De aanval op Pearl Harbor is zes dagen geleden. In California,vermoedelijk het volgende doelwit van Japan, grijpt paniek om zich heen. Overal in California staan de zenuwen gespannen. Chaos daalt neer over de hele staat. Een kapitein van de Army Air Corps, een burger met een gestoord gevoel van nationalisme, een burgerwacht en een motorbende openen allemaal de jacht op een Japanse onderzeeboot die van plan is om LA aan te vallen.
Nee, helaas is 1941 nog niet beschikbaar op Netflix in Nederland.
| Camera | William A. Fraker | Director of Photography |
| Directing | Steven Spielberg | Director |
| Editing | Michael Kahn | Editor |
| Sound | John Williams | Original Music Composer |
| Crew | Tony Epper | Stunts |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Crew | Donald Myers | Special Effects Technician |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Crew | Thomas Arp | Special Effects Technician |
| Directing | Jerry Ziesmer | First Assistant Director |
| Sound | Fred J. Brown | Supervising Sound Effects Editor |
| Sound | Jim Moore | ADR Recordist |
| Crew | Arthur Arp | Special Effects Technician |
| Crew | Eugene Crum | Special Effects Technician |
| Crew | Steve Galich | Special Effects Technician |
| Crew | Ted Koerner | Special Effects |
| Camera | Robert Seaman | Camera Operator |
| Sound | Ed Golya | ADR Mixer |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Crew | Wilbur Arp | Special Effects Technician |
| Crew | Kevin Pike | Special Effects Technician |
| Lighting | Doug Pentek | Gaffer |
| Sound | Brian L. McCarty | Boom Operator |
| Crew | Gary Monak | Special Effects Technician |
| Costume & Make-Up | Bob Westmoreland | Makeup Supervisor |
| Visual Effects | Matthew Yuricich | Matte Painter |
| Costume & Make-Up | Jack Obringer | Assistant Makeup Artist |
| Costume & Make-Up | Dorothy J. Pearl | Assistant Makeup Artist |
| Crew | Logan Frazee | Special Effects Technician |
| Crew | Steve Lombardi | Special Effects Technician |
| Camera | Dick Colean | Camera Operator |
| Art | John P. Austin | Set Decoration |
| Directing | Chris Soldo | Second Assistant Director |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Costume & Make-Up | Adrienne Childers | Costumer |
| Crew | Billy Myatt | Special Effects Technician |
| Sound | Robert Knudson | Sound Re-Recording Mixer |
| Sound | Lee Strosnider | Sound Mixer |
| Crew | Marlin Jones | Special Effects Technician |
| Visual Effects | Larry Robinson | Visual Effects Supervisor |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Crew | Joe Zomar | Special Effects Technician |
| Camera | Frank Stanley | Additional Director of Photography |
| Sound | Raul A. Bruce | Boom Operator |
| Crew | Ken Estes | Special Effects Technician |
| Crew | Terry D. Frazee | Special Effects Technician |
| Camera | Robert D. McBride | Camera Operator |
| Costume & Make-Up | Daniel Grant North | Costumer |
| Costume & Make-Up | Ellen Powell | Assistant Hairstylist |
| Directing | Steve Perry | First Assistant Director |
| Camera | Gary R. Dodd | Key Grip |
| Production | Sally Dennison | Casting |
| Art | William F. O'Brien | Art Direction |
| Production | Buzz Feitshans | Producer |
| Production | John Milius | Executive Producer |
| Art | James Hassinger | Additional Set Dresser |
| Costume & Make-Up | Deborah Nadoolman Landis | Costume Design |
| Art | Dean Mitzner | Production Design |
| Crew | Terry Leonard | Stunt Coordinator |
| Crew | Jeannie Epper | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Eurlyne Epper | Stunts |
| Crew | Larry Holt | Stunts |
| Writing | Bob Gale | Screenplay |
| Crew | Gary McLarty | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Bob Herron | Stunts |
| Writing | Bob Gale | Story |
| Writing | John Milius | Story |
| Writing | Robert Zemeckis | Story |
| Writing | Robert Zemeckis | Screenplay |
| Crew | Mary Peters | Stunts |
