Het is het jaar 2266. Na enkele jaren van ontwikkeling zijn de eerste vernietigingsprototypes klaar. Wanneer president Sheridan de resultaten onderzoekt, krijgt hij visioenen over een toekomstige Apocalyps. Sheridan's visioenen lijken werkelijkheid te worden wanneer de Drakh, de bondgenoten van de overwonnen Shadows, een offensief beginnen tegen de mensheid. Het is aan een nieuw team van ruimtekrijgers om met de Excalibur en Victory te voorkomen dat de visioenen van een Apocalypse uit zullen komen en de plannen van de Drakh te dwarsbomen.
Nee, helaas is Babylon 5: A Call to Arms nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Vejar | Director |
| Writing | J. Michael Straczynski | Screenplay |
| Production | J. Michael Straczynski | Executive Producer |
| Production | John Copeland | Producer |
| Production | Douglas Netter | Executive Producer |
| Sound | Evan H. Chen | Original Music Composer |
| Camera | John C. Flinn III | Director of Photography |
| Editing | Skip Robinson | Editor |
| Production | Fern Champion | Casting |
| Production | Mark Paladini | Casting |
| Art | John Iacovelli | Production Design |
| Art | Mark Walters | Art Direction |
| Art | Jason Howard | Set Decoration |
| Costume & Make-Up | Kim M. Holly | Costume Supervisor |
| Costume & Make-Up | Kim M. Ferry | Hairstylist |
| Costume & Make-Up | Cinzia Zanetti | Makeup Artist |
| Art | Curtis Laseter | Construction Coordinator |
| Crew | Matthew W. Plummer | Scenic Artist |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | Laura Kamper | Sound Effects Editor |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Sound | Harry Cohen | Sound Designer |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Sound | Juan Peralta | Sound Re-Recording Mixer |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Crew | Timothy M. Earls | Visual Effects Art Director |
| Visual Effects | Steve R. Moore | Visual Effects Supervisor |
| Crew | Kerry Rossall | Stunt Coordinator |
| Camera | Peter B. Kowalski | Camera Operator |
| Lighting | Carlos M. Torres | Gaffer |
| Lighting | Nathaniel Roberts | Best Boy Electric |
| Directing | Kate Lewis | Script Supervisor |
| Directing | Tracy Yates | Script Coordinator |
| Crew | Tom Helmers | Supervising Animator |
| Crew | Harry Hendrickson | Supervising Animator |
| Sound | Paul Curtis | Dialogue Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Sound | Don H. Matthews | Sound Mixer |
| Art | Dark Hoffman | Property Master |
| Sound | Dennis C. Salcedo | Boom Operator |
| Production | Skip Beaudine | Co-Producer |
| Production | Susan Corbin | Associate Producer |
| Costume & Make-Up | Tegan Taylor | Hairstylist |
| Costume & Make-Up | Tegan Taylor | Makeup Artist |
| Costume & Make-Up | John Vulich | Makeup Effects Designer |
| Directing | Douglas E. Wise | First Assistant Director |
| Visual Effects | Michael Del Genio | Special Effects Supervisor |
| Camera | Charles Lantz | Dolly Grip |
| Camera | Mike McEveety | First Assistant Camera |
| Camera | Chris Nagle | Key Grip |
| Costume & Make-Up | Linda Huse | Key Costumer |
| Editing | John Burrus | First Assistant Editor |
| Editing | Jennifer Vejar | Assistant Editor |
| Production | Celeste Healy | Production Coordinator |
| Art | Luc Mayrand | Conceptual Design |
| Costume & Make-Up | Gabriel De Cunto | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey S. Farley | Makeup Supervisor |
| Costume & Make-Up | Mark Garbarino | Makeup Supervisor |
| Costume & Make-Up | Jerry Gergely | Special Effects Makeup Artist |
| Directing | David Fudge | Second Second Assistant Director |
| Directing | David McWhirter | Second Assistant Director |
| Sound | Michael Payne | Sound Supervisor |
| Production | Pam Oseransky | Post Production Coordinator |
