Net afgestudeerd, maken zeven vrienden kennis met het echte leven. Ieder heeft zo zijn eigen problemen, maar als vrienden lossen ze die samen op. Leslie en Alec proberen hun relatie te redden. Wendy is nog steeds maagd en heimelijk verliefd op Billy. Kevin houdt iets geheim voor zijn beste vriend en Kirbo valt als een blok voor een oudere vrouw. De mooie Jules denkt door drugs te gebruiken aan een depressie te kunnen ontsnappen.
Nee, helaas is St. Elmo's Fire nog niet beschikbaar op Netflix in Nederland.
| Directing | Joel Schumacher | Director |
| Production | Lauren Shuler Donner | Producer |
| Writing | Joel Schumacher | Screenplay |
| Camera | Stephen H. Burum | Director of Photography |
| Production | Bernard Schwartz | Executive Producer |
| Editing | Richard Marks | Editor |
| Writing | Carl Kurlander | Screenplay |
| Production | Ned Tanen | Executive Producer |
| Sound | John Parr | Theme Song Performance |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Camera | Elliot Davis | Camera Operator |
| Camera | Christine M. Loss | Still Photographer |
| Production | Barbara Harris | ADR Voice Casting |
| Directing | Jan Kemper | Script Supervisor |
| Crew | Phyllis Gardner Hirsen | Unit Publicist |
| Directing | Gary Daigler | First Assistant Director |
| Crew | Kenny Ortega | Choreographer |
| Editing | Brian Ralph | Negative Cutter |
| Camera | Emmett Brown | Key Grip |
| Art | Robert Gould | Set Decoration |
| Art | William A. Petrotta | Property Master |
| Art | Gary F. Kieldrup | Assistant Property Master |
| Directing | Katterli Frauenfelder | Second Assistant Director |
| Art | Charles Graffeo | Set Decoration |
| Art | Cal DiValerio | Construction Coordinator |
| Art | Bruce DiValerio | Construction Foreman |
| Crew | Hayden D. Anglin | Transportation Coordinator |
| Editing | Bruce Pearson | Color Timer |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Bob Badami | Music Editor |
| Sound | Carl Lewis | ADR Editor |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Art | James E. Tocci | Set Designer |
| Editing | Jane Schwartz Jaffe | First Assistant Editor |
| Sound | Gary S. Gerlich | Sound Editor |
| Crew | Reid Rondell | Stunt Double |
| Sound | Frank E. Warner | Supervising Sound Editor |
| Sound | Bill Wylie | Sound Editor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Art | Christopher Burian-Mohr | Set Designer |
| Production | Raymond Hartwick | Production Manager |
| Sound | J. Paul Huntsman | ADR Editor |
| Sound | Doc Kane | Sound Re-Recording Mixer |
| Sound | Raul A. Bruce | Boom Operator |
| Production | Lisa Rose Horwitch | Production Assistant |
| Production | R. Scott Doran | Production Assistant |
| Art | Thomas Gark | Leadman |
| Camera | Rick Fee | Second Assistant Camera |
| Production | Shari Leibowitz | Production Coordinator |
| Crew | Peter Albiez | Special Effects |
| Art | Donald Krafft | Leadman |
| Art | Paul S. Power | Production Illustrator |
| Production | Patricia L. DeShields | Assistant Accountant |
| Sound | Leslie Gaulin | Assistant Sound Editor |
| Lighting | Tim Griffith | Chief Lighting Technician |
| Camera | Bill Fleming | Best Boy Grip |
| Sound | David Hawkins | Sound Editor |
| Costume & Make-Up | Violette Jones-Faison | Costumer |
| Production | Eric Schwab | Location Manager |
| Camera | Alex Touyarot | First Assistant Camera |
| Sound | Gene S. Cantamessa | Sound Mixer |
| Sound | David Moritz | Apprentice Sound Editor |
| Lighting | Peter Portizo | Best Boy Electric |
| Production | Margaret Mitchell | Production Accountant |
| Production | Karen Kovacevich | Producer's Assistant |
| Sound | David Foster | Original Music Composer |
