Remake van 'Le Grand Blond avec une Chaussure Noire' uit 1972. Criminelen die op het vliegveld een koerier moeten ontmoeten, worden achtervolgd door de CIA. De criminelen slagen erin de CIA te doen geloven dat de onschuldige voorbijganger Richard, die toevallig opvalt door een ongelijk paar schoenen, hun koerier is, waarna de CIA hem intensief begint te schaduwen.
Nee, helaas is The Man with One Red Shoe nog niet beschikbaar op Netflix in Nederland.
| Sound | Thomas Newman | Original Music Composer |
| Editing | O. Nicholas Brown | Editor |
| Production | Victor Drai | Producer |
| Production | Dianne Crittenden | Casting |
| Art | Dean Mitzner | Production Design |
| Art | Anne D. McCulley | Set Decoration |
| Production | Henry Kline | Unit Production Manager |
| Editing | Bud Molin | Editor |
| Directing | Stan Dragoti | Director |
| Camera | Richard H. Kline | Director of Photography |
| Art | Cameron Birnie | Set Designer |
| Writing | Robert Klane | Screenplay |
| Costume & Make-Up | William Ware Theiss | Costume Design |
| Directing | Alan B. Curtiss | Second Assistant Director |
| Directing | William S. Beasley | First Assistant Director |
| Production | Xavier Gélin | Associate Producer |
| Art | Kenneth L. Westcott | Leadman |
| Art | Dianne Wager | Assistant Art Director |
| Costume & Make-Up | Ora Green | Hairstylist |
| Camera | Albert Bettcher | Camera Operator |
| Crew | Wally Crowder | Stunt Coordinator |
| Crew | Skip Wilson | Transportation Coordinator |
| Costume & Make-Up | Byrd Holland | Makeup Artist |
| Directing | Regina Gordon | Additional Second Assistant Director |
| Art | Everett Olson | Construction Coordinator |
| Lighting | Gary R. Wostak | Gaffer |
| Crew | Alan E. Lorimer | Special Effects Coordinator |
| Production | Pinki Ragan | Production Coordinator |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Crew | Richmond G. Cogswell | Video Assist Operator |
| Sound | Willie D. Burton | Sound Mixer |
| Costume & Make-Up | Ric Sagliani | Makeup Artist |
| Art | Tom Southwell | Production Illustrator |
| Camera | M. Todd Henry | Assistant Camera |
| Costume & Make-Up | Bob Mills | Makeup Supervisor |
| Costume & Make-Up | Marina Pedraza | Key Hair Stylist |
| Directing | Larry K. Johnson | Script Supervisor |
| Camera | Robert Sordal | Key Grip |
| Production | Ilene Starger | Casting Assistant |
| Crew | Cherie Franklin | Dialogue Coach |
| Sound | Lenny Jennings | Sound Editor |
| Sound | Richard Sperber | Sound Editor |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Garrie Bolger | Sound Re-Recording Mixer |
| Sound | Armin Steiner | Scoring Mixer |
| Sound | Hal Sanders | Sound Editor |
| Sound | David M. Ice | Sound Editor |
| Sound | Ken Runyon | Music Editor |
| Sound | Bill Voigtlander | ADR Editor |
| Directing | Max Kleven | Second Unit Director |
| Crew | Art Scholl | Pilot |
| Production | Bill Wilson | Associate Producer |
| Writing | Francis Veber | Original Film Writer |
| Writing | Yves Robert | Original Film Writer |
| Production | Jack Frost Sanders | Associate Producer |
| Crew | Pat Romano | Stunts |
