Darren, Wayne en J.D. zijn al jaren boezemvrienden en spelen samen Neil Diamond covers in een rockband. Ze zijn zeer close, totdat Judith verschijnt. Judith is een knappe, maar zeer koele psychiater die zich bezig houdt met het versieren ( en terroriseren ) van Darren. Door haar bemoeienis valt de band uiteen en staat hun vriendschap op de tocht
Nee, helaas is Saving Silverman nog niet beschikbaar op Netflix in Nederland.
| Editing | Patrick J. Don Vito | Editor |
| Directing | Dennis Dugan | Director |
| Writing | Hank Nelken | Screenplay |
| Writing | Greg DePaul | Screenplay |
| Camera | Arthur Albert | Director of Photography |
| Crew | Noby Arden | Stunts |
| Production | Felicia Fasano | Casting |
| Art | James Steuart | Art Direction |
| Production | Peter Ziegler | Executive Producer |
| Production | Warren Carr | Co-Producer |
| Sound | Mary Ramos | Music Supervisor |
| Directing | Daniel Silverberg | First Assistant Director |
| Directing | Kathy Houghton | Second Assistant Director |
| Production | Neal H. Moritz | Producer |
| Production | Warren Carr | Unit Production Manager |
| Production | Bruce Berman | Executive Producer |
| Production | Bernie Goldmann | Executive Producer |
| Editing | Debra Neil-Fisher | Editor |
| Costume & Make-Up | Melissa Toth | Costume Design |
| Production | Brad Luff | Executive Producer |
| Sound | Michelle Kuznetsky Silverman | Music Supervisor |
| Production | Mary Vernieu | Casting |
| Production | Anne McCarthy | Casting |
| Art | Michael S. Bolton | Production Design |
| Camera | Thom Ryan | First Assistant Camera |
| Sound | Greg P. Russell | Sound Re-Recording Mixer |
| Editing | Mo Henry | Negative Cutter |
| Lighting | Jeff Upton | Chief Lighting Technician |
| Sound | Tony Poulsen | Boom Operator |
| Crew | Lee Anne Muldoon | Unit Publicist |
| Editing | Terry Haggar | Color Timer |
| Camera | Joseph Lederer | Still Photographer |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Art | Bill McMahon | Set Designer |
| Sound | Kelly Oxford | ADR Supervisor |
| Sound | Susan Dawes | Dialogue Editor |
| Costume & Make-Up | Donna Bis | Key Hair Stylist |
| Camera | Andrew Mulkani | Key Grip |
| Sound | Lane Burch | Foley Mixer |
| Sound | Howard London | ADR Mixer |
| Directing | Steve Eathorne | Third Assistant Director |
| Sound | Cindy Marty | Foley Supervisor |
| Sound | Ted Caplan | Foley Editor |
| Sound | Suhail Kafity | Sound Effects Editor |
| Art | Louise Roper | Set Decoration |
| Camera | Justin Bergler | Second Assistant Camera |
| Costume & Make-Up | Lisa Taylor Roberts | Key Makeup Artist |
| Sound | Matthew Dettmann | Foley Artist |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | George H. Anderson | Supervising Sound Editor |
| Crew | Tony Lazarowich | Special Effects Coordinator |
| Art | R.D. 'Luther' Fairbairn | Property Master |
| Crew | J.J. Makaro | Stunt Coordinator |
| Sound | Michael Simpson | Music |
| Crew | Melissa R. Stubbs | Stunts |
| Crew | Marny Eng | Stunts |
| Crew | Rick Pearce | Stunts |
| Directing | Ruby J. Munro | Script Supervisor |
