Op de door oorlog geteisterde planeet Eternia komt het kasteel van Greyskull onder bedreiging van de slechte Skeletor, die de macht over de planeet wil overnemen. Een groep vrijheidsstrijders, geleid door He-Man, wordt per ongeluk getransporteerd naar de Aarde. Hier moeten ze samenwerken met een groep tieners om een kosmische sleutel te vinden die hen de macht over het universum kan geven.
Nee, helaas is Masters of the Universe nog niet beschikbaar op Netflix in Nederland.
| Directing | Gary Goddard | Director |
| Writing | David Odell | Screenplay |
| Production | Menahem Golan | Producer |
| Camera | Hanania Baer | Director of Photography |
| Editing | Anne V. Coates | Editor |
| Production | Yoram Globus | Producer |
| Production | Edward R. Pressman | Executive Producer |
| Sound | Bill Conti | Original Music Composer |
| Crew | Janet Brady | Stunts |
| Art | Robert Howland | Art Direction |
| Lighting | James Rosenthal | Gaffer |
| Art | Lynn Christopher | Assistant Art Director |
| Camera | Dan Elsasser | Camera Operator |
| Camera | Rick Davis | Dolly Grip |
| Lighting | Ron McCausland | Rigging Grip |
| Crew | Brent Boates | Visual Effects Art Director |
| Costume & Make-Up | Lawrence Richter | Wardrobe Supervisor |
| Art | Wenden K. Baldwin | Title Designer |
| Visual Effects | Bill Neil | VFX Director of Photography |
| Sound | Robert Martel | Foley Editor |
| Production | Victoria Thomas | Casting |
| Art | Daniel Gluck | Set Decoration |
| Art | Mary K. Perko | Art Department Coordinator |
| Art | Joe Griffith | Conceptual Design |
| Costume & Make-Up | Zandra Platzek | Hairstylist |
| Costume & Make-Up | Todd McIntosh | Makeup Department Head |
| Art | Edward Eyth | Conceptual Design |
| Art | Kyle Seidenbaum | Title Designer |
| Camera | Michael E. Little | First Assistant Camera |
| Visual Effects | Paulette Smook Marshall | Special Effects Supervisor |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Camera | Skip Cook | Key Grip |
| Crew | Michael Backauskas | Visual Effects Editor |
| Visual Effects | Rexford L. Metz | VFX Director of Photography |
| Art | Mike Johnson | Set Decoration |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Visual Effects | Michael Van Himbergen | Visual Effects Coordinator |
| Sound | Jenny Weyman-Cockle | ADR Editor |
| Sound | George Berndt | ADR Supervisor |
| Sound | Stephen A. Hope | Music Editor |
| Camera | Ken Sax | Still Photographer |
| Sound | Marilyn McCoppen | ADR Editor |
| Sound | Dean Okrand | Sound Re-Recording Mixer |
| Crew | Terry Windell | Visual Effects Art Director |
| Costume & Make-Up | Robin Beauchesne | Makeup Artist |
| Art | Kathe Klopp | Set Decoration |
| Art | Claudio Mazzoli | Conceptual Design |
| Visual Effects | Deborah Gaydos | Animation |
| Crew | Dennis Michelson | Visual Effects Editor |
| Art | William Stout | Production Design |
| Visual Effects | Glenn Chaika | Animation |
| Sound | Anna Behlmer | Sound Recordist |
| Sound | Stanley B. Gill | Sound Recordist |
| Costume & Make-Up | June Westmore | Makeup Artist |
| Visual Effects | Eusebio Torres | Animation |
| Sound | Mark Goodermote | Boom Operator |
| Sound | John A. Larsen | Supervising Sound Editor |
| Costume & Make-Up | Angelo Di Biase | Hairstylist |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Visual Effects | Mauro Maressa | Animation |
| Sound | Mary Jo Devenney | Boom Operator |
| Sound | Ed Novick | Sound Designer |
| Costume & Make-Up | Lori Benson | Hairstylist |
| Costume & Make-Up | Michael Westmore | Makeup Designer |
| Sound | Robert R. Rutledge | Supervising Sound Editor |
| Visual Effects | Garry Waller | Visual Effects Supervisor |
| Visual Effects | Ellen Kitz | Special Effects Supervisor |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Sound | Paula Erickson | Music Supervisor |
| Editing | Helen Hahn | Negative Cutter |
| Crew | Michael Alden | Post Production Supervisor |
| Production | Stephen Milburn Anderson | Location Manager |
| Production | Bart Heimburger | Location Manager |
| Production | Cynthia R. Woodard | Location Manager |
| Production | Alan Gershenfeld | Production Manager |
| Crew | Alain Jakubowicz | Post Production Supervisor |
| Production | Michael Flynn | Associate Producer |
| Production | Elliot Schick | Production Manager |
| Production | Renee Milliken | Casting Assistant |
| Production | Evzen Kolar | Associate Producer |
| Production | Elliot Schick | Co-Producer |
| Crew | Douglas S. Turner | Armorer |
| Costume & Make-Up | Douglas S. Turner | Costume Coordinator |
| Crew | Loren Janes | Stunt Coordinator |
| Lighting | Mark Buckalew | Best Boy Electric |
| Crew | Tony Brubaker | Stunts |
| Crew | Charles Croughwell | Stunts |
| Art | Douglas E. Maxwell | Leadman |
| Art | Leo Rijn | Sculptor |
| Editing | Christopher Cibelli | Assistant Editor |
| Crew | Walter Scott | Stunt Coordinator |
| Art | Michael Reinhart | Construction Foreman |
| Crew | Lillian Glass | Dialogue Coach |
| Directing | John Eyler | Second Assistant Director |
| Crew | Anthony De Longis | Stunt Double |
| Camera | Brian H. Reynolds | Key Grip |
| Directing | Frederic B. Blankfein | First Assistant Director |
| Crew | James D. McGeachy | Armorer |
| Visual Effects | Richard Edlund | Visual Effects Supervisor |
