Aurora en Emma zijn moeder en dochter die een gecompliceerde maar warme relatie onderhouden. De film volgt hen verschillende jaren van hun leven. Van het huwelijk van Emma met een man die een bloedhekel aan zijn schoonmoeder heeft tot de romance die Aurora begint met haar buurman, de ex-astronaut Garrett Breedlove.
Nee, helaas is Terms of Endearment nog niet beschikbaar op Netflix in Nederland.
| Sound | Michael Gore | Original Music Composer |
| Editing | Richard Marks | Editor |
| Writing | James L. Brooks | Screenplay |
| Camera | Andrzej Bartkowiak | Director of Photography |
| Writing | Larry McMurtry | Novel |
| Production | James L. Brooks | Producer |
| Directing | James L. Brooks | Director |
| Editing | Jane Schwartz Jaffe | First Assistant Editor |
| Production | Martin Jurow | Co-Producer |
| Costume & Make-Up | Kristi Zea | Costume Design |
| Production | Ellen Chenoweth | Casting |
| Production | Penney Finkelman Cox | Co-Producer |
| Production | Austen Jewell | Unit Production Manager |
| Art | Anthony Mondell | Set Decoration |
| Camera | Billy Miller | Key Grip |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Art | Tom Pedigo | Set Decoration |
| Sound | Norval D. Crutcher | Supervising Sound Editor |
| Directing | Rosemary Dorsey | Script Supervisor |
| Crew | Michael McDuffee | Transportation Coordinator |
| Costume & Make-Up | Ben Nye Jr. | Makeup Artist |
| Art | Harold Michelson | Art Direction |
| Production | Juliet Taylor | Casting |
| Sound | James R. Alexander | Sound Mixer |
| Art | Sandy Veneziano | Set Designer |
| Production | Paula Herold | Casting Associate |
| Camera | Zade Rosenthal | Still Photographer |
| Camera | Steven Hiller | Second Assistant Camera |
| Camera | Dustin Blauvelt | First Assistant Camera |
| Sound | Bob Badami | Music Editor |
| Directing | Albert M. Shapiro | First Assistant Director |
| Art | Richard A. Villalobos | Leadman |
| Costume & Make-Up | Kaye Pownall | Hairstylist |
| Art | Terry E. Lewis | Property Master |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Directing | Marty P. Ewing | Second Assistant Director |
| Lighting | Dusty Wallace | Gaffer |
| Camera | Don Reddy | Camera Operator |
| Sound | Cecelia Hall | Sound Editor |
| Sound | Joanne D'Antonio | Sound Editor |
| Sound | George Watters II | Sound Editor |
| Sound | Larry Singer | Dialogue Editor |
| Sound | Stephen Stalheim | Apprentice Sound Editor |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Barbara Fallick Marks | Dialogue Editor |
| Sound | Andrew Patterson | Sound Editor |
| Sound | Bruce Fortune | Sound Assistant |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Jerry Rosenthal | Sound Editor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Samuel C. Crutcher | Sound Editor |
| Sound | Terry Lynn Allen | Sound Editor |
| Crew | Jeannie Epper | Stunts |
| Art | Polly Platt | Production Design |
