Pecker (Furlong) werkt in een sandwichshop in Baltimore en maakt in zijn vrije tijd foto's van zijn bizarre familie. Als een eigenaar van een kunstgallerie in Manhattan de foto's in handen krijgt, wordt Pecker de nieuwste sensatie in de New Yorkse artwereld...
Nee, helaas is Pecker nog niet beschikbaar op Netflix in Nederland.
| Editing | Janice Hampton | Editor |
| Directing | John Waters | Director |
| Sound | Stewart Copeland | Original Music Composer |
| Camera | Robert M. Stevens | Director of Photography |
| Writing | John Waters | Screenplay |
| Production | Mark Ordesky | Executive Producer |
| Production | Joe Revitte | Executive Producer |
| Sound | John Nutt | Sound Supervisor |
| Production | Mark A. Baker | Producer |
| Sound | David Parker | Sound Re-Recording Mixer |
| Art | Michael Ventresco | Title Designer |
| Art | Jennifer Basnyat | Title Designer |
| Costume & Make-Up | David Davenport | Wardrobe Supervisor |
| Production | Joseph M. Caracciolo Jr. | Executive Producer |
| Production | Jonathan Weisgal | Executive Producer |
| Art | Vincent Peranio | Production Design |
| Sound | Malcolm Fife | Sound Effects Editor |
| Art | Scott T. Pina | Art Direction |
| Costume & Make-Up | Van Smith | Costume Design |
| Production | Billy Hopkins | Casting |
| Art | Randy Bobbitt | Art Department Coordinator |
| Production | Suzanne Smith Crowley | Casting |
| Production | Pat Moran | Casting |
| Art | Patty Burgee | Set Decoration |
| Production | Kerry Barden | Casting |
| Production | Mark Tarlov | Producer |
| Art | James Kelley | Props |
| Art | Claire Sharp | Construction Foreman |
| Production | John Fiedler | Producer |
| Directing | Christine Moore | Script Supervisor |
| Sound | Rick Angelella | Sound Mixer |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Costume & Make-Up | Gina W. Bateman | Makeup Artist |
| Costume & Make-Up | Betty Beebe | Makeup Artist |
| Production | Vincent Peranio | Production Designer |
