Brontë Parrish, een geboren en getogen New Yorkse, heeft een droomappartement met aanpalende serre gevonden, maar de eigenaars willen alleen aan echtparen verhuren. De Fransman Georges Fauré krijgt een job aangeboden in de Verenigde Staten, maar moet daarvoor aan een verblijfsvergunning zien te geraken. Een wederzijdse vriend brengt de twee op het idee een verstandshuwelijk af te sluiten. Alles gaat goed tot de immigratiedienst onraad ruikt.
Nee, helaas is Green Card nog niet beschikbaar op Netflix in Nederland.
| Editing | William M. Anderson | Editor |
| Production | Peter Weir | Producer |
| Directing | Peter Weir | Director |
| Production | Edward S. Feldman | Executive Producer |
| Camera | Geoffrey Simpson | Director of Photography |
| Art | Fran Burke | Title Designer |
| Sound | Karin Whittington | Dialogue Editor |
| Sound | Wayne Pashley | Sound Effects Editor |
| Sound | Peter Townend | Sound Effects Editor |
| Sound | Jeanine Chiavlo | Dialogue Editor |
| Sound | Livia Ruzic | Dialogue Editor |
| Sound | Phil Judd | Sound Re-Recording Mixer |
| Production | Ira Halberstadt | Associate Producer |
| Production | Jean Gontier | Co-Producer |
| Production | Dianne Crittenden | Casting |
| Sound | Hans Zimmer | Original Music Composer |
| Art | Wendy Stites | Production Design |
| Production | Duncan Henderson | Co-Producer |
| Costume & Make-Up | Marie-France Vassel | Makeup Artist |
| Art | Ted Glass | Set Decoration |
| Costume & Make-Up | Bette Iverson | Hairstylist |
| Writing | Peter Weir | Writer |
| Art | John H. Anderson | Set Decoration |
| Art | Christopher Nowak | Art Direction |
| Production | Ira Halberstadt | Unit Production Manager |
| Camera | Robert K. Feldmann | Key Grip |
| Camera | Bob Marshak | Still Photographer |
| Directing | Liz Ryan | Second Assistant Director |
| Sound | Pierre Gamet | Production Sound Mixer |
| Crew | Lauren Beth Strogoff | Unit Publicist |
| Lighting | Morris Flam | Gaffer |
| Camera | François Duhamel | Still Photographer |
| Editing | Arthur Cambridge | Color Timer |
| Camera | David S. Tuttman | Second Assistant Camera |
| Costume & Make-Up | Marilyn Matthews | Costume Design |
| Camera | Ken Ferris | Camera Operator |
| Camera | Eric Swanek | First Assistant Camera |
| Camera | Andy Harris | Second Assistant Camera |
| Camera | Arthur Blum | Dolly Grip |
| Art | Tommy Allen | Property Master |
| Art | Scott Rosenstock | Leadman |
| Sound | Bernard Chaumeil | Boom Operator |
| Directing | Alan B. Curtiss | First Assistant Director |
| Art | Anthony Dunne | Construction Coordinator |
| Camera | Jonathan Graham | Best Boy Grip |
| Directing | Eva Z. Cabrera | Script Supervisor |
| Directing | John Rusk | Second Second Assistant Director |
| Art | Joan Brockschmidt | Greensman |
| Crew | Edward O'Donnell | Transportation Coordinator |
| Crew | Kevin Keefe | Transportation Captain |
