Lucy Honeychurch is een jonge vrouw uit de gegoede negentiende-eeuwse burgerij. Samen met haar chaperonne Miss Bartlett reist ze naar Firenze in Italië. In het hotel blijkt dat hun kamer niet het uitzicht heeft dat ze hadden verwacht. Uiteindelijk staan ene meneer Emerson en zijn zoon George hun kamer af aan de dames. Enkele dagen later kust George Lucy, zonder hiervoor toestemming te vragen! Terug in Engeland verlooft de jongedame zich met Cecil, een verwaande kwast. George en zijn vader komen niet veel later naar Engeland en huren een optrekje in Lucy's buurt. Zodra George hoort dat ze verloofd is met Cecil, probeert hij haar te overtuigen voor hem en de ware liefde te kiezen.
Nee, helaas is A Room with a View nog niet beschikbaar op Netflix in Nederland.
| Production | Ismail Merchant | Producer |
| Writing | E.M. Forster | Novel |
| Writing | Ruth Prawer Jhabvala | Screenplay |
| Directing | James Ivory | Director |
| Camera | Tony Pierce-Roberts | Director of Photography |
| Sound | Richard Robbins | Original Music Composer |
| Editing | Humphrey Dixon | Editor |
| Art | Gianni Quaranta | Production Design |
| Art | Brian Ackland-Snow | Production Design |
| Camera | Malcolm Huse | Grip |
| Costume & Make-Up | Carol Hemming | Hairstylist |
| Sound | Ray Beckett | Sound |
| Costume & Make-Up | John Bright | Costume Design |
| Production | Lanfranco Diotallevi | Production Manager |
| Art | Brian Savegar | Art Direction |
| Production | Celestia Fox | Casting |
| Production | Paul Bradley | Associate Producer |
| Camera | Angelo Tiberti | Grip |
| Sound | Nick Hammond | Boom Operator |
| Directing | Daniel Sonnis | Second Assistant Director |
| Lighting | Lou Bogue | Gaffer |
| Costume & Make-Up | Jenny Beavan | Costume Design |
| Art | Dennis Fruin | Property Master |
| Camera | Sergio Serantoni | Grip |
| Lighting | Alvaro Romagnoli | Best Boy Electric |
| Directing | Renée Glynne | Continuity |
| Directing | Kevan Barker | Assistant Director |
| Directing | Simon Moseley | Second Assistant Director |
| Art | Elio Altamura | Art Direction |
| Lighting | Glen Parsons | Best Boy Electric |
| Costume & Make-Up | Christine Beveridge | Makeup Artist |
| Production | Ann Wingate | Production Manager |
| Production | Jilly Gutteridge | Location Manager |
| Art | Goffredo Massetti | Property Master |
| Lighting | Luigi Bisioli | Gaffer |
| Lighting | Marco Romagnoli | Electrician |
| Costume & Make-Up | Sally Turner | Assistant Costume Designer |
| Sound | Tom Freeman | Assistant Sound Editor |
| Lighting | Aldo Laureti | Electrician |
| Production | Caroline Hill | Production Coordinator |
| Art | Bob Cross | Construction Manager |
| Costume & Make-Up | William Pierce | Costume Coordinator |
| Production | Zakiya Powell | Publicist |
| Lighting | Steve Senior | Electrician |
| Costume & Make-Up | Brenda Dabbs | Costume Supervisor |
| Production | Sunil Kirparam | Production Accountant |
| Costume & Make-Up | Sally Harrison | Assistant Makeup Artist |
| Sound | Anna Shepherd | Assistant Sound Editor |
| Camera | Sarah Quill | Still Photographer |
| Art | Malachi Smyth | Assistant Art Director |
| Sound | Peter Compton | Sound Editor |
| Sound | Tony Lenny | Sound Editor |
| Production | Luigi Riitano | Production Accountant |
| Art | Jeanne Vertigan | Property Buyer |
| Production | Nicky Kentish Barnes | Production Secretary |
| Costume & Make-Up | Paolo Mantini | Assistant Hairdresser |
| Art | Franco Pizzonia | Construction Manager |
| Lighting | Harry Bisson | Electrician |
| Production | Lisa W. Strout | Production Secretary |
| Art | Stefano Secchi | Assistant Art Director |
| Sound | Alan Killick | Sound Editor |
| Art | Anita Overland | Assistant Art Director |
| Sound | Philip Alton | Assistant Sound Editor |
| Camera | Jonathan Earp | Clapper Loader |
| Camera | Katya Grenfell | Still Photographer |
| Sound | Barrie Guard | Orchestrator |
