Lisa Reisert heeft een hekel aan vliegen maar gaat toch op een vlucht naar Miami. Enkele minuten na het opstijgen onthult de man die naast Lisa zit, Jackson, de echte reden waarom hij aan boord is: hij heeft de opdracht een rijke en machtige zakenman om te brengen. Lisa is de sleutel tot succes in dit moordplan en als ze weigert mee te werken zal haar vader worden vermoord door een huurmoordenaar die op een telefoontje wacht van Jackson.
Nee, helaas is Red Eye nog niet beschikbaar op Netflix in Nederland.
| Directing | Wes Craven | Director |
| Production | Chris Bender | Producer |
| Production | Marianne Maddalena | Producer |
| Production | Bonnie Curtis | Executive Producer |
| Production | Jim Lemley | Executive Producer |
| Production | Mason Novick | Executive Producer |
| Production | J.C. Spink | Executive Producer |
| Sound | Marco Beltrami | Original Music Composer |
| Camera | Robert D. Yeoman | Director of Photography |
| Editing | Stuart Levy | Editor |
| Editing | Patrick Lussier | Editor |
| Production | Lisa Beach | Casting |
| Production | Sarah Katzman | Casting |
| Costume & Make-Up | Mary Claire Hannan | Costume Design |
| Costume & Make-Up | Christina Smith | Makeup Department Head |
| Writing | Carl Ellsworth | Screenplay |
| Writing | Carl Ellsworth | Story |
| Writing | Dan Foos | Story |
| Visual Effects | John E. Sullivan | Visual Effects Supervisor |
| Sound | David A. Arnold | Sound Editor |
| Sound | David E. Fluhr | Sound Re-Recording Mixer |
| Sound | David Kern | Sound Editor |
| Sound | Adam Kopald | Sound Effects Editor |
| Sound | John Kwiatkowski | Sound Editor |
| Sound | Chuck Michael | Supervising Sound Editor |
| Sound | Charles W. Ritter | Sound Editor |
| Sound | Todd Toon | Supervising Sound Editor |
| Crew | Tom Elliott | Stunts |
| Art | Paul 'Eel' Anderson | Set Dresser |
| Art | Mick Cukurs | Set Designer |
| Art | Richard Fojo | Assistant Art Director |
| Art | Austin Gorg | Assistant Art Director |
| Art | Keith Sale | Set Dresser |
| Visual Effects | Tiffany Smith | Visual Effects Producer |
| Visual Effects | Jerry Pooler | Visual Effects Supervisor |
| Visual Effects | David Lingenfelser | Visual Effects Supervisor |
| Art | Bruce Alan Miller | Production Design |
| Art | Andrew Max Cahn | Art Direction |
| Art | Maggie Martin | Set Decoration |
| Costume & Make-Up | June Brickman | Makeup Artist |
| Costume & Make-Up | Jane English | Makeup Artist |
| Costume & Make-Up | Cynthia Barr | Makeup Artist |
| Costume & Make-Up | Barbara Lorenz | Hair Department Head |
| Costume & Make-Up | Susan Carol Schwary | Key Hair Stylist |
| Costume & Make-Up | Carol McCoo | Hairstylist |
| Costume & Make-Up | Pinky Babajian | Hairstylist |
| Art | Beatriz Kerti | Art Department Coordinator |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Costume & Make-Up | Christi K. Work | Costume Supervisor |
| Costume & Make-Up | Sara Auhagen | Seamstress |
| Costume & Make-Up | Jamelle Flowers | Set Costumer |
| Costume & Make-Up | Jalene Murphy | Set Costumer |
| Directing | Sheila Waldron | Script Supervisor |
| Editing | Jonny Winograd | First Assistant Editor |
| Crew | Ron Bolanowski | Special Effects Coordinator |
| Crew | Debbie Evans | Stunt Driver |
| Crew | Danny Downey | Stunt Double |
| Crew | Joel Kramer | Stunt Coordinator |
| Crew | Jane Austin | Stunts |
| Crew | Tracy Keehn-Dashnaw | Stunt Double |
| Crew | Lane Leavitt | Utility Stunts |
| Crew | Dane Farwell | Stunts |
| Crew | Jay Amor | Stunts |
| Crew | Jennifer Badger | Utility Stunts |
| Crew | Jake Dashnaw | Stunt Double |
| Crew | Artie Malesci | Stunts |
| Crew | Scott Leva | Stunts |
| Crew | Donald Dowd | Floor Runner |
| Crew | Jalil Jay Lynch | Stunts |
| Camera | Peter Lyons Collister | Additional Photography |
