Miles Logan is een juwelendief die net zijn grote slag geslagen heeft met het stelen van een gigantische diamant. Hij wordt echter gepakt, en verstopt zijn buit in een gebouw. Wanneer hij na twee jaar vrij komt, en zijn buit op wil gaan halen, komt hij erachter dat het gebouw veranderd is in een politiegebouw. Hij vermomt zich als agent om in de buurt van de diamant te komen.
Nee, helaas is Blue Streak nog niet beschikbaar op Netflix in Nederland.
| Camera | David Eggby | Director of Photography |
| Sound | Edward Shearmur | Original Music Composer |
| Writing | Stephen Carpenter | Screenplay |
| Directing | Les Mayfield | Director |
| Editing | Michael Tronick | Editor |
| Writing | John Blumenthal | Screenplay |
| Production | Toby Jaffe | Producer |
| Production | Neal H. Moritz | Producer |
| Writing | Michael Berry | Screenplay |
| Art | Bill Brzeski | Production Design |
| Production | Daniel Melnick | Executive Producer |
| Art | Brana Rosenfeld | Set Decoration |
| Costume & Make-Up | Denise Wingate | Costume Design |
| Production | Allen Shapiro | Executive Producer |
| Art | Philip Toolin | Art Direction |
| Sound | Ken Ross | Music Supervisor |
| Sound | Tom Kramer | Music Editor |
| Sound | Melodee Sutton | Music Coordinator |
| Sound | Amanda Goodpaster | Music Editor |
| Editing | Greg Parsons | Additional Editing |
| Sound | Brydon Baker III | Boom Operator |
| Costume & Make-Up | Anthony J. Scarano | Wardrobe Supervisor |
| Editing | Heather Goodwin | Assistant Editor |
| Sound | Thom Brennan | Sound Editor |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Sound | Michael Magill | Sound Editor |
| Editing | James Andrykowski | Assistant Editor |
| Directing | Bruce Franklin | First Assistant Director |
| Sound | Alison Fisher | Sound Editor |
| Sound | Tricia Linklater | First Assistant Sound Editor |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Greg Orloff | Sound Re-Recording Mixer |
| Directing | Conte Mark Matal | Second Assistant Director |
| Sound | John Joseph Thomas | Sound Editor |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Kim H. Ornitz | Production Sound Mixer |
| Production | Michael Fottrell | Unit Production Manager |
| Art | Tommy Tomlinson | Property Master |
| Editing | Aaron Brock | Assistant Editor |
| Sound | Susan Dudeck | ADR Supervisor |
| Editing | Mike Stanwick | Color Timer |
| Sound | Mark Pappas | Foley Supervisor |
| Directing | Jeanne Byrd | Script Supervisor |
| Sound | Richard Burton | Sound Editor |
| Sound | Michael J. Broomberg | Foley Artist |
| Art | Kris Peck | Assistant Property Master |
| Sound | John Morris | Supervising Sound Editor |
| Sound | Gary A. Hecker | Foley Artist |
| Art | A. Todd Holland | Set Designer |
| Art | John H. Samson | Construction Coordinator |
| Lighting | Steve Reinhardt | Assistant Chief Lighting Technician |
| Lighting | Jeff Murrell | Chief Lighting Technician |
| Visual Effects | Clayton Pinney | Special Effects Supervisor |
| Art | Fanée Aaron | Set Designer |
| Camera | Audie Aragon | Dolly Grip |
| Art | Wayne Shepherd | Leadman |
| Camera | Butch Von Bulow | Dolly Grip |
| Crew | Carol McConnaughey | Unit Publicist |
| Crew | Richard Cody | Craft Service |
| Camera | Nicola Goode | Still Photographer |
| Crew | Michael Antunez | Transportation Captain |
| Crew | Mike Fenster | Transportation Co-Captain |
| Directing | David R. Ellis | Second Unit Director |
| Crew | Henry Kingi Jr. | Stunts |
| Crew | Tony R. Medina | Propmaker |
| Crew | Troy Robinson | Stunts |
| Crew | Freddie Hice | Stunts |
| Crew | Bob Brown | Stunts |
| Crew | John C. Meier | Stunts |
| Crew | Annie Ellis | Stunts |
| Crew | Jimmy N. Roberts | Stunts |
