Het is het jaar 2266. Na enkele jaren van ontwikkeling zijn de eerste vernietigingsprototypes klaar. Wanneer president Sheridan de resultaten onderzoekt, krijgt hij visioenen over een toekomstige Apocalyps. Sheridan's visioenen lijken werkelijkheid te worden wanneer de Drakh, de bondgenoten van de overwonnen Shadows, een offensief beginnen tegen de mensheid. Het is aan een nieuw team van ruimtekrijgers om met de Excalibur en Victory te voorkomen dat de visioenen van een Apocalypse uit zullen komen en de plannen van de Drakh te dwarsbomen.
Nee, helaas is Babylon 5: A Call to Arms nog niet beschikbaar op Netflix in Nederland.
| Production | Fern Champion | Casting |
| Production | J. Michael Straczynski | Executive Producer |
| Writing | J. Michael Straczynski | Screenplay |
| Production | John Copeland | Producer |
| Camera | John C. Flinn III | Director of Photography |
| Production | Douglas Netter | Executive Producer |
| Sound | Evan H. Chen | Original Music Composer |
| Directing | Michael Vejar | Director |
| Editing | Skip Robinson | Editor |
| Production | Mark Paladini | Casting |
| Art | Jason Howard | Set Decoration |
| Costume & Make-Up | Kim M. Holly | Costume Supervisor |
| Art | John Iacovelli | Production Design |
| Art | Mark Walters | Art Direction |
| Costume & Make-Up | Kim M. Ferry | Hairstylist |
| Crew | Timothy M. Earls | Visual Effects Art Director |
| Directing | Kate Lewis | Script Supervisor |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Visual Effects | Steve R. Moore | Visual Effects Supervisor |
| Directing | Tracy Yates | Script Coordinator |
| Lighting | Nathaniel Roberts | Best Boy Electric |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Sound | Laura Kamper | Sound Effects Editor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Crew | Matthew W. Plummer | Scenic Artist |
| Crew | Kerry Rossall | Stunt Coordinator |
| Sound | Juan Peralta | Sound Re-Recording Mixer |
| Crew | Tom Helmers | Supervising Animator |
| Crew | Harry Hendrickson | Supervising Animator |
| Lighting | Carlos M. Torres | Gaffer |
| Costume & Make-Up | Cinzia Zanetti | Makeup Artist |
| Art | Curtis Laseter | Construction Coordinator |
| Camera | Peter B. Kowalski | Camera Operator |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | Harry Cohen | Sound Designer |
| Art | Dark Hoffman | Property Master |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Don H. Matthews | Sound Mixer |
| Sound | Dennis C. Salcedo | Boom Operator |
| Sound | Paul Curtis | Dialogue Editor |
| Visual Effects | Michael Del Genio | Special Effects Supervisor |
| Production | Susan Corbin | Associate Producer |
| Costume & Make-Up | Tegan Taylor | Hairstylist |
| Costume & Make-Up | John Vulich | Makeup Effects Designer |
| Camera | Charles Lantz | Dolly Grip |
| Camera | Chris Nagle | Key Grip |
| Costume & Make-Up | Linda Huse | Key Costumer |
| Editing | Jennifer Vejar | Assistant Editor |
| Art | Luc Mayrand | Conceptual Design |
| Production | Skip Beaudine | Co-Producer |
| Editing | John Burrus | First Assistant Editor |
| Directing | Douglas E. Wise | First Assistant Director |
| Costume & Make-Up | Tegan Taylor | Makeup Artist |
| Production | Celeste Healy | Production Coordinator |
| Camera | Mike McEveety | First Assistant Camera |
| Sound | Michael Payne | Sound Supervisor |
| Costume & Make-Up | Jerry Gergely | Special Effects Makeup Artist |
| Production | Pam Oseransky | Post Production Coordinator |
| Costume & Make-Up | Gabriel De Cunto | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey S. Farley | Makeup Supervisor |
| Costume & Make-Up | Mark Garbarino | Makeup Supervisor |
| Directing | David McWhirter | Second Assistant Director |
| Directing | David Fudge | Second Second Assistant Director |
