Peter Colt is een tennisser die het niet meer heeft, steeds verder zakt hij op de ranglijst en hij bereikt zelfs het dieptepunt als hij op de 119e plaats komt te staan. Gelukkig voor hem komt hij de jonge, mooie gemotiveerde Lizzie Bradbury tegen die hem wel kan motiveren om nog eenmaal een grote prestatie te leveren tijdens Wimbledon.
Nee, helaas is Wimbledon nog niet beschikbaar op Netflix in Nederland.
| Production | Tim Bevan | Producer |
| Production | Liza Chasin | Producer |
| Production | Mary Richards | Producer |
| Editing | Humphrey Dixon | Editor |
| Production | Eric Fellner | Producer |
| Production | Debra Hayward | Executive Producer |
| Directing | Richard Loncraine | Director |
| Camera | Darius Khondji | Director of Photography |
| Art | Brian Morris | Production Design |
| Costume & Make-Up | Louise Stjernsward | Costume Design |
| Writing | Mark Levin | Writer |
| Sound | Nick Angel | Music Supervisor |
| Production | Irene Lamb | Casting |
| Costume & Make-Up | Liz Tagg | Hair Designer |
| Production | David Livingstone | Executive Producer |
| Visual Effects | Richard Stammers | Visual Effects Supervisor |
| Costume & Make-Up | Liz Tagg | Makeup Designer |
| Writing | Adam Brooks | Writer |
| Writing | Jennifer Flackett | Writer |
| Art | Tony Halton | Supervising Art Director |
| Directing | Martin Kenzie | Second Unit Director |
| Camera | Mike Proudfoot | Camera Operator |
| Camera | Martin Kenzie | Additional Photography |
| Directing | Richard Whelan | First Assistant Director |
| Production | Jeremy Johns | Production Manager |
| Sound | David Stephenson | Sound Mixer |
| Camera | Martin Kenzie | Second Unit Director of Photography |
| Production | Adam Richards | Location Manager |
| Crew | Tania Blunden | Post Production Supervisor |
| Production | Claire Tovey | Unit Manager |
| Art | Caroline Cobbold | Set Decoration |
| Costume & Make-Up | Noriko Watanabe | Makeup Artist |
| Costume & Make-Up | Veronica McAleer | Hairstylist |
| Production | Penny Reiffer | First Assistant Accountant |
| Sound | Graham Sutton | Music Editor |
| Directing | Tamana Bleasdale | Second Assistant Director |
| Production | Michelle Wright | Executive In Charge Of Production |
| Directing | Beverly Winston | Script Supervisor |
| Camera | René Adefarasin | Second Assistant Camera |
| Production | Winnie Wishart | Production Coordinator |
| Production | Tony Davis | Assistant Production Coordinator |
| Costume & Make-Up | Noriko Watanabe | Hairstylist |
| Sound | Campbell Askew | Supervising Sound Editor |
| Production | Sarah-Jane Robinson | Production Executive |
| Camera | Robert Dibble | First Assistant Camera |
| Directing | Vicki Allen | Third Assistant Director |
| Camera | Bill Geddes | Key Grip |
| Sound | Tim Cavagin | Sound Re-Recording Mixer |
| Costume & Make-Up | Veronica McAleer | Makeup Artist |
| Sound | Alexandra Hill | Music Coordinator |
| Production | Tarn Harper | Post Production Accountant |
| Production | Sarah Shepherd | Assistant Location Manager |
| Production | Emily Craig | Casting Assistant |
| Editing | Billy A. Campbell | First Assistant Editor |
| Costume & Make-Up | Nadia Dunn-Hill | Assistant Costume Designer |
| Costume & Make-Up | Julia Laderman | Makeup Artist |
| Sound | Arthur Graley | Foley Editor |
| Production | Rich Mento | Casting Associate |
| Sound | Nigel Mills | Dialogue Editor |
| Costume & Make-Up | Christine Greenwood | Hairstylist |
| Production | Joanna Colbert | Additional Casting |
| Sound | Daniel Laurie | Dialogue Editor |
| Sound | Steve Mayer | Sound Effects Editor |
| Costume & Make-Up | Julie Thom | Hairstylist |
| Costume & Make-Up | Julie Thom | Makeup Artist |
| Art | Sally Ross | Art Department Coordinator |
| Sound | Sam Auguste | Assistant Sound Editor |
| Costume & Make-Up | Christine Greenwood | Makeup Artist |
| Art | John King | Art Direction |
| Costume & Make-Up | Suzy Freeman | Wardrobe Supervisor |
| Art | Jan Spoczynski | Standby Art Director |
| Costume & Make-Up | Julia Laderman | Hairstylist |
| Art | John Allenby | Property Master |
| Art | Marj Joscelyne | Construction Coordinator |
| Crew | Jim Dowdall | Stunt Coordinator |
| Lighting | Alex Scott | Gaffer |
| Art | Jack Carter | Construction Manager |
| Crew | Marc Cass | Stunt Coordinator |
| Visual Effects | Gemma Thompson | Visual Effects Coordinator |
| Sound | Andie Derrick | Foley Artist |
| Crew | Ray De-Haan | Stunt Coordinator |
| Crew | David Forman | Stunt Coordinator |
| Editing | Thomas Urbye | Online Editor |
| Crew | Andy Godbold | Stunts |
| Camera | Laurie Sparham | Still Photographer |
| Editing | Pat Wintersgill | Online Editor |
| Crew | Andy Bennett | Stunts |
| Crew | James O'Donnell | Stunts |
| Visual Effects | Stefan Drury | Visual Effects Producer |
| Production | Abigail Barbier | ADR Voice Casting |
| Crew | George Cottle | Stunts |
| Crew | Kim McGarrity | Stunts |
| Crew | Roy Clarke | Transportation Captain |
| Sound | Nigel Heath | Foley Mixer |
| Camera | Stephen Morley | Still Photographer |
| Camera | Oliver Upton | Still Photographer |
| Crew | Sarah Clark | Unit Publicist |
| Sound | Kirsten Lane | Music Consultant |
| Editing | Richard Etchells | Online Editor |
| Editing | Max Horton | Colorist |
| Sound | Steve Single | Sound Re-Recording Mixer |
| Sound | Peter Burgis | Foley Artist |
| Production | Louis Elman | ADR Voice Casting |
| Sound | Edward Shearmur | Original Music Composer |
| Art | Les Benson | Dressing Prop |
| Production | Michele Tandy | Finance |
| Production | Sara Desmond | Production Manager |
| Sound | Daniel Laurie | ADR Editor |
