Een Amerikaanse pulpschrijver arriveert in post-WWII Wenen waar hij ontdekt dat de vriend die op hem wachtte onder mysterieuze omstandigheden is gedood. Het daarop volgende mysterie verwikkelt hem in zijn vriend's betrokkenheid bij de zwarte markt, de internationale politie en zijn Tjechische vriendin.
Nee, helaas is The Third Man nog niet beschikbaar op Netflix in Nederland.
| Production | Carol Reed | Producer |
| Camera | Robert Krasker | Director of Photography |
| Sound | Anton Karas | Original Music Composer |
| Writing | Graham Greene | Screenplay |
| Directing | Carol Reed | Director |
| Editing | Oswald Hafenrichter | Editor |
| Camera | John Wilcox | Additional Photography |
| Production | Alexander Korda | Executive Producer |
| Production | David O. Selznick | Executive Producer |
| Production | Hugh Perceval | Associate Producer |
| Costume & Make-Up | George Frost | Makeup Artist |
| Sound | Jack Drake | Sound Editor |
| Production | T.S. Lyndon-Haynes | Production Manager |
| Sound | Red Law | Sound Recordist |
| Costume & Make-Up | Ivy Baker | Wardrobe Supervisor |
| Sound | Bert Ross | Sound Recordist |
| Art | Vincent Korda | Set Designer |
| Crew | Noreen Best | Editorial Staff |
| Directing | Jack N. Green | Third Assistant Director |
| Directing | Peggy McClafferty | Continuity |
| Art | John Hawkesworth | Assistant Set Designer |
| Crew | Elizabeth Montagu | Technical Advisor |
| Directing | Guy Hamilton | Assistant Director |
| Art | Joseph Bato | Assistant Set Designer |
| Camera | Stanley Pavey | Additional Photography |
| Camera | Edward Scaife | Camera Operator |
| Art | James Sawyer | Assistant Art Director |
| Editing | Peter Taylor | Assistant Editor |
| Sound | Anton Karas | Musician |
| Sound | John Cox | Sound Supervisor |
| Camera | Denys N. Coop | Camera Operator |
| Art | Ferdinand Bellan | Assistant Art Director |
| Costume & Make-Up | Joe Shear | Hairdresser |
| Writing | Graham Greene | Book |
