Een farmaceutisch bedrijf stuurt een groepje wetenschappers naar de jungle van Borneo om te zoeken naar een zeldzame zwarte orchidee. Deze plant bevat volgens de legende de sleutel tot de eeuwige jeugd. Wat de onderzoekers echter niet weten is dat de orchideeën al gebruikt worden door tientallen hongerige anaconda's, die vanwege de krachtige plant zijn uitgegroeid tot onverwoestbare moord- en vreetmachines.
Ja! de film Anacondas: The Hunt for the Blood Orchid is nu beschikbaar om te kijken op Netflix in Nederland.
| Directing | Dwight H. Little | Director |
| Sound | Nerida Tyson-Chew | Original Music Composer |
| Production | Verna Harrah | Producer |
| Editing | Mark Warner | Editor |
| Writing | Michael Miner | Screenplay |
| Production | Jacobus Rose | Executive Producer |
| Camera | Stephen F. Windon | Director of Photography |
| Writing | Daniel Zelman | Screenplay |
| Writing | Edward Neumeier | Screenplay |
| Editing | Marcus D'Arcy | Editor |
| Writing | John Claflin | Screenplay |
| Crew | Andy Robinson | Scenic Artist |
| Writing | Jim Cash | Story |
| Writing | Hans Bauer | Story |
| Writing | Jack Epps Jr. | Story |
| Production | Justine Arteta | Casting |
| Art | Jenny Hitchcock | Set Designer |
| Camera | Jem Rayner | First Assistant Camera |
| Crew | Angus Cameron | Digital Effects Supervisor |
| Crew | Paul Booth | Visual Effects Editor |
| Lighting | Leo Richmond | Lighting Technician |
| Visual Effects | Marten Blumen | Digital Compositors |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Art | Miriam Johnson | Assistant Art Director |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Crew | Sean Genders | Makeup Effects |
| Camera | Frank Hruby | Camera Operator |
| Art | Brian Edmonds | Supervising Art Director |
| Camera | Jasin Boland | Still Photographer |
| Visual Effects | Pippa Anderson | Visual Effects Producer |
| Crew | John Charles | Software Engineer |
| Art | Jill Eden | Set Decoration |
| Costume & Make-Up | Megan Dwyer | Makeup Artist |
| Production | Arwen Munro | Production Coordinator |
| Crew | Sylvan Dieckmann | Technical Supervisor |
| Editing | Alicia Gleeson | First Assistant Editor |
| Sound | Kirke Godfrey | Sound Designer |
| Production | Liz DiFiore | Unit Production Manager |
| Production | Jason Bogard | Production Accountant |
| Sound | Andrew Plain | Supervising Sound Editor |
| Sound | Gary Wilkins | Sound Mixer |
| Visual Effects | Tad Pride | Special Effects Supervisor |
| Lighting | Kevin Donovan | Rigging Grip |
| Production | Ray Hennessy | Production Manager |
| Production | Brendon 'Moose' Boyd | Unit Manager |
| Art | Warren Beaton | Production Illustrator |
| Lighting | Gillian Huxley | Best Boy Electric |
| Art | Peter 'Babylon' Owens | Art Direction |
| Camera | Ian Bird | Grip |
| Camera | John Trapman | Helicopter Camera |
| Editing | Nada Mikaš | Dialogue Editor |
| Lighting | Karl Engeler | Gaffer |
| Lighting | Henare Mato | Rigging Gaffer |
| Directing | Jamie Crooks | Assistant Director |
| Editing | Antonio Mestres | Additional Editing |
| Costume & Make-Up | Nik Dorning | Prosthetic Supervisor |
| Crew | Luis Olivares | Video Assist Operator |
| Sound | Mark J. Wasiutak | Boom Operator |
| Sound | William Ward | First Assistant Sound Editor |
| Sound | William Boston | Orchestrator |
| Art | Bryce Perrin | Production Design |
| Visual Effects | Andrew Butler | Visual Effects |
| Camera | Simon Christidis | Underwater Camera |
| Costume & Make-Up | Nicki Gardiner | Set Dressing Artist |
| Crew | Richie Dehne | Property Master |
| Crew | Glenn Ruehland | Stunt Coordinator |
| Crew | Augie Davis | Stunts |
| Sound | Linda Murdoch | Music Editor |
| Visual Effects | Dale Duguid | Visual Effects Supervisor |
| Crew | Marianne Evans | Special Effects Coordinator |
| Art | Dilys Tan | Art Department Coordinator |
| Costume & Make-Up | Kate Birch | Hairstylist |
| Costume & Make-Up | Zeljka Stanin | Key Hair Stylist |
| Crew | Spencer Faulkner | Driver |
| Sound | Pilar McCurry | Music Supervisor |
| Crew | Sheree Swords | Stunt Double |
| Crew | Ashley Fairfield | Stunt Double |
| Costume & Make-Up | Sandi Cichello | Costumer |
| Editing | Tristan La Fontaine | Colorist |
| Sound | Howard London | ADR Mixer |
| Sound | Paul Korber | Assistant Dialogue Editor |
| Art | Julia Holden | Storyboard Artist |
| Crew | Kent Miklenda | Special Effects Manager |
| Editing | Matthew Ozerski | Assistant Editor |
| Sound | Blair Slater | Foley Mixer |
| Production | Duncan Jones | Location Assistant |
| Production | Judy Dale | Production Secretary |
| Crew | Leo Henry | Pyrotechnician |
| Camera | Martin Fargher | Dolly Grip |
| Directing | Jason Faulkner | Second Assistant Director |
| Directing | Mark Wareham | Second Unit Director |
| Crew | James Howe | Special Effects Technician |
| Production | Jessica Walsh | Production Assistant |
| Costume & Make-Up | Diana Freeman | Costume Coordinator |
| Directing | Bish Bishop | Third Assistant Director |
| Costume & Make-Up | Megan Dwyer | Hairdresser |
| Costume & Make-Up | Fiona Nicolls | Key Costumer |
| Art | Spencer Faulkner | Swing |
| Camera | Marc Windon | Assistant Camera |
| Production | Ernst W. Laurel | First Assistant Accountant |
| Production | Richard Harrah | Production Executive |
| Production | Kristin Kruger | Second Assistant Accountant |
| Sound | Damian Candusso | ADR Editor |
| Crew | Renee Bowen | Stunt Double |
| Camera | Ben King | Second Assistant Camera |
| Sound | Nerida Tyson-Chew | Conductor |
