Bij een groot auto-ongeluk raakt architect Jason Kemp totaal verlamd. Uit verveling besluit Kemp vervolgens om zijn overburen wat te bespioneren. Maar als hij dan ziet hoe een stelletje flinke ruzie heeft en de vrouw uiteindelijk spoorloos verdwijnt, begint Kemp te geloven dat de vrouw is vermoord. Kemp's collega Claudia besluit om Kemp te helpen het mysterie op te lossen.
Nee, helaas is Rear Window nog niet beschikbaar op Netflix in Nederland.
| Production | Sheldon Abend | Producer |
| Writing | Eric Overmyer | Teleplay |
| Production | Robert Halmi Jr. | Executive Producer |
| Sound | David Shire | Original Music Composer |
| Camera | Ken Kelsch | Director of Photography |
| Editing | Geoffrey Rowland | Editor |
| Production | Robert V. Gaulin | Producer |
| Directing | Jeff Bleckner | Director |
| Production | Steven Haft | Executive Producer |
| Production | David V. Picker | Executive Producer |
| Production | Christopher Reeve | Executive Producer |
| Writing | Larry Gross | Teleplay |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Writing | Cornell Woolrich | Short Story |
| Production | Jeff Bleckner | Consulting Producer |
| Production | Lucille Smith | Associate Producer |
| Costume & Make-Up | David C. Robinson | Costume Design |
| Production | Todd M. Thaler | Casting |
| Art | Stephen Hendrickson | Production Design |
| Camera | Ken Regan | Still Photographer |
| Art | Beth Kushnick | Set Decoration |
| Sound | Bob Costanza | Sound Effects Editor |
| Camera | John Sosenko | Camera Operator |
| Camera | Richard Eliano | Camera Operator |
| Costume & Make-Up | Judy Gurr | Set Dressing Artist |
| Crew | Dee D'Orazio | Post Production Supervisor |
| Art | Randall Richards | Art Direction |
| Lighting | Jon Delgado | Electrician |
| Costume & Make-Up | Rose Chatterton | Key Hair Stylist |
| Lighting | Phil Testa | Gaffer |
| Crew | Susan Trout | Stunts |
| Costume & Make-Up | Timothy Joliat | Set Dressing Artist |
| Costume & Make-Up | Susan O'Donnell | Assistant Costume Designer |
| Crew | Norman Douglass | Stunts |
| Art | George Hugel | Construction Coordinator |
| Directing | Amy Lynn | Assistant Director |
| Production | Jonathan Starch | Co-Producer |
| Camera | Steve Drellich | Camera Operator |
| Lighting | Andy Niceberg | Best Boy Electric |
| Production | Jonathan Starch | Unit Production Manager |
| Camera | Thomas McGrath Woods | Grip |
| Production | Susan Saunders | Production Accountant |
| Crew | Douglas Crosby | Stunts |
| Crew | David S. Lomax | Stunts |
| Directing | Vebe Borge | First Assistant Director |
| Directing | Amy Lynn | Second Assistant Director |
| Production | Hans Graffunder | Production Coordinator |
| Production | Joseph Zolfo | Location Manager |
| Directing | Lynne Twentyman | Script Supervisor |
| Art | David H. Allen | Property Master |
| Camera | Patrick Capone | Camera Operator |
| Sound | Danny Michael | Sound Mixer |
| Camera | Robert Kummert | Key Grip |
| Costume & Make-Up | Todd Kleitsch | Key Makeup Artist |
| Crew | Tom Leavey | Transportation Captain |
| Production | Karen E. Etcoff | Extras Casting |
| Editing | Bryan M. Horne | Assistant Editor |
| Sound | Lori Slomka | Music Editor |
| Production | Barbara Harris | ADR Voice Casting |
