound | Frank E. Eulner | Supervising Sound Editor |
| Camera | Sophie Wilson | Camera Trainee |
| Lighting | Dean Wilkinson | Electrician |
| Costume & Make-Up | Nuala Conway | Key Makeup Artist |
| Crew | Mark Haddenham | Special Effects Technician |
| Art | Ray Campbell | Standby Painter |
| Directing | Matthew Penry-Davey | Third Assistant Director |
| Camera | Vince McGahon | Steadicam Operator |
| Lighting | John Turner | Electrician |
| Sound | John Verbeck | Foley Editor |
| Production | Louis Elman | ADR Voice Casting |
| Costume & Make-Up | Anthony Brookman | Wardrobe Master |
| Camera | Jasper Fforde | Focus Puller |
| Lighting | Kevin Edland | Rigging Gaffer |
| Costume & Make-Up | Kate Lee | Makeup & Hair |
| Art | Richard Lyon | Construction Buyer |
| Crew | Gary Birmingham | Transportation Captain |
| Crew | Nicholas Du Boulay | Floor Runner |
| Lighting | Robert Brock | Electrician |
| Costume & Make-Up | Conor O'Sullivan | Prosthetic Supervisor |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Sound | Michael Axinn | Assistant Dialogue Editor |
| Lighting | Ronnie Phillips | Electrician |
| Directing | Richard Styles | Second Unit First Assistant Director |
| Visual Effects | Tim Field | Visual Effects Supervisor |
| Camera | David Appleby | Still Photographer |
| Costume & Make-Up | Nuala Conway | Key Hair Stylist |
| Sound | Bruce Lacey | Dialogue Editor |
| Lighting | Alan Grosch | Genetator Operator |
| Sound | Sue Fox | ADR Editor |
| Crew | Charles Vaughan | Floor Runner |
| Lighting | Tony Burns | Electrician |
| Costume & Make-Up | Suzi Turnbull | Wardrobe Supervisor |
| Production | Rachel Neale | Location Manager |
| Directing | Vic Armstrong | Second Unit Director |
| Crew | Stuart Brisdon | Special Effects Coordinator |
| Art | Michael Redding | Construction Coordinator |
| Camera | Sam Barnes | Clapper Loader |
| Camera | Gary Hutchings | Grip |
| Art | Barry Wilkinson | Property Master |
| Lighting | Ian Rolfe | Standby Rigger |
| Art | John Blakeley | Sculptor |
| Crew | Susan d'Arcy | Unit Publicist |
| Costume & Make-Up | Jeremy Woodhead | Makeup & Hair |
| Costume & Make-Up | Helen Mattocks | Wardrobe Assistant |
| Sound | Robert Shoup | Sound Effects Editor |
| Crew | John Van Der Pool | Special Effects Technician |
| Art | Stephen Eels | Standby Carpenter |
