Rudy Baylor is een beginnende advocaat die in een zware rechtszaak verzeild raakt. Zijn tegenstanders: een legertje gehaaide juristen. Zijn medestander: Deck Shifflet, een nogal opvliegende media-advocaat die steeds zakt voor zijn rechtbankexamen. Rudy's moet tot het uiterste gaan om het recht te laten zegevieren.
Nee, helaas is The Rainmaker nog niet beschikbaar op Netflix in Nederland.
| Directing | Francis Ford Coppola | Director |
| Writing | Francis Ford Coppola | Screenplay |
| Writing | Michael Herr | Screenplay |
| Writing | John Grisham | Novel |
| Production | Michael Douglas | Producer |
| Production | Fred Fuchs | Producer |
| Production | Steven Reuther | Producer |
| Camera | John Toll | Director of Photography |
| Editing | Barry Malkin | Editor |
| Camera | David Leonard | Grip |
| Production | Jason White | Extras Casting Assistant |
| Production | Georgia Kacandes | Co-Producer |
| Crew | Andy Gill | Stunts |
| Crew | Richard Drown | Stunts |
| Crew | Steve Picerni | Stunts |
| Crew | Scott Wilder | Stunts |
| Production | Georgia Kacandes | Unit Production Manager |
| Directing | Gary Marcus | First Assistant Director |
| Directing | David Kelley | Second Assistant Director |
| Directing | Roman Coppola | Second Unit Director |
| Production | Gary Marcus | Associate Producer |
| Production | Katherine E. Beyda | Production Supervisor |
| Editing | Melissa Kent | Co-Editor |
| Art | Jeffrey D. McDonald | Assistant Art Director |
| Art | Brick Mason | Storyboard Artist |
| Art | Jeffrey Kushon | Leadman |
| Camera | Mike Thomas | First Assistant Camera |
| Camera | Chris Toll | Second Assistant Camera |
| Sound | Nelson Stoll | Sound Mixer |
| Sound | Scott Kinzey | Boom Operator |
| Crew | Kathy Orloff | Unit Publicist |
| Costume & Make-Up | Eileen McCahill | Set Costumer |
| Costume & Make-Up | Daniela Moore | Set Costumer |
| Costume & Make-Up | Susan Thomas | Costume Assistant |
| Art | Jeffrey Paul Johnson | Assistant Property Master |
| Production | Scott Elias | Location Manager |
| Editing | Megan B. Agosto | Assistant Editor |
| Sound | E. Larry Oatfield | Dialogue Editor |
| Sound | Roy Waldspurger | First Assistant Sound Editor |
| Sound | Erich Stratmann | Apprentice Sound Editor |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Sound | Paul J. Zydel | ADR Mixer |
| Sound | Bob Baron | ADR Mixer |
| Sound | David McDonald | ADR Recordist |
| Sound | Douglas Murray | ADR Recordist |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | David Betancourt | Foley Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Emilie A. Bernstein | Orchestrator |
| Lighting | James Plannette | Chief Lighting Technician |
| Lighting | Nick Thomas | Assistant Chief Lighting Technician |
| Camera | Ben Beaird | First Company Grip |
| Camera | Jeff Kunkle | Dolly Grip |
| Camera | Darryl Wilson | Grip |
| Production | Mads Hansen | Assistant Production Coordinator |
| Production | Christopher Gray | Extras Casting |
| Crew | David Sousa | Animal Wrangler |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Crew | Lee Stepp | Transportation Captain |
| Camera | Robert D. Yeoman | Second Unit Director of Photography |
| Directing | Michael Amundson | Second Unit First Assistant Director |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Art | Wayne Fitzgerald | Title Designer |
| Editing | Phil Hetos | Color Timer |
| Sound | Elmer Bernstein | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Production | Linda Phillips-Palo | Casting |
| Art | Howard Cummings | Production Design |
| Art | Bob Shaw | Art Direction |
| Art | Barbara Munch | Set Decoration |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Costume & Make-Up | Lois Burwell | Makeup Artist |
| Costume & Make-Up | Patricia Grande | Hairstylist |
| Costume & Make-Up | Whitney James | Makeup Artist |
| Costume & Make-Up | Arturo Rojas | Hairstylist |
| Art | David Becton | Greensman |
| Art | Eugene McCarthy | Property Master |
| Art | Scott P. Murphy | Set Designer |
| Art | Thomas Michael Ryan | Construction Foreman |
| Art | Jeffrey Schlatter | Construction Coordinator |
| Art | Phillipa Sledge | Art Department Coordinator |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Sound | Clare C. Freeman | ADR Editor |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Bruce Lacey | ADR Editor |
| Sound | Mark Levinson | Supervising ADR Editor |
| Sound | Tim O'Shea | Foley Editor |
| Sound | Jennifer L. Ware | Sound Effects Editor |
| Crew | Jack Gill | Stunt Coordinator |
| Camera | Paul C. Babin | Camera Operator |
| Camera | Phillip V. Caruso | Still Photographer |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Costume & Make-Up | Jennifer Jobst | Key Set Costumer |
| Sound | Kathy Durning | Music Editor |
| Production | Laura Tateishi | Production Coordinator |
| Crew | Barbara Anne Klein | Stunts |
| Production | Francis Ford Coppola | Producer |
| Crew | Guy Clayton | Special Effects Coordinator |
| Sound | David A. Cohen | Dialogue Editor |
| Sound | Dianna Stirpe | Dialogue Editor |
