De maan, 2087: de nachtclubeigenaar Pluto Nash raakt in de problemen wanneer hij weigert om zijn club aan de plaatselijke maffia te verkopen. De gangsters worden geholpen door de mysterieuze Rex Crater, die van plan is de maan in zijn macht te krijgen. Nash krijgt hulp van de mooie aardling Dina Lake, die naar de maan is afgereisd om aan haar zangcarrière te werken.
Nee, helaas is The Adventures of Pluto Nash nog niet beschikbaar op Netflix in Nederland.
| Directing | Ron Underwood | Director |
| Camera | Oliver Wood | Director of Photography |
| Editing | Alan Heim | Editor |
| Production | Martin Bregman | Producer |
| Production | Louis A. Stroller | Producer |
| Writing | Neil Cuthbert | Screenplay |
| Production | Michael Bregman | Producer |
| Sound | John Powell | Original Music Composer |
| Editing | Paul Hirsch | Editor |
| Visual Effects | Nick Davis | Visual Effects Supervisor |
| Costume & Make-Up | Ha Nguyen | Costume Design |
| Art | Shepherd Frankel | Supervising Art Director |
| Production | Danielle Boucher | Production Coordinator |
| Production | Frank Capra III | Co-Producer |
| Directing | Frank Capra III | First Assistant Director |
| Art | Bill Brzeski | Production Design |
| Directing | Anne Alloucherie | Second Assistant Director |
| Crew | Alan Oliney | Stunt Coordinator |
| Production | Jim Kontos | Unit Manager |
| Production | Guylaine Boucher | Assistant Production Coordinator |
| Production | Michael Klawitter | Co-Producer |
| Production | Bruce Berman | Executive Producer |
| Production | Christina Kontos | Production Manager |
| Crew | Michael Scherer | Stunt Coordinator |
| Sound | Patrick Rousseau | Sound Mixer |
| Camera | Jean Kavanagh | Clapper Loader |
| Camera | Michel Bernier | First Assistant "B" Camera |
| Sound | Louis Piché | Boom Operator |
| Camera | William D. Barber | "A" Camera Operator |
| Camera | Rob Morey | First Assistant "A" Camera |
| Camera | François Daignault | "B" Camera Operator |
| Camera | François Daignault | Steadicam Operator |
| Art | Jean Kazemirchuk | Assistant Art Director |
| Art | Wayne Shepherd | Leadman |
| Art | Félix Larivière-Charron | Set Designer |
| Art | A. Todd Holland | Set Designer |
| Art | Elise de Blois | Set Dresser |
| Art | Vincent Aird | Set Dresser |
| Camera | Claude Beauchamp | Second Assistant "A" Camera |
| Art | Viviane Vallée | Art Department Coordinator |
| Art | Michele Laliberte | Set Designer |
| Art | Charlotte Rouleau | Set Designer |
| Art | Céline Lampron | Set Designer |
| Art | Robert Parle | Set Dresser |
| Art | Colin De Rouin | Set Designer |
| Art | Michael Anthony Jackson | Storyboard Artist |
| Art | Dianne Wager | Set Designer |
| Art | James Carson | Production Illustrator |
| Art | Raynald Langelier | Assistant Art Director |
| Art | Brana Rosenfeld | Set Decoration |
| Art | Annette Bélanger | Art Department Coordinator |
| Art | Philip Toolin | Production Illustrator |
| Art | Timothy Burgard | Storyboard Artist |
| Art | Gilles Aird | Art Direction |
| Art | Joseph Lang Browns | Set Designer |
| Art | Jason Weil | Art Direction |
| Art | Isabelle Côté | Graphic Designer |
| Costume & Make-Up | Bruno Gatien | Prosthetic Makeup Artist |
| Art | Simon Murton | Production Illustrator |
| Editing | Jim Flynn | First Assistant Editor |
| Lighting | John Lewin | Gaffer |
| Crew | Melissa Bretherton | Visual Effects Editor |
| Directing | Monique Champagne | Script Supervisor |
| Costume & Make-Up | Adrien Morot | Special Effects Makeup Artist |
| Art | Ed Natividad | Production Illustrator |
| Crew | Tricia Miles | Post Production Supervisor |
| Costume & Make-Up | Charlene Amateau | Costume Supervisor |
| Costume & Make-Up | Jocelyne Bellemare | Key Makeup Artist |
| Art | Tom Southwell | Storyboard Artist |
| Costume & Make-Up | Gillian Chandler | Makeup Artist |
| Crew | Thomas A. Davila | Production Controller |
| Production | Julie Breton | Extras Casting |
| Art | Russell Moore | Set Designer |
| Art | Marie-Claude Guay | Set Dresser |
| Costume & Make-Up | Vera Steimberg | Makeup Artist |
| Art | John Dexter | Set Designer |
| Art | Marie-Agnés Reeves | Storyboard Artist |
| Crew | Garry Elmendorf | Special Effects Coordinator |
| Costume & Make-Up | Lizzie McGovern | Assistant Costume Designer |
| Costume & Make-Up | Stacey Morris | Hairstylist |
| Camera | Bruce McBroom | Still Photographer |
| Art | Will Blount | Property Master |
| Production | Céline Daignault | Location Manager |
| Art | Claire Alary | Assistant Property Master |
| Lighting | James B. Crawford | Gaffer |
| Camera | Patrick Lima | Dolly Grip |
| Costume & Make-Up | Simonetta Mariano | Wardrobe Coordinator |
| Editing | Mo Henry | Negative Cutter |
| Sound | Andy Koyama | Sound Re-Recording Mixer |
| Editing | David Orr | Color Timer |
| Sound | Bunny Andrews | Music Editor |
| Sound | Gayle Wesley | First Assistant Sound Editor |
| Sound | Bill Meadows | Sound Recordist |
| Production | Gregory D. Hemstreet | Production Accountant |
| Production | Pota Manolakos | Production Accountant |
| Crew | Deborah Simmrin | Unit Publicist |
| Sound | Brion Paccassi | Sound Recordist |
| Sound | Craig S. Jaeger | Foley Supervisor |
| Camera | Keith Kerr | Best Boy Grip |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Sound | James Moriana | Foley Artist |
| Sound | Frank Fleming | Sound Recordist |
| Sound | Peter Staubli | Foley Editor |
| Costume & Make-Up | Manon Joly | Hairstylist |
| Camera | Jonathan Wenk | Still Photographer |
| Sound | Branden Spencer | First Assistant Sound Editor |
| Production | Mary Colquhoun | Casting |
