Max is een scholier op een privé-school. Hij haalt slechte resultaten maar organiseert van alles en nog wat rond school. Hij raakt bevriend met de rijke en depressieve fabrieksmagnaat Blume en wordt verliefd op zijn lerares, Miss Cross. Hij komt er achter dat Blume ook verliefd is op Cross, en zoekt wraak.
Nee, helaas is Rushmore nog niet beschikbaar op Netflix in Nederland.
| Sound | Mark Mothersbaugh | Original Music Composer |
| Production | Barry Mendel | Producer |
| Crew | David Sanders | Stunt Coordinator |
| Production | John Cameron | Unit Production Manager |
| Writing | Wes Anderson | Writer |
| Writing | Owen Wilson | Writer |
| Costume & Make-Up | Karen Patch | Costume Designer |
| Costume & Make-Up | Colleen Saro | On Set Dresser |
| Directing | Wes Anderson | Director |
| Production | John Cameron | Co-Producer |
| Art | Andrew Laws | Art Direction |
| Costume & Make-Up | Leeann Radeka | Costumer |
| Costume & Make-Up | Sally J. Harper | Key Makeup Artist |
| Sound | Kyrsten Mate | Sound Effects Designer |
| Production | Owen Wilson | Executive Producer |
| Production | Barbara Cohen | Casting |
| Directing | Scott Peterson | Script Supervisor |
| Costume & Make-Up | Jennifer Long | Costumer |
| Camera | Robert D. Yeoman | Director of Photography |
| Sound | Randall Poster | Music Supervisor |
| Directing | Michael Cedar | First Assistant Director |
| Costume & Make-Up | Terri Harper | Makeup & Hair |
| Costume & Make-Up | Bart Mixon | Prosthetic Makeup Artist |
| Production | Mary Gail Artz | Casting |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Camera | Val Sklar | Camera Loader |
| Editing | Lin Coleperson | Assistant Editor |
| Production | Wes Anderson | Executive Producer |
| Production | Paul Schiff | Producer |
| Camera | John Boccaccio | First Assistant Camera |
| Crew | Ron Radvinsky | Editorial Staff |
| Art | David Wasco | Production Design |
| Editing | David Moritz | Editor |
| Art | Wallace R. Syms | Greensman |
| Costume & Make-Up | Sally J. Harper | Key Hair Stylist |
| Editing | Daniel R. Padgett | First Assistant Editor |
| Art | Austin Gorg | Assistant Art Director |
| Costume & Make-Up | Jamelle Flowers | Wardrobe Assistant |
| Costume & Make-Up | Bob Harper | Key Makeup Artist |
| Sound | Michael Baber | Music Editor |
| Directing | Conte Mark Matal | Second Assistant Director |
| Sound | Malcolm Fife | Foley Editor |
| Camera | Ferrell A. Shinnick | Key Grip |
| Camera | Doug Chartier | Dolly Grip |
| Camera | Sean R. Wright | Grip |
| Art | David M. Bowen | Assistant Property Master |
| Sound | John Nutt | Supervising Sound Editor |
| Sound | Aura Gilge | Sound Effects Editor |
| Lighting | Edison Jackson | Electrician |
| Camera | Layne Chaney | Grip |
| Art | Roy Metcalf | Construction Coordinator |
| Sound | Marnie Moore | Foley Artist |
| Camera | Steven Guerreo | Grip |
| Sound | Grant Foerster | Recording Supervision |
| Production | Melissa Wiechmann | Production Coordinator |
| Costume & Make-Up | Frances Hannon | Makeup & Hair |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Production | Stephen Light | Assistant Production Coordinator |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Lighting | Cheryl Clarson | Best Boy Electric |
| Production | Christine Fransen | Production Supervisor |
| Art | Chad Loucks | Construction Foreman |
| Sound | Pawel Wdowczak | Sound Mixer |
| Art | Jeffrey B. Hartmann | Leadman |
| Lighting | Buzzy Burwell | Best Boy Electric |
| Art | Amanda Anderson | Assistant Set Decoration |
| Sound | Steve Fontano | Foley Mixer |
| Camera | Doug Mercer | Best Boy Grip |
| Crew | Ron Trost | Special Effects Coordinator |
| Sound | Frank Rinella | Foley Recordist |
| Lighting | Danny Navarette | Electrician |
| Lighting | Kevin Sims | Electrician |
| Lighting | Kurt Kornemann | Rigging Grip |
| Directing | Donald Murphy | Second Second Assistant Director |
| Costume & Make-Up | Cathie Filian | Costume Supervisor |
| Camera | Jimmy Lindsey | Second Assistant Camera |
| Editing | Terry Hubbard | Assistant Editor |
| Sound | Doc Kane | ADR Recordist |
| Art | Ric Trzeciak | Assistant Property Master |
| Art | Daniel Bradford | Set Designer |
| Sound | David Franklin Bergad | Dialogue Editor |
| Art | Melissa Matthies | Property Master |
| Sound | Yin Cantor | Sound Assistant |
| Sound | Margie O'Malley | Foley Artist |
| Lighting | Billy MacTavish | Electrician |
| Lighting | Dennis Clay | Key Rigging Grip |
| Visual Effects | David Ridlen | Animation |
| Costume & Make-Up | Bob Harper | Key Hair Stylist |
| Sound | David A. Smith | Boom Operator |
| Lighting | Peter Clarson | Rigging Gaffer |
| Camera | Michael Sheeren | Best Boy Grip |
| Production | Debra Secher | Casting Associate |
| Production | Virginia Diaz | Assistant Location Manager |
| Editing | Gloria Kaiser | Color Timer |
| Production | Craig Busch | Location Manager |
| Camera | Van Redin | Still Photographer |
| Production | Beth Sepko | Extras Casting |
| Sound | Christopher S. Parker | Music Coordinator |
| Production | Juel Bestrop | Additional Casting |
| Production | Liz Keigley | Local Casting |
| Production | Debra Zane | Additional Casting |
| Lighting | Vojislav Mikulic | Gaffer |
