De aanval op Pearl Harbor is zes dagen geleden. In California,vermoedelijk het volgende doelwit van Japan, grijpt paniek om zich heen. Overal in California staan de zenuwen gespannen. Chaos daalt neer over de hele staat. Een kapitein van de Army Air Corps, een burger met een gestoord gevoel van nationalisme, een burgerwacht en een motorbende openen allemaal de jacht op een Japanse onderzeeboot die van plan is om LA aan te vallen.
Nee, helaas is 1941 nog niet beschikbaar op Netflix in Nederland.
| Camera | William A. Fraker | Director of Photography |
| Editing | Michael Kahn | Editor |
| Directing | Steven Spielberg | Director |
| Sound | John Williams | Original Music Composer |
| Crew | Tony Epper | Stunts |
| Costume & Make-Up | Dorothy J. Pearl | Assistant Makeup Artist |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Crew | Arthur Arp | Special Effects Technician |
| Crew | Eugene Crum | Special Effects Technician |
| Sound | Brian L. McCarty | Boom Operator |
| Crew | Gary Monak | Special Effects Technician |
| Crew | Billy Myatt | Special Effects Technician |
| Visual Effects | Matthew Yuricich | Matte Painter |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Crew | Wilbur Arp | Special Effects Technician |
| Crew | Kevin Pike | Special Effects Technician |
| Camera | Robert Seaman | Camera Operator |
| Crew | Joe Zomar | Special Effects Technician |
| Camera | Frank Stanley | Additional Director of Photography |
| Costume & Make-Up | Daniel Grant North | Costumer |
| Sound | Raul A. Bruce | Boom Operator |
| Sound | Ed Golya | ADR Mixer |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Crew | Terry D. Frazee | Special Effects Technician |
| Crew | Donald Myers | Special Effects Technician |
| Costume & Make-Up | Ellen Powell | Assistant Hairstylist |
| Sound | Jim Moore | ADR Recordist |
| Crew | Steve Galich | Special Effects Technician |
| Crew | Marlin Jones | Special Effects Technician |
| Visual Effects | Larry Robinson | Visual Effects Supervisor |
| Art | John P. Austin | Set Decoration |
| Directing | Steve Perry | First Assistant Director |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Crew | Thomas Arp | Special Effects Technician |
| Crew | Ted Koerner | Special Effects |
| Costume & Make-Up | Adrienne Childers | Costumer |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Crew | Logan Frazee | Special Effects Technician |
| Crew | Steve Lombardi | Special Effects Technician |
| Camera | Dick Colean | Camera Operator |
| Sound | Lee Strosnider | Sound Mixer |
| Costume & Make-Up | Bob Westmoreland | Makeup Supervisor |
| Directing | Jerry Ziesmer | First Assistant Director |
| Sound | Fred J. Brown | Supervising Sound Effects Editor |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Camera | Gary R. Dodd | Key Grip |
| Costume & Make-Up | Jack Obringer | Assistant Makeup Artist |
| Directing | Chris Soldo | Second Assistant Director |
| Crew | Ken Estes | Special Effects Technician |
| Camera | Robert D. McBride | Camera Operator |
| Lighting | Doug Pentek | Gaffer |
| Production | Sally Dennison | Casting |
| Production | Buzz Feitshans | Producer |
| Production | John Milius | Executive Producer |
| Art | William F. O'Brien | Art Direction |
| Art | James Hassinger | Additional Set Dresser |
| Art | Dean Mitzner | Production Design |
| Costume & Make-Up | Deborah Nadoolman Landis | Costume Design |
| Crew | Terry Leonard | Stunt Coordinator |
| Crew | Jeannie Epper | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Eurlyne Epper | Stunts |
| Crew | Larry Holt | Stunts |
| Writing | Bob Gale | Screenplay |
| Crew | Gary McLarty | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Debbie Evans | Stunts |
| Crew | Bob Herron | Stunts |
| Writing | John Milius | Story |
| Writing | Bob Gale | Story |
| Writing | Robert Zemeckis | Story |
| Writing | Robert Zemeckis | Screenplay |
| Crew | Mary Peters | Stunts |
