De carrière van tennisprof Chris Wilton (Jonathan Rhys-Meyers) loopt ten einde en hij gaat werken als leraar op een exclusieve Londense tennisclub. Hij raakt bevriend met één van zijn leerlingen, de rijke, knappe en verwende Tom Hewitt. Tom introduceert Chris in zijn familie en weldra krijgt Chris een relatie met Tom's zus Chloe. Hoewel er huwelijksplannen zijn met Chloe en Chris door zijn 'adoptie' door de Hewitt's financieel en zakelijk binnen is, kan hij zijn ogen echter niet afhouden van Tom's nieuwste vriendin, de Amerikaanse actrice Nola Rice (Scarlett Johansson). Chris krijgt een affaire met de onstabiele Nola. Wanneer hun passionele relatie een gevaar dreigt te worden voor Chris' nieuwe levensstijl, wordt hij voor een dramatische keuze gesteld. Hoe ver kan iemand gaan in zijn opportunisme?
Nee, helaas is Match Point nog niet beschikbaar op Netflix in Nederland.
| Production | Nicky Kentish Barnes | Producer |
| Camera | Remi Adefarasin | Director of Photography |
| Production | Letty Aronson | Producer |
| Editing | Alisa Lepselter | Editor |
| Art | Jim Clay | Production Design |
| Production | Stephen Tenenbaum | Producer |
| Directing | Woody Allen | Director |
| Production | Michael Harm | Location Manager |
| Production | Lee Robertson | Assistant Location Manager |
| Production | Francesca Dowd | Production Coordinator |
| Production | Kerry Smith | Assistant Accountant |
| Production | Carrie-Ann Banner | Assistant Production Coordinator |
| Production | Pietro Lorino, Jr. | Post Production Accountant |
| Directing | Richard Goodwin | Second Assistant Director |
| Production | Louise O'Malley | Production Accountant |
| Production | Joseph Jayawardena | Assistant Location Manager |
| Production | Lucy Foulds | Location Coordinator |
| Production | Aurelia Thomas | Assistant Location Manager |
| Art | Oliver Goodier | Assistant Art Director |
| Production | Scott Kordish | Post Production Coordinator |
| Production | Sue Quinn | Location Manager |
| Production | Finlay Bradbury | Location Assistant |
| Costume & Make-Up | Charlotte Sewell | Assistant Costume Designer |
| Art | David Lowery | Supervising Carpenter |
| Costume & Make-Up | Ella Hastings | Wardrobe Assistant |
| Lighting | Robert Hooker | Standby Rigger |
| Production | Will Davies | Casting Assistant |
| Costume & Make-Up | Martin Chitty | Wardrobe Master |
| Art | Eddie Baker | Dressing Prop |
| Art | John McGee | Supervising Carpenter |
| Costume & Make-Up | Sallie Jaye | Makeup Designer |
| Editing | Katy Skjerping | Assistant Editor |
| Camera | John Arnold | Grip |
| Lighting | Dennis Holliday | Electrician |
| Sound | Akil Wilson | Assistant Sound Editor |
| Production | Julie Schubert | Casting Assistant |
| Lighting | Mark Funnell | Best Boy Electric |
| Costume & Make-Up | David Wootton | Wardrobe Assistant |
| Art | Nick Pearce | Standby Painter |
| Art | David Williamson | Standby Carpenter |
| Art | Steve Bohan | Construction Manager |
| Costume & Make-Up | Paul Mooney | Hairstylist |
| Lighting | Tony Burns | Electrician |
| Sound | Thomas Kodros | Dolby Consultant |
| Production | Claire Saunders | Casting Associate |
| Art | Stephen Conway | Standby Property Master |
| Art | Eamon McLoughlin | Supervising Carpenter |
| Camera | David Cozens | Focus Puller |
| Camera | John Adefarasin | Clapper Loader |
| Sound | Stephane Malenfant | Sound Assistant |
| Sound | Peter Glossop | Production Sound Mixer |
| Directing | Tom Glaisyer | Third Assistant Director |
| Art | Roy O'Connor | Dressing Prop |
| Sound | Ryan Collison | Foley Recording Engineer |
| Production | David Wheal | Casting Assistant |
| Lighting | Ian Franklin | Rigging Gaffer |
| Crew | Waseem Barlas | Driver |
| Crew | Ron Narduzzo | Driver |
| Crew | Simon Saunders | Driver |
| Visual Effects | Martin Hobbs | Visual Effects Supervisor |
| Crew | Nikki Inwood | Stand In |
| Crew | Darren Thackeray | Driver |
| Art | Caroline Smith | Set Decoration |
| Production | Gareth Wiley | Producer |
| Production | Charles H. Joffe | Co-Executive Producer |
| Costume & Make-Up | Jill Taylor | Costume Design |
| Production | Juliet Taylor | Casting |
| Production | Patricia Kerrigan DiCerto | Casting |
| Production | Gail Stevens | Casting |
| Art | Diane Dancklefsen | Art Direction |
| Costume & Make-Up | Sallie Jaye | Hair Designer |
| Production | Jack Rollins | Co-Executive Producer |
| Costume & Make-Up | Carmel Jackson | Makeup Artist |
| Production | Helen Robin | Co-Producer |
| Art | Jan Spoczynski | Art Direction |
| Sound | Shaun Mills | Boom Operator |
| Camera | Roger Tooley | Steadicam Operator |
| Production | Tori Parry | Unit Production Manager |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | David Wahnon | Sound Editor |
| Lighting | Jimmy Wilson | Gaffer |
| Camera | Remi Adefarasin | Camera Operator |
| Costume & Make-Up | Sharon Martin | Makeup Artist |
| Sound | Coll Anderson | Sound Effects Editor |
| Editing | Morgan Neville | First Assistant Editor |
| Crew | Steve Morphew | Stand In |
| Sound | Sylvia Menno | Dialogue Editor |
| Directing | Christopher Newman | First Assistant Director |
| Directing | Kim Armitage | Script Supervisor |
| Sound | Nancy Cabrera | Foley Artist |
| Camera | Clive Coote | Still Photographer |
| Sound | Robert Hein | Supervising Sound Editor |
| Art | Philip McDonald | Property Master |
| Writing | Woody Allen | Writer |
| Art | Les Benson | Props |
| Sound | Martin Crewes | Musician |
| Production | Martin Crewes | Musical Casting |
| Sound | Martin Crewes | Music |
| Sound | Martin Crewes | Music Arranger |
