Dr. Benjamin Stone is een jonge dokter die op weg is naar L.A. om plastisch chirurg te worden in Beverly Hills. Om uit de file te blijven verlaat hij de snelweg, maar hij raakt de weg kwijt en ramt met zijn auto tegen een hek in het dorpje Grady. Hij krijgt een taakstraf in het lokale ziekenhuis, en hij wil zo snel mogelijk uit het dorp, weg van de hillbillies. Maar de inwoners mogen hem graag, en willen dat hij hun huisarts wordt. En hijzelf wordt verliefd op de mooie Lou.
Nee, helaas is Doc Hollywood nog niet beschikbaar op Netflix in Nederland.
| Writing | Daniel Pyne | Screenplay |
| Writing | Jeffrey Price | Screenplay |
| Production | Susan Solt | Producer |
| Writing | Peter S. Seaman | Screenplay |
| Production | Deborah D. Johnson | Producer |
| Camera | Michael Chapman | Director of Photography |
| Editing | Priscilla Nedd-Friendly | Editor |
| Directing | Michael Caton-Jones | Director |
| Production | Marc Merson | Executive Producer |
| Directing | J. Stephen Buck | First Assistant Director |
| Art | Eva Anna Andry | Art Direction |
| Art | Jason Bedig | Leadman |
| Art | Daniel R. Bentley | Assistant Property Master |
| Crew | Claudia Gilligan Ivanjack | Scenic Artist |
| Art | Mike Schenk | Property Master |
| Camera | Michael Genne | Camera Operator |
| Camera | Sandy Williams | Key Grip |
| Sound | Jay Dranch | Sound Editor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Camera | Jamie Barber | First Assistant Camera |
| Production | Steph Benseman | Location Manager |
| Directing | Lynne Twentyman | Script Supervisor |
| Art | Mort Zwicker | Construction Coordinator |
| Sound | Albert Gasser | Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Sound | Andy Rovins | Boom Operator |
| Sound | Cliff Latimer | ADR Editor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Sound | Ken King | Production Sound Mixer |
| Camera | Charles W. Wayt | Dolly Grip |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Editing | Ray Martin | Color Timer |
| Lighting | Richard Quinlan | Chief Lighting Technician |
| Crew | Charles Croughwell | Stunt Coordinator |
| Sound | Ed Callahan | Sound Editor |
| Sound | John Duvall | Foley Editor |
| Costume & Make-Up | Mark Bridges | Assistant Costume Designer |
| Sound | Christine Danelski | Foley Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Costume & Make-Up | Rick Provenzano | Hairstylist |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Costume & Make-Up | Allen Payne | Additional Hairstylist |
| Sound | Martin Maryska | Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Directing | Lucille OuYang | Second Second Assistant Director |
| Sound | Melissa Lytle | Assistant Sound Editor |
| Sound | Richard King | Supervising Sound Editor |
| Production | Pavel Cerny | Location Manager |
| Production | Owens Hill | Casting |
| Art | Lawrence Miller | Production Design |
| Writing | Laurian Leggett | Adaptation |
| Costume & Make-Up | Richard Hornung | Costume Design |
| Art | Cloudia Rebar | Set Decoration |
| Costume & Make-Up | Hallie D'Amore | Makeup Artist |
| Production | Robert P. Cohen | Unit Production Manager |
| Writing | Neil B. Shulman | Book |
| Costume & Make-Up | Lisa Meyers | Hairstylist |
| Production | Neil B. Shulman | Associate Producer |
| Art | Dale Allen Pelton | Art Direction |
| Sound | Carter Burwell | Original Music Composer |
| Production | Marion Dougherty | Casting |
