Pecker (Furlong) werkt in een sandwichshop in Baltimore en maakt in zijn vrije tijd foto's van zijn bizarre familie. Als een eigenaar van een kunstgallerie in Manhattan de foto's in handen krijgt, wordt Pecker de nieuwste sensatie in de New Yorkse artwereld...
Nee, helaas is Pecker nog niet beschikbaar op Netflix in Nederland.
| Directing | John Waters | Director |
| Camera | Robert M. Stevens | Director of Photography |
| Editing | Janice Hampton | Editor |
| Sound | Stewart Copeland | Original Music Composer |
| Writing | John Waters | Screenplay |
| Production | Mark A. Baker | Producer |
| Costume & Make-Up | David Davenport | Wardrobe Supervisor |
| Production | Joseph M. Caracciolo Jr. | Executive Producer |
| Production | Joe Revitte | Executive Producer |
| Art | Michael Ventresco | Title Designer |
| Art | Jennifer Basnyat | Title Designer |
| Production | Mark Ordesky | Executive Producer |
| Production | Jonathan Weisgal | Executive Producer |
| Sound | Malcolm Fife | Sound Effects Editor |
| Sound | David Parker | Sound Re-Recording Mixer |
| Sound | John Nutt | Sound Supervisor |
| Art | Vincent Peranio | Production Design |
| Art | Scott T. Pina | Art Direction |
| Costume & Make-Up | Van Smith | Costume Design |
| Production | Pat Moran | Casting |
| Art | Patty Burgee | Set Decoration |
| Production | Suzanne Smith Crowley | Casting |
| Production | Kerry Barden | Casting |
| Production | Billy Hopkins | Casting |
| Art | Randy Bobbitt | Art Department Coordinator |
| Production | Mark Tarlov | Producer |
| Art | James Kelley | Props |
| Art | Claire Sharp | Construction Foreman |
| Production | John Fiedler | Producer |
| Directing | Christine Moore | Script Supervisor |
| Costume & Make-Up | Betty Beebe | Makeup Artist |
| Costume & Make-Up | Gina W. Bateman | Makeup Artist |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Sound | Rick Angelella | Sound Mixer |
| Production | Vincent Peranio | Production Designer |
