Laurel Ayres is een ambitieuze vrouw die graag succes wil hebben op Wall Street, maar niet serieus wordt genomen omdat ze een vrouw is. Daarom besluit ze een bedrijf op te richten met de fictieve partner onder de naam Robert Cutty om de indruk te wekken dat er toch een mannelijk directeur is. De werknemers krijgen echter argwaan als ze Cutty nooit zien verschijnen.
Nee, helaas is The Associate nog niet beschikbaar op Netflix in Nederland.
| Sound | Vassal Benford | Original Music Composer |
| Production | Scott Kroopf | Executive Producer |
| Camera | Alex Nepomniaschy | Director of Photography |
| Editing | Bonnie Koehler | Editor |
| Production | Frederic Golchan | Producer |
| Writing | Jenaro Prieto | Novel |
| Production | Robert W. Cort | Executive Producer |
| Production | Adam Leipzig | Producer |
| Writing | Nick Thiel | Screenplay |
| Production | Patrick Markey | Producer |
| Production | Ted Field | Executive Producer |
| Production | David Madden | Executive Producer |
| Sound | Christopher Tyng | Original Music Composer |
| Directing | Donald Petrie | Director |
| Production | Mary Colquhoun | Casting |
| Art | Andrew Jackness | Production Design |
| Costume & Make-Up | April Ferry | Costume Design |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Sound | Brian McPherson | Sound Effects Editor |
| Camera | K.C. Bailey | Still Photographer |
| Sound | Barbara J. Boguski | ADR Editor |
| Sound | Rick Morris | Sound Effects Editor |
| Sound | Peter J. Lehman | Sound Effects Editor |
| Crew | Jery Hewitt | Stunt Coordinator |
| Sound | Chris Jargo | ADR Editor |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Art | Mark Peltzer | Property Master |
| Sound | Rosa Howell-Thornhill | Production Sound Mixer |
| Sound | Michele Perrone | Supervising ADR Editor |
| Sound | Laura Graham | ADR Editor |
| Sound | Jeff Largent | Sound Effects Editor |
| Editing | Scott Brock | First Assistant Editor |
| Directing | Lynne Twentyman | Script Supervisor |
| Sound | Dan Hegeman | Dialogue Editor |
| Directing | Vebe Borge | First Assistant Director |
| Sound | David Behle | Sound Recordist |
| Sound | Paul Timothy Carden | Dialogue Editor |
| Sound | Chris Hogan | Dialogue Editor |
| Sound | Christopher Assells | Dialogue Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Jack Keller | Sound Recordist |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Sound | Neal J. Anderson | Foley Editor |
| Art | Philip Messina | Art Direction |
| Sound | Laura Harris Atkinson | Foley Editor |
| Art | Jessica Lanier | Set Decoration |
| Costume & Make-Up | Michael Germain | Key Makeup Artist |
| Sound | Patrick N. Sellers | Foley Editor |
| Directing | Patrick Markey | Second Unit Director |
| Costume & Make-Up | Julia L. Walker | Key Hair Stylist |
| Lighting | Carl Johnson | Electrician |
| Crew | Tex Kadonaga | Visual Effects Art Director |
| Crew | Kym Washington Longino | Stunts |
| Crew | Cynthia Neilson | Stunts |
| Crew | Joni Avery | Stunts |
| Crew | Kristopher Medina | Stunts |
| Crew | Manny Siverio | Stunts |
