Lucy Honeychurch is een jonge vrouw uit de gegoede negentiende-eeuwse burgerij. Samen met haar chaperonne Miss Bartlett reist ze naar Firenze in Italië. In het hotel blijkt dat hun kamer niet het uitzicht heeft dat ze hadden verwacht. Uiteindelijk staan ene meneer Emerson en zijn zoon George hun kamer af aan de dames. Enkele dagen later kust George Lucy, zonder hiervoor toestemming te vragen! Terug in Engeland verlooft de jongedame zich met Cecil, een verwaande kwast. George en zijn vader komen niet veel later naar Engeland en huren een optrekje in Lucy's buurt. Zodra George hoort dat ze verloofd is met Cecil, probeert hij haar te overtuigen voor hem en de ware liefde te kiezen.
Nee, helaas is A Room with a View nog niet beschikbaar op Netflix in Nederland.
| Editing | Humphrey Dixon | Editor |
| Production | Ismail Merchant | Producer |
| Sound | Richard Robbins | Original Music Composer |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Writing | Ruth Prawer Jhabvala | Screenplay |
| Writing | E.M. Forster | Novel |
| Directing | James Ivory | Director |
| Art | Brian Ackland-Snow | Production Design |
| Art | Gianni Quaranta | Production Design |
| Production | Ann Wingate | Production Manager |
| Production | Paul Bradley | Associate Producer |
| Sound | Ray Beckett | Sound |
| Costume & Make-Up | John Bright | Costume Design |
| Art | Brian Savegar | Art Direction |
| Art | Goffredo Massetti | Property Master |
| Production | Celestia Fox | Casting |
| Camera | Angelo Tiberti | Grip |
| Lighting | Luigi Bisioli | Gaffer |
| Art | Dennis Fruin | Property Master |
| Directing | Kevan Barker | Assistant Director |
| Costume & Make-Up | Jenny Beavan | Costume Design |
| Costume & Make-Up | Christine Beveridge | Makeup Artist |
| Camera | Malcolm Huse | Grip |
| Production | Lanfranco Diotallevi | Production Manager |
| Camera | Sergio Serantoni | Grip |
| Art | Elio Altamura | Art Direction |
| Lighting | Glen Parsons | Best Boy Electric |
| Lighting | Alvaro Romagnoli | Best Boy Electric |
| Directing | Simon Moseley | Second Assistant Director |
| Directing | Renée Glynne | Continuity |
| Costume & Make-Up | Carol Hemming | Hairstylist |
| Sound | Nick Hammond | Boom Operator |
| Production | Jilly Gutteridge | Location Manager |
| Lighting | Lou Bogue | Gaffer |
| Directing | Daniel Sonnis | Second Assistant Director |
| Art | Franco Pizzonia | Construction Manager |
| Art | Stefano Secchi | Assistant Art Director |
| Costume & Make-Up | Sally Harrison | Assistant Makeup Artist |
| Camera | Sarah Quill | Still Photographer |
| Art | Bob Cross | Construction Manager |
| Sound | Alan Killick | Sound Editor |
| Lighting | Harry Bisson | Electrician |
| Sound | Tom Freeman | Assistant Sound Editor |
| Camera | Jonathan Earp | Clapper Loader |
| Costume & Make-Up | Brenda Dabbs | Costume Supervisor |
| Sound | Tony Lenny | Sound Editor |
| Sound | Philip Alton | Assistant Sound Editor |
| Sound | Peter Compton | Sound Editor |
| Camera | Katya Grenfell | Still Photographer |
| Lighting | Steve Senior | Electrician |
| Production | Nicky Kentish Barnes | Production Secretary |
| Production | Sunil Kirparam | Production Accountant |
| Costume & Make-Up | William Pierce | Costume Coordinator |
| Costume & Make-Up | Sally Turner | Assistant Costume Designer |
| Art | Malachi Smyth | Assistant Art Director |
| Production | Lisa W. Strout | Production Secretary |
| Lighting | Marco Romagnoli | Electrician |
| Art | Anita Overland | Assistant Art Director |
| Art | Jeanne Vertigan | Property Buyer |
| Production | Luigi Riitano | Production Accountant |
| Costume & Make-Up | Paolo Mantini | Assistant Hairdresser |
| Production | Caroline Hill | Production Coordinator |
| Production | Zakiya Powell | Publicist |
| Lighting | Aldo Laureti | Electrician |
| Sound | Anna Shepherd | Assistant Sound Editor |
| Sound | Barrie Guard | Orchestrator |
| Art | Chris Allies | Title Designer |
