Het is het jaar 2266. Na enkele jaren van ontwikkeling zijn de eerste vernietigingsprototypes klaar. Wanneer president Sheridan de resultaten onderzoekt, krijgt hij visioenen over een toekomstige Apocalyps. Sheridan's visioenen lijken werkelijkheid te worden wanneer de Drakh, de bondgenoten van de overwonnen Shadows, een offensief beginnen tegen de mensheid. Het is aan een nieuw team van ruimtekrijgers om met de Excalibur en Victory te voorkomen dat de visioenen van een Apocalypse uit zullen komen en de plannen van de Drakh te dwarsbomen.
Nee, helaas is Babylon 5: A Call to Arms nog niet beschikbaar op Netflix in Nederland.
| Writing | J. Michael Straczynski | Screenplay |
| Production | John Copeland | Producer |
| Production | Mark Paladini | Casting |
| Production | Douglas Netter | Executive Producer |
| Camera | John C. Flinn III | Director of Photography |
| Sound | Evan H. Chen | Original Music Composer |
| Production | Fern Champion | Casting |
| Directing | Michael Vejar | Director |
| Editing | Skip Robinson | Editor |
| Production | J. Michael Straczynski | Executive Producer |
| Costume & Make-Up | Kim M. Holly | Costume Supervisor |
| Art | John Iacovelli | Production Design |
| Art | Mark Walters | Art Direction |
| Art | Jason Howard | Set Decoration |
| Art | Curtis Laseter | Construction Coordinator |
| Crew | Timothy M. Earls | Visual Effects Art Director |
| Camera | Peter B. Kowalski | Camera Operator |
| Sound | Juan Peralta | Sound Re-Recording Mixer |
| Crew | Matthew W. Plummer | Scenic Artist |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Lighting | Nathaniel Roberts | Best Boy Electric |
| Crew | Kerry Rossall | Stunt Coordinator |
| Directing | Tracy Yates | Script Coordinator |
| Crew | Tom Helmers | Supervising Animator |
| Visual Effects | Steve R. Moore | Visual Effects Supervisor |
| Sound | Laura Kamper | Sound Effects Editor |
| Lighting | Carlos M. Torres | Gaffer |
| Costume & Make-Up | Cinzia Zanetti | Makeup Artist |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Sound | Tim Walston | Sound Effects Editor |
| Crew | Harry Hendrickson | Supervising Animator |
| Costume & Make-Up | Kim M. Ferry | Hairstylist |
| Directing | Kate Lewis | Script Supervisor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Sound | Harry Cohen | Sound Designer |
| Sound | Don H. Matthews | Sound Mixer |
| Sound | Dennis C. Salcedo | Boom Operator |
| Sound | John C. Stuver | Dialogue Editor |
| Art | Dark Hoffman | Property Master |
| Sound | Paul Curtis | Dialogue Editor |
| Editing | John Burrus | First Assistant Editor |
| Camera | Charles Lantz | Dolly Grip |
| Production | Susan Corbin | Associate Producer |
| Costume & Make-Up | Tegan Taylor | Hairstylist |
| Costume & Make-Up | Tegan Taylor | Makeup Artist |
| Production | Skip Beaudine | Co-Producer |
| Costume & Make-Up | John Vulich | Makeup Effects Designer |
| Directing | Douglas E. Wise | First Assistant Director |
| Camera | Chris Nagle | Key Grip |
| Production | Celeste Healy | Production Coordinator |
| Art | Luc Mayrand | Conceptual Design |
| Visual Effects | Michael Del Genio | Special Effects Supervisor |
| Costume & Make-Up | Linda Huse | Key Costumer |
| Camera | Mike McEveety | First Assistant Camera |
| Editing | Jennifer Vejar | Assistant Editor |
| Sound | Michael Payne | Sound Supervisor |
| Costume & Make-Up | Mark Garbarino | Makeup Supervisor |
| Costume & Make-Up | Jerry Gergely | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey S. Farley | Makeup Supervisor |
| Directing | David McWhirter | Second Assistant Director |
| Directing | David Fudge | Second Second Assistant Director |
| Production | Pam Oseransky | Post Production Coordinator |
| Costume & Make-Up | Gabriel De Cunto | Special Effects Makeup Artist |
