Rupert Angier en Alfred Borden zijn al van jongs af aan, toen ze nog lerende goochelaars waren, elkaars rivalen geweest. Nu, rond 1900, zijn ze beiden volleerde illusionisten en is hun rivaliteit tot immense proporties gegroeid.
Nee, helaas is The Prestige nog niet beschikbaar op Netflix in Nederland.
| Editing | Lee Smith | Editor |
| Camera | Wally Pfister | Director of Photography |
| Production | Emma Thomas | Producer |
| Writing | Christopher Nolan | Screenplay |
| Production | Aaron Ryder | Producer |
| Writing | Jonathan Nolan | Screenplay |
| Sound | David Julyan | Original Music Composer |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Costume & Make-Up | Joan Bergin | Costume Design |
| Costume & Make-Up | Karen Asano-Myers | Hairstylist |
| Costume & Make-Up | Peter Robb-King | Makeup Department Head |
| Production | Valerie Dean | Executive Producer |
| Production | Christopher Ball | Executive Producer |
| Art | Kevin Kavanaugh | Art Direction |
| Camera | François Duhamel | Still Photographer |
| Costume & Make-Up | Kenny Myers | Makeup Artist |
| Sound | Ed Novick | Sound mixer |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Sound | Alex Gibson | Music Editor |
| Costume & Make-Up | Janice Alexander | Hair Department Head |
| Sound | Richard King | Supervising Sound Editor |
| Costume & Make-Up | John R. Bayless | Makeup Artist |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Production | Jordan Goldberg | Associate Producer |
| Costume & Make-Up | Kimberley Spiteri | Hairstylist |
| Art | Nathan Crowley | Production Design |
| Sound | Gary Rizzo | Sound Re-Recording Mixer |
| Production | Gregg Edler | Production Supervisor |
| Costume & Make-Up | Terry Baliel | Hairstylist |
| Sound | Richard King | Sound Designer |
| Production | William Tyrer | Executive Producer |
| Writing | Christopher Priest | Novel |
| Camera | Craig Fikse | Steadicam Operator |
| Sound | Michael W. Mitchell | Sound Effects Editor |
| Camera | Stephen Vaughan | Still Photographer |
| Production | Christopher Nolan | Producer |
| Production | Charles J.D. Schlissel | Executive Producer |
| Art | Julie Ochipinti | Set Decoration |
| Directing | Steve Gehrke | Script Supervisor |
| Crew | Rick Avery | Stunt Coordinator |
| Crew | Teresa Kelly | Post Production Supervisor |
| Crew | David Blitstein | Special Effects Coordinator |
| Production | Russ Fega | Location Manager |
| Production | John Papsidera | Casting |
| Production | Cristen Carr Strubbe | Unit Production Manager |
| Directing | Alan B. Curtiss | Assistant Director |
| Production | Kean Cronin | Casting |
| Crew | Nancy Kirhoffer | Post Production Supervisor |
| Production | Mark Scoon | Executive In Charge Of Production |
| Crew | David Copperfield | Thanks |
| Visual Effects | Stephane Ceretti | Visual Effects Supervisor |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Camera | David Michael Fordham | Grip |
| Costume & Make-Up | Kenn Smiley | Set Costumer |
| Lighting | Blake Pike | Rigging Grip |
| Directing | Jody Spilkoman | Second Assistant Director |
| Crew | Meegan E. Godfrey | Stunt Double |
| Production | Jesse Cole | Location Manager |
| Crew | Joni Avery | Stunt Double |
| Editing | Scott Wesley Ross | Assistant Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Hugo Weng | Dialogue Editor |
| Directing | Christopher Nolan | Director |
| Crew | Steve Hart | Stunt Double |
| Crew | Paul Lacovara | Stunt Double |
| Crew | Mike Avery | Utility Stunts |
| Crew | Rick Marcus | Stunt Double |
| Crew | Thom Williams | Stunts |
| Crew | Brian Machleit | Stunt Double |
