Een maffia-boekhouder en zijn familie worden bedreigd door een aantal van zijn vorige 'werkgevers'. Hij zendt zijn zoontje van 6 weg met een buurvrouw (Gloria). Hij geeft de jongen een boekje mee waarin zeer vertrouwelijke gegevens staan over de organisatie; dit moet dienen als een soort levensverzekering voor de jongen nadat zijn familie uit de weg zal zijn geruimd.
Nee, helaas is Gloria nog niet beschikbaar op Netflix in Nederland.
| Directing | John Cassavetes | Director |
| Production | Sam Shaw | Producer |
| Sound | Bill Conti | Original Music Composer |
| Camera | Fred Schuler | Director of Photography |
| Editing | George C. Villaseñor | Editor |
| Production | Vic Ramos | Casting |
| Costume & Make-Up | Peggy Farrell | Costume Design |
| Production | Elizabeth Gazzara | Production Assistant |
| Production | Stephen F. Kesten | Associate Producer |
| Costume & Make-Up | Vincent Callaghan | Makeup Artist |
| Costume & Make-Up | Emanuel Ungaro | Costume Design |
| Art | John Godfrey | Set Decoration |
| Production | Stephen F. Kesten | Production Manager |
| Costume & Make-Up | Verne Caruso | Hairstylist |
| Art | Rene D'Auriac | Art Direction |
| Directing | Michael Haley | First Assistant Director |
| Directing | Tom Fritz | Second Assistant Director |
| Directing | Penney Finkelman Cox | Assistant Director Trainee |
| Sound | Michael Jiron | Sound Re-Recording Mixer |
| Sound | Jack C. Jacobsen | Sound Mixer |
| Sound | Dennis Maitland | Sound Mixer |
| Sound | Daniel Rosenblum | Sound Recordist |
| Writing | John Cassavetes | Writer |
| Sound | Jeff Bushelman | Sound Effects |
| Directing | Gaetano Lisi | Second Unit Director |
| Sound | Tom Beckert | Sound Re-Recording Mixer |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Sound | Tod A. Maitland | Boom Operator |
| Sound | James Perdue | Sound Recordist |
| Sound | Pat Somerset | Sound Effects |
| Sound | Stan Gordon | Sound |
| Camera | Lou Barlia | Camera Operator |
| Camera | Dennis Gamiello | Key Grip |
| Camera | Adger W. Cowans | Still Photographer |
| Production | Ann Guerin | Publicist |
| Production | Eileen Eichenstein | Production Office Coordinator |
| Crew | Connie Brink | Special Effects |
| Camera | Jessica Burstein | Still Photographer |
| Sound | Cliff Kohlweck | Music Editor |
| Crew | James Giblin | Transportation Captain |
| Directing | Nancy Hopton | Script Supervisor |
| Camera | John Mazzoni | Dolly Grip |
| Editing | Lori Blounstein | Assistant Editor |
| Crew | Richard M. Kaye | Dialogue Coach |
| Camera | Sandy Brooke | First Assistant Camera |
| Crew | Ron Ottesen | Special Effects |
| Camera | Ricki-Ellen Brooke | Second Assistant Camera |
| Art | Walter Stocklin | Property Master |
| Production | James E. Foote | Location Manager |
| Crew | Al Griswold | Special Effects |
| Lighting | Ken Connors | Best Boy Electric |
| Camera | Peter Garbarini | Aerial Director of Photography |
| Camera | Tom Volpe | Best Boy Grip |
| Costume & Make-Up | Marilyn Putnam | Wardrobe Supervisor |
| Lighting | Russell Engels | Gaffer |
| Camera | Larry Shaw | Still Photographer |
