Na de dood van seriemoordenaar Jigsaw zet forensisch detective Hoffman zijn werk voort. FBI-agent Strahm, die ternauwernood een test van Jigsaw heeft overleeft, ruikt onraad en duikt in het verleden van Hoffman. Ondertussen leren vijf op het oog willekeurige vreemdelingen van Jigsaw een gruwelijke les over samenwerken.
Nee, helaas is Saw V nog niet beschikbaar op Netflix in Nederland.
| Directing | David Hackl | Director |
| Crew | Susan Horton | Stunt Double |
| Crew | Shelley Cook | Stunt Coordinator |
| Crew | Blair Johannes | Stunt Double |
| Crew | Dwayne McLean | Stunt Double |
| Crew | Chad Camilleri | Stunts |
| Crew | Chad Camilleri | Stunt Double |
| Production | Jane Rogers | Background Casting Director |
| Crew | Billy Oliver | Stunt Double |
| Crew | Duncan McLeod | Stunt Double |
| Production | Mark Burg | Producer |
| Production | Oren Koules | Producer |
| Production | Stephanie Gorin | Casting |
| Costume & Make-Up | Alex Kavanagh | Costume Design |
| Production | Gregg Hoffman | Producer |
| Art | Elis Y. Lam | Art Direction |
| Art | Anthony Ianni | Production Design |
| Art | Liesl Deslauriers | Set Decoration |
| Art | Alan Letts | Construction Coordinator |
| Directing | Steve Webb | First Assistant Director |
| Costume & Make-Up | Stephanie Ingram | Key Hair Stylist |
| Costume & Make-Up | Craig-Ryan French | Makeup Artist |
| Art | James R. Murray | Property Master |
| Lighting | Doug Reid | Best Boy Electrician |
| Sound | Geoff Raffan | Dialogue Editor |
| Sound | Keith Elliott | Sound Re-Recording Mixer |
| Editing | Gary Brown | Digital Intermediate |
| Sound | Clive Turner | Sound Effects Editor |
| Costume & Make-Up | Colin Penman | Key Makeup Artist |
| Visual Effects | Jeff Skochko | Special Effects Supervisor |
| Visual Effects | Peter Denomme | Visual Effects Producer |
| Editing | Peter Armstrong | Digital Intermediate |
| Camera | David A. Armstrong | Director of Photography |
| Sound | Mark Gingras | Supervising Sound Editor |
| Lighting | Edward Lipscombe | Rigging Grip |
| Sound | Jonathan McHugh | Music Supervisor |
| Sound | John Douglas Smith | Supervising Sound Editor |
| Editing | Motassem Younes | Digital Intermediate |
| Camera | Steve Wilkie | Still Photographer |
| Sound | Pat Cassin | Boom Operator |
| Sound | Andrew Tay | Sound Re-Recording Mixer |
| Costume & Make-Up | Stephanie Lees | Assistant Costume Designer |
| Visual Effects | Kemal Ally | 3D Animator |
| Visual Effects | Jon Campfens | Visual Effects Supervisor |
| Lighting | Tim Lovell | Rigging Gaffer |
| Camera | Monty Montgomerie | Key Grip |
| Visual Effects | David Alexander | 3D Animator |
| Camera | Brian Gedge | Steadicam Operator |
| Camera | Thomas Care | Dolly Grip |
| Editing | Tom Mayclim | Digital Intermediate |
| Sound | Rob Bertola | Music Editor |
| Sound | Steve Baine | Foley |
| Sound | Mark Zsifkovits | Sound Re-Recording Mixer |
| Lighting | Robert McRae | Gaffer |
| Production | Kym Crepin | Production Manager |
| Editing | Nick Paulozza | Digital Intermediate |
| Editing | Trevor Lewis | Digital Intermediate |
| Sound | Jonathan Platt | Music Supervisor |
| Sound | Jonathan Scott Miller | Music Supervisor |
| Editing | Kevin Greutert | Editor |
| Directing | Elizabeth Tremblay | Script Supervisor |
| Writing | James Wan | Characters |
| Writing | Leigh Whannell | Characters |
| Editing | Chris Wallace | Digital Intermediate |
| Production | Peter Block | Executive Producer |
| Directing | Sarah Buell | Second Assistant Director |
| Production | James Wan | Executive Producer |
| Production | Jason Constantine | Executive Producer |
| Writing | Marcus Dunstan | Screenplay |
| Production | Stacey Testro | Executive Producer |
| Production | Troy Begnaud | Associate Producer |
| Production | Daniel J. Heffner | Executive Producer |
| Writing | Patrick Melton | Screenplay |
| Production | Leigh Whannell | Executive Producer |
| Sound | Charlie Clouser | Original Music Composer |
